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Assemblage Theory and Method: An Introduction and Guide Kindle Edition
By carefully returning to their texts to excavate not only the concept of the assemblage but the related notions of stratification, desire, territorialization, the body without organs, the virtual and the actual, and more, Buchanan corrects many of the modish and often ad hoc appropriations of Deleuze and Guattari’s work so often found in works of contemporary theory. ― Nathan Widder, Professor of Political Theory, Royal Holloway, University of London, UK
Ian Buchanan shows that the assemblage does not refer to things nor to an ensemble of parts, but rather to the constitution of life in chaos. As such, he reveals that the key to analysing new, ever more subtle, forms of social control is to repeat the tasks of schizoanalysis: mapping the intimate connection between stratification and desire in the configuration of territories that make both life, and its annihilation, possible. ― Patricio Landaeta, Professor of Philosophy, Center of Advanced Studies, University of Playa Ancha, Chile
Buchanan has succeeded in offering the clearest and most precise articulation of the concept of assemblage. Displaying an admirable ability to bring the abstract and theoretical to life through vivid, culturally relevant applications, this is a must read for anyone interested in returning to a conceptually rigorous understanding of assemblage that incorporates the full complexity of the term as Deleuze and Guattari intended. ― Janae Sholtz, Associate Professor of Philosophy, Alvernia University, Pennsylvania, USA
Ian Buchanan’s book succeeds in carving out the ‘assemblage theory’ of Deleuze and Guattari against suitors to the illegitimate uses of the concept. By calling into question the condition of the possibility of critical thinking itself, his ruthless and passionate intervention into the debate is the very way that Deleuze and Guattari do European philosophy. His rare achievement reaffirms the view that Deleuze and Guattari are now global thinkers and for everyone interested in the global theory of Deleuze and Guattari, this book proves to be an excellent resource in the ‘minor’ exercise of Deleuze and Guattari. You can resist it but do so at your own risk. ― Alex Taek-Gwang Lee, Professor of Cultural Studies, Kyung Hee University, South Korea --This text refers to the hardcover edition.
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- ASIN : B08C2HXPDT
- Publisher : Bloomsbury Academic; 1st edition (3 September 2020)
- Language : English
- File size : 552 KB
- Text-to-Speech : Enabled
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- Print length : 167 pages
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The second key point is regarding the balance of patience and impatience that characterises the tone of Buchanan's work. At various points Buchanan patiently explicates the concept of assemblage in the context of work that develops relevant conceptual problematics. This is useful for teachers and students when grappling with the concept. On the other hand, Buchanan is impatient with existing commentaries that insufficiently mobilise the concept and that, at worst, are merely performative.
In Assemblage Theory and Method, Ian Buchanan directs us to the "first principles" of Assemblage Theory (AT) embedded in the "Geology of Morals" plateau of A Thousand Plateaus. Deciphering this plateau has long been an interpretive mystery not previously well unveiled because the theory is so abstract, as Deleuze and Guattari intended. Buchanan's incisive and patient explication of AT raises scholarly understanding of the subject to a new level and accounts for why the book was so hard to write. He also tells the rich personal and philosophical stories of Deleuze and Guattari behind the theory itself which only a veteran in the field could provide.
For example: "Deleuze and Guattari only ever had one project--the invention of schizoanalysis." (p. 10) And "Deleuze wanted to talk to someone who worked with schizophrenics in order to test certain ideas he was developing about the language of schizophrenia and his former student suggested he get in touch with Guattari." (p. 11) Deleuze states about A Thousand Plateaus, that what holds it together is "the idea of an assemblage (which replaces the idea of desiring machines)." (p. 12) We are also reminded that Guattari continues to develop schizoanalysis and AT in his Machinic Unconscious after Deleuze stopped publishing.
Deleuze's meta-assemblage concepts ("given a specific situation what kind of assemblage would be required to produce it"):
1) AT replaces the idea of the "desiring machine." It is not just about things arranged together in a merely materialistic or mechanistic or materialistic order, but the problematic of identifying the conditions for what is happening in the happening (event), the ongoing process.
2) Deleuze states that he and Guattari "are trying to substitute the idea of the assemblage for the idea of behavior [the basis of which is desire]: whence the importance of ethology." (p. 13) Ethology then becomes not just about animal behavior, but a means by which to formulate the problem of desire in general, and is not limited to animalistic determinism characteristic of past ethological concepts.
