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Billy And The Minpins Paperback – 1 September 2018
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- Print length128 pages
- LanguageEnglish
- PublisherPenguin UK
- Publication date1 September 2018
- Dimensions12.9 x 0.9 x 19.8 cm
- ISBN-100141377526
- ISBN-13978-0141377520
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Product description
About the Author
Quentin Blake has illustrated more than three hundred books and was Roald Dahl's favourite illustrator. In 1980 he won the prestigious Kate Greenaway Medal. In 1999 he became the first ever Children's Laureate and in 2013 he was knighted for services to illustration.
Quentin Blake has illustrated more than three hundred books and was Roald Dahl's favourite illustrator. In 1980 he won the prestigious Kate Greenaway Medal. In 1999 he became the first ever Children's Laureate and in 2013 he was knighted for services to illustration.
Product details
- Publisher : Penguin UK (1 September 2018)
- Language : English
- Paperback : 128 pages
- ISBN-10 : 0141377526
- ISBN-13 : 978-0141377520
- Item Weight : 117 g
- Dimensions : 12.9 x 0.9 x 19.8 cm
- Country of Origin : India
- Best Sellers Rank: #23,614 in Books (See Top 100 in Books)
- #315 in Children's Humour (Books)
- #571 in Children's Action & Adventure
- #584 in Children's Fantasy (Books)
- Customer Reviews:
About the author

The son of Norwegian parents, Roald Dahl was born in Wales in 1916 and educated at Repton. He was a fighter pilot for the RAF during World War Two, and it was while writing about his experiences during this time that he started his career as an author.
His fabulously popular children's books are read by children all over the world. Some of his better-known works include James and the Giant Peach, Charlie and the Chocolate Factory, Fantastic Mr Fox, Matilda, The Witches, and The BFG.
He died in November 1990.
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I was sorry to have missed out. Because Billy and the Minpins tells the delightful tale of how Little Billy succumbs to temptation, escapes the clutches of his over-protective mother, enters the forbidden - and compelling for that very reason - Forest of Sin and finds himself in a whole new magical world. It's very short, and an easy read, yet I can honestly say that I loved every single page. And not just because of Quentin Blake's wonderful illustrations (though they help too)!
The problem I had with this book might have more to do with the fact that I'm grown-up and cynical. But unlike just about all of Dahl's other offerings, it didn't feel entirely original. The idea of miniature people living in trees borrows heavily from Mary Norton and Enid Blyton, and the names of many of the monstrous creatures - whangdoodles, hornswogglers, snozzwanglers and vermicious knids - are lifted straight out of Charlie and the Chocolate Factory and Charlie and the Great Glass Elevator.
I doubt that Dahl's target audience of young children could care less about any of this. But I note that this was the last children's book he wrote, and that it was published shortly after his death in 1990. And I can't help but wonder if this was an early draft, which would have been re-written and perhaps made longer, but which was published before Dahl would have considered it finished. If this is the case, it's a real pity that Dahl died when he did, because this book could perhaps have been so much more.
What we have, though, is good enough. And of course, it ends with one of the most inspirational quotes that I can remember seeing in a children's book: "And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don't believe in magic will never find it".
Read this book and even if, like me, you're a grumpy old man, I defy you not to want to believe.

I know that the original Patrick Benson picture book illustrations for the Minpins are more suited to the atmosphere of the story and I know that the re-illustrated versions of the pre-1978 Dahl stories might be a mere cash grab by Dahl's estate and publishers. However, this new Minpins hardback is like a capstone to the Dahl & Blake collaboration. Initially I was surprised that Blake would want to attempt the story, but when I purchased my copy of the book, I felt relieved that he adapted his style well the demands of the story.
Blake's illustrations are in a different style from the Benson originals. The original Benson pictures were naturalistic and atmospheric. The colour illustrations in the earlier version are cross-hatched and allow scenes to play out on a broad canvas. In contrast, Blake is more sprightly and more close-up and his illustrations accompany the story at every step. Occasionally the vignettes don't place themselves within a context, but we can still have an idea of the scene even when viewing these drawings. I have to admit that sometimes the atmosphere in the Benson pictures obscures the actors in the story, and so it's hard to see Billy, the minpins and the birds when they are not brought into the foreground. Some people may think that Blake's style better fits the Dahl books of the early 1980s, but here Blake shows remarkable restraint in depicting Billy's adventures with the Minpins.
The book feels more grown-up than the picture book version, as the story is now divided into 10 chapters. As such, it has a bit more stature to it and can take its place alongside the three other novellas in Dahl's corpus.
Don't be afraid - this Blake Minpins hardback does more than justice to the story. It may be different from Benson's naturalistic picture book illustrations, but it has its own rewards to devotees of Dahl and Blake.
I think I might be keen to see Dahl's estate put out a colour edition of this Blake edition of the Minpins.


