"Sáenz' poetic narrative will captivate readers from the first sentence to the last paragraph of this beautifully written novel. . . . It is also a celebration of life and a song of hope in celebration of family and friendship, one that will resonate loud and long with teens."—Kirkus Reviews

"…There is never a question of either Sáenz’s own extraordinary capacity for caring and compassion or the authenticity of the experiences he records in this heartfelt account of healing and hope."—Booklist

"Offering insight into [an adolescent's] addiction, dysfunction and mental illness, particularly in the wake of traumatic events, Sáenz's artful rendition of the healing process will not soon be forgotten."—Publishers Weekly

"Sáenz weaves together [18-year-old] Zach's past, present, and changing disposition toward his future with stylistic grace and emotional insight. This is a powerful and edifying look into both a tortured psyche and the methods by which it can be healed."—School Library Journal

Zach is eighteen. He is bright and articulate. He's also an alcoholic and in rehab instead of high school, but he doesn't remember how he got there. He's not sure he wants to remember. Something bad must have happened. Something really, really bad. Remembering sucks and being alive—well, what's up with that?

I have it in my head that when we're born, God writes things down on our hearts. See, on some people's hearts he writes Happy and on some people's hearts he writes Sad and on some people's hearts he writes Crazy on some people's hearts he writes Genius and on some people's hearts he writes Angry and on some people's hearts he writes Winner and on some people's hearts he writes Loser.

It's all like a game to him. Him. God. And it's all pretty much random. He takes out his pen and starts writing on our blank hearts. When it came to my turn, he wrote. I don't like God very much. Apparently he doesn't like me very much either. Sad

Benjamin Alire Sáenz is a prolific novelist, poet, and author of children's books. Sammy and Juliana in Hollywood, his first novel for young adults, was a finalist for the Los Angeles Times Book Prize and a Young Adult Library Services Association Top Ten Books for Young Adults pick in 2005.

"The story's rhythmic, repetitive structure makes it an excellent read-aloud. . . . Meanwhile, [Esau Andrade] Valencia's bright oil paintings evoke the joy of dreams and imagination. . . . Children of all backgrounds will enjoy it."—School Library Journal

Ninety-two-year-old Octavio Rivera is a beautiful dreamer. And lately he has been visited by some very interesting dreams—dreams about piñatas that spill their treasures before him, revealing kissing turtles, winged pigs, hitchhiking armadillos and many more fantastic things! Octavio doesn’t tell anyone about his dreams except his young granddaughter Regina because she alone understands beautiful and fantastic dreams. On the ninth afternoon Octavio prepares for his siesta hoping to be blessed with one last lovely dream. That afternoon he dreams of a sky full of sweet and perfect hummingbirds calling his name over and over again…

Like Margaret Wild’s marvelous book Old Pig, A Perfect Season for Dreaming unfolds the sweet possibilities in relationships between the very old and the very young.

Benjamin Alire Sáenz­—novelist, poet, essayist and writer of children’s books—is at the forefront of the emerging Latino literatures. He has received the Wallace Stegner Fellowship and the Lannan Fellowship and an American Book Award. He teaches at the University of Texas at El Paso, and considers himself a fronterizo, a person of the border.

Esau Andrade Valencia, born in Mexico, comes from a family of folk artists. Although still young, he is increasingly recognized as a master artist in the tradition of the great painters such as Diego Rivera and Rufino Tamayo, in whose footsteps he follows. Esau's paintings are included in the collection of The Museum of Latin American Art in Long Beach as well as in the Downey Museum of Art in California.

This is a bilingual book for kids and dogs and even their parents. Like all kids, Little Diego and his big sister Gabriela argue over their new dog Sofie. She belongs to me, says Diego. No, she’s mine, says Gabriela. It’s only when Sofie gets really sick that they find out who their tortilla-loving pup really belongs to. Once again, Benjamin Alire Sáenz shows he understands the chemistry and dynamics of family, this time with a dog stirring up the recipe. The illustrations for The Dog Who Loved Tortillas are by Geronimo Garcia, who created the characters of Little Diego and Gabriela first introduced in Sáenz’s early best-selling title A Gift from Papá Diego (sixty thousand copies in print).

Benjamin Alire Sáenz received three starred Publishers Weekly reviews in 2008—one for his young adult novel He Forgot to Say Goodbye (Simon & Schuster) and two for his illustrated book A Perfect Season for Dreaming (Cinco Puntos Press). Long at the forefront of the emerging Latino literature in the United States, he has received both the Wallace Stegner and Lannan fellowships, and he is a recipient of the American Book Award. His young adult novel Sammy & Juliana in Hollywood was named one of the Top Ten Best Books for Young Adults in 2005. Saenz lives in El Paso, Texas.

Geronimo Garcia is a highly successful and internationally recognized graphic designer. He lives in El Paso, Texas.

The “Hollywood” where Sammy Santos and Juliana Ríos live is not the West Coast one, the one with all the glitz and glitter. This Hollywood is a tough barrio at the edge of a small town in southern New Mexico. Sammy and this friends—members of the 1969 high school graduating class—face a world of racism, dress codes, war in Vietnam and barrio violence. In the summer before his senior year begins, Sammy falls in love with Juliana, a girl whose tough veneer disguises a world of hurt. By summer’s end, Juliana is dead. Sammy grieves, and in his grief, the memory of Juliana becomes his guide through this difficult year. Sammy is a smart kid, but he’s angry. He’s angry about Juliana’s death, he’s angry about the poverty his father and his sister must endure, he’s angry at his high school and its thinly disguised gringo racism, and he’s angry he might not be able to go to college. Benjamin Alire Sáenz, evoking the bittersweet ambience found in such novels as McMurtry’s The Last Picture Show, captures the essence of what it meant to grow up Chicano in small-town America in the late 1960s.

Benjamin Alire Sáenz—novelist, poet, essayist and writer of children’s books—is at the forefront of the emerging Latino literatures. He has received both the Wallace Stegner Fellowship and the Lannan Fellowship, and is a recipient of the American Book Award. Born Mexican-American Catholic in the rural community of Picacho, New Mexico, he now teaches at the University of Texas at El Paso, and considers himself a “fronterizo,” a person of the border.