3) The 'general logic' of assemblages includes the basis of chaos as ground zero for desire and the source of all creativity, and of all destruction. Also, one cannot start from a single assemblage, but must start "all at once."
The Problem of Strata:
Strata are a systemic way of problematizing appearances and are the processes over time at the heart of producing nature, whether geological, biological or alloplastic (techno-semiological, Buchanan's term), not just the thing itself. Each strata is composed of the double articulation of two quintessential variables , content and expression, which are in turn different for each strata. Like a three dimensional chess game, only the pieces at the top level (cultural, translation) can move across all planes (alloplastic) while the first (geological/induction) and second (biological, transduction) are homoplastic.
The dimension of the internal limit of the assemblage is the form of content (machinic assemblage of bodies) while the dimension of the external limit of assemblage is the form of expression (collective assemblage of enunciation). Content and expression (from Hjelmslev) interact reciprocally in resonance between two distinct and autonomous formalizations. The event occurs on the expressive side which resonates and bounces off the bodies on the content side. It is the abstract machine which is the event that gives a stratum its unity while the process of deterritorialization moves via affects which unite and disunite with bodies.
First principles of stratification:
1) Chaosmosis: "In the beginning, there is the chaos of unformed and unstable matters that flow freely as so many mad particles or intensities." (p. 35)
2) "Desire is a free flowing stream of intensities subject to processes of capture and coagulation which give rise to and constitute the entire world." (p. 38)
3) Stratification is a process of capture which works by means of coding and territorialization (the dual processes of the assemblage)." (p. 42).
4) The abstract machine "simultaneously constitutes the unity of composition of the stratum and constructs 'continuums of intensity' on the plane of consistency." (p. 44) It is a machine because it is pragmatic, i.e., influences our behavior, but it is abstract because it is not material or tangible.
Why the concept of stratification is needed:
1) Assemblages produce things other than themselves such as complex forms and objects which populate society and culture.
2) Stratification is needed to analyze and explain our otherwise unarticulated multi-layered lives.
3) Stratification locates events in periods and conceptualizes history as discontinuous.
4) Since subjects are produced, a process must be theorized capable of producing subjects and subjectivity as can be seen in the chapter of A Thousand Plateaus on the body without organs.
Deleuze and Guattari's ontology is the transcendental empiricism of an "organized transcendental plane sitting on top of an unorganized immanent plane." (p. 52)
Chapter Two: Desire and Machines.
The assemblage is desire in its machinic modality (not just Oedipal). "The body without organs is positioned here as an agency of the mind that determines when and how and under what conditions desire can flow." (p. 77) The Masochist Assemblage section is an explication of how sadism and masochism can be analyzed not by Freudian drive theory, but by AT.
Chapter Three: Territory
Territory is "chaos defined as an existential condition rather than a physical state of affairs. Chaos relentlessly activates processes of death, against which processes of life such as art, philosophy and science develop. "Territory is an act, a passage, not a space. It is the composition of one's own world." (p. 98)
D&G parse language as "the set of all order words, implicit presuppositions, or speech acts current in a language at a given moment." (p. 100) They focus on language, not as communication of a sign as information, but as a social phenomenon by which order-words impose order on human reality, the collective assemblage of enunciation. The performative as order-word is everywhere in language, where an act is connected to the expressed of a statement by the power of social obligation. (p. 102)
Chapter Four: Expressive Materialism (vs. new materialism or vital materialism)
This chapter is basically a critical review of Jane Bennet (Vibrant Matter) who makes the error of reducing assemblage to physical parts just added together, ignoring the dual dimension not only of the material (form of content, machinic assemblage) but also of the expressive (form of expression, collective assemblages of enunciation. Also ignored is the principle of unity (abstract machine) and the condition of any thing’s possibility (body without organs, plane of immanence, plane of consistency, etc.) (p. 121).
Buchanan also demonstrates the explanatory power of AT by reviewing a study of itinerant housing (Lea) and one of imprisonment (Wacquant) by AT standards.
Chapter Five: Control Assemblage--an insightful explication based on Deleuze's essay "Postscript on Control Societies" which adds nicely to the trajectory of AT.
Buchanan thus gives us a much needed redefinition and a boiling down of D&G's most abstract concepts into a pragmatic explication of AT and related concepts for the rest of us to use as touch points and stepping stones to more accurately implement their concepts with both consistency and creativity.