Cris Mazza

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About Cris Mazza
In the first decade of the 21st century, Cris Mazza's work as a novelist expanded as she has continued to consider psychological and emotional complexities of contemporary life, but began to do so with the contributing complication of place: How regions or localities that still have their own unique characteristics of landscape, society, and culture impact the human experiences (sexuality, family, authority, gender) that Mazza explores in fiction. Her 9th book in 2001, Girl Beside Him, inhabits rural Wyoming. Homeland, (2004) involves a woman and her elderly father grappling with a 30-year-old family tragedy while they also find themselves homeless, living in the canyons of suburban Southern California alongside migrant agricultural workers. Indigenous / Growing Up Californian (2003), Mazza’s collection of personal essays, deals with place as it anchors memory and the reconstruction of experience. Waterbaby (2007) looks at how local 19th century legends still live and grow in a seacoast town in Maine. 2009’s Trickle-Down Timeline married time and place, returning to Southern California in the Reagan era 80s. Mazza’s forthcoming novel, Various Men Who Knew Us as Girls continues her unrelenting look at sexual anxiety, now expanding into the nearly unmapped world of outdoor sex slaves in Southern California, as a troubled woman trying to rescue one of them admits her horror has blended with envy.
In 1984 Cris Mazza's first novel (and 3rd book), How to Leave a Country, while still in manuscript won the PEN / Nelson Algren Award for book-length fiction. The judges included Studs Terkel and Grace Paley. Some of her other notable earlier titles include Disability and Is It Sexual Harassment Yet? which was reviewed in the Wall Street Journal.
A native of Southern California, Cris Mazza grew up in San Diego County. Her BA and MA were completed at San Diego State University, then she crossed the country to finish an MFA in writing at Brooklyn College before returning to San Diego where she lived several years training and showing her dogs, completing her first 4 books, and teaching at various local colleges and universities, including UC San Diego, and was Writer in Residence at Austin Peay State University in Clarksville, TN, then at Allegheny College in Meadville, PA. Currently she is professor and director of the Program for Writers at the University of Illinois at Chicago.
Author Updates
Books By Cris Mazza
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In the spirit of her critically acclaimed story collection Is It Sexual Harassment Yet?, Cris Mazza has completed a new collection titled Trickle-Down Timeline. The eleven stories and three micro-fictions in Trickle-Down Timeline are focused glimpses into individual lives subtly influenced by the political and social milieu of the 1980s. The title-story, “Trickle-Down Timeline,” which swims within a timeline of carefully selected items from the Reagan presidency, sets the tone for the collection: The “new” conservativism in American politics, which essentially began with Reagan, is a backdrop designed to color these stories about individual people struggling with their own lives in the era just before computers, at the dawn of “safe sex,” for a sub-generation of people who came of age without a war in Vietnam to unite them. The book’s format allows this title story to tint and launch the rest of the collection, arranged with each corresponding to a year from the 1980s.
By now, nostalgia for the 1980s is an established sphere dedicated only to reminiscence about music, movies, TV shows, fads and styles of the decade, geared toward those who were in junior high or high school during the 80s. What this kind of nostalgia seems to say is that to these “children of the 80s” (who were, after all, children in the 80s), the only things that concerned them were music, movies, TV shows, fads and styles. In this way, most popular observations about the 80s tend to support mainstream media’s generalized summary which refers to the 80s as the decade of excess, of consumerism, of superficiality, of the “me-generation.” What is missed, forgotten or disregarded by this kind of accepted emblematic synopsis is that there were other people in the 80s who were struggling, and not just financially. For some people, the surplus and glut were part of some other world, not theirs; and it couldn’t be a “me-generation” if they didn’t know who they were or where they were going. They were often just finding out what they were going to want; or they were, in starting out, already where they were going to end up.
Some situations included in these stories include: lovers who become born-again Christians, childhood heroes beginning to disillusion and disappoint, the strain of women’s careers leading them to abandon their social ideals, divergent careers leading to long-distance relationships; characters grappling with negative body image, resentment of a spouse’s career success, and even a character whose development from childhood can be paralleled with the history of an inauspicious professional baseball team.
Some of these stories were actually written in the 80’s. A very few in the 90’s. Several were written in the 21st century. This allows them to each have their own way of offering an element of the 80s. Whether it is because their narrative style is the voice of a developing fiction writer in the minimalist-crazed 80s, or whether it is because they have the sharper (or sadder) eye of retrospect.
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As children, Tam and her older brother were swimming when she suffered her first epileptic seizure. He pulled her from the water and was crowned a hero. Tam was labeled disabled” and never swam again. And so began 30 years of vigilance, never allowing her body to betray her, never allowing her brother or her family or anyone else to influence her path. Now, in middle age, a lifetime’s worth of control has taken its toll.
Exhausted, she heads to Maine where, while working on a genealogy project, she falls under the spell of two dead women: an ancestor, Mary Catherine, who died at 33; the other, the town ghost. Through their cloistered, tragic lives Tam relives her own life over and over--until a distant cousin forces her to see herself in a new light. This novel of one woman's quest to transcend self-imposed limitations is superbly crafted and richly satisfying, and "shows us how, through resuscitating our pasts, and rescuing each other, we might just save ourselves" (Alex Shakar, author of Savage Girl).
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