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Parvana's Journey is about a young girl's talent for friendship, hope and gritty determination despite the ravages of war. Sometimes shocking and sad, always compelling, this novel takes an honest, compassionate look at the situation in Afghanistan, and the courage and resilience that can keep children afloat even in the most terrible circumstances.
A sequel to the international bestseller, Parvana.
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find a new future for herself. This is another deeply moving story from Deborah Ellis, which casts light for readers on the ongoing human situation in Afghanistan.
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and freedom of women with suspicion and fear. And that means Parvana - and her family - are in danger. When she's taken away by American soldiers, suspected of being a terrorist, Parvana must find a way to protect her family, and keep her hope alive.
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Taliban, and the desperation of a country trying to survive. But even in despair lies hope . . . Deborah Ellis has been to Afghan refugee camps and has listened to many stories like Parvana's.
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Fifteen-year-old Farrin has grown up with secrets: ten years after the overthrow of the Shah, her aristocratic mother is still working against Iran's conservative revolutionary government. But when Farrin befriends Sadira, the intriguing and outgoing new student at her school for gifted girls, her own new secret is even more dangerous. Because the girls discover their relationship is more than just a friendship—and in Iran, being gay is punishable by death.
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Should she help him?
After all, she's just a cat.
Or is she?
It turns out that this particular cat is not used to thinking about anyone but herself. She was once a regular North American girl who only had to deal with normal middle-school problems - staying under the teachers' radar, bullying her sister and the uncool kids, outsmarting her clueless parents. But that was before she died and came back to life as a cat, in a place with a whole different set of rules for survival.
When the little boy is discovered, the soldiers don't know what to do with him. Where are the child's parents? Why has he been left alone in the house? It is not long before his teacher and classmates come looking for him, and the house is suddenly surrounded by Palestinian villagers throwing rocks, and the sound of Israeli tanks approaching. Not my business, thinks the cat. Then she sees a photograph, and suddenly understands what happened to the boy's parents, and why they have not returned. As the soldiers begin to panic, disaster seems certain, and she knows that it is up to her to defuse the situation. But what can a cat do? What can any one creature do?
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Als ihr Vater verhaftet wird, nimmt die elfjährige Parvana seinen Platz auf dem Markt in Kabul ein. Hier hatte er den vielen Analphabeten ihre Post vorgelesen. Wegen der restriktiven Gesetze der Taliban kann sie sich jedoch nur als Junge verkleidet in der Öffentlichkeit zeigen. Und begibt sich so in große Gefahr ...
Top-Thematik: Frauen unter dem Taliban-Regime
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Parvana und ihre Freundin Shauzia erleben die Willkürherrschaft der Taliban, dann den Krieg gegen die Amerikaner. Familien müssen fliehen, werden auseinandergerissen, Kinder versuchen - völlig auf sich gestellt - irgendwie zu überleben. Jedes der beiden Mädchen muss seinen Weg allein gehen: Parvana schlägt sich in den Norden Afghanistans durch, weil sie hofft, dort ihre Mutter und ihre Geschwister wiederzufinden.
Shauzia flieht nach Pakistan, um der geplanten Zwangsheirat zu entkommen.
Trotz aller Rückschläge erreichen beide ihr Ziel und haben noch immer die Kraft, an ein besseres Leben und an ein Wiedersehen zu glauben.
Die Trilogie ist eine Erfolgsgeschichte: Vor 10 Jahren erschien der erste Band, weltweit wurden 2 Millionen Bücher verkauft, knapp eine Million Dollar aus den Tantiemen von Deborah Ellis gingen als Spenden an Straßenkinder und an Frauenorganisationen in Afghanistan.
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Winner of the Social Justice Literature Award
For two years, author and activist Deborah Ellis traveled across the United States and Canada, interviewing more than forty Indigenous kids and inviting them to tell their own stories.
They come from all over the continent — from Iqaluit to Texas, Haida Gwaii to North Carolina. Their stories are sometimes heartbreaking, but more often they are full of pride and hope.
You’ll meet Tingo, who has spent most of his young life living in foster homes and motels, and is now thriving after becoming involved with a Native Friendship Center; Myleka and Tulane, young Navajo artists; Eagleson, who started drinking at age twelve but now continues his family tradition working as a carver in Seattle; Nena, whose Seminole ancestors remained behind in Florida during the Indian Removals, and who is heading to New Mexico as winner of her local science fair; Isabella, who defines herself more as Native than American; Destiny, with a family history of alcoholism and suicide, who is now a writer and pow-wow dancer.
Deborah briefly introduces each child and then steps back, letting the kids speak directly to the reader. The result is a collection of frank and often surprising interviews with kids aged nine to eighteen, as they talk about their daily lives, about the things that interest them, and about how being Indigenous has affected who they are and how they see the world.
Key Text Features
foreword
annotated resources
further reading
photographs
author’s note
Correlates to the Common Core State Standards in English Language Arts:
CCSS.ELA-LITERACY.RI.5.2
Determine two or more main ideas of a text and explain how they are supported by key details; summarize the text.
CCSS.ELA-LITERACY.RI.5.6
Analyze multiple accounts of the same event or topic, noting important similarities and differences in the point of view they represent.
CCSS.ELA-LITERACY.RI.6.3
Analyze in detail how a key individual, event, or idea is introduced, illustrated, and elaborated in a text (e.g., through examples or anecdotes).
CCSS.ELA-LITERACY.RI.6.6
Determine an author's point of view or purpose in a text and explain how it is conveyed in the text.
CCSS.ELA-LITERACY.RI.6.9
Compare and contrast one author's presentation of events with that of another (e.g., a memoir written by and a biography on the same person).
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Since its publication in 2000, hundreds of thousands of children all over the world have read and loved The Breadwinner, the fictional story of eleven-year-old Parvana living in Kabul under the terror of the Taliban. But what has happened to Afghanistan’s children since the fall of the Taliban in 2001? In 2011, Deborah Ellis went to Kabul to find out.
The twenty-six boys and girls featured in this book range in age from ten to seventeen, and they speak candidly about their lives now. They are still living in a country at war. Violence and oppression exist all around them. The situation for girls has improved, but it is still difficult and dangerous. And many children — boys and girls — are still supporting their families by selling items like pencils and matches on the street.
Yet these kids are weathering their lives with remarkable courage and hope, getting as much education and life experience and fun as they can.
All royalties from the sale of Kids of Kabul will go to Canadian Women for Women in Afghanistan (www.cw4wafghan.ca), which administers Parvana’s Fund, supporting schools, libraries and literacy programs for Afghan women and children.
Key Text Features
photographs
maps
glossary
introduction
historical context
additional information
Correlates to the Common Core State Standards in English Language Arts:
CCSS.ELA-LITERACY.RI.5.6
Analyze multiple accounts of the same event or topic, noting important similarities and differences in the point of view they represent.
CCSS.ELA-LITERACY.RI.6.6
Determine an author's point of view or purpose in a text and explain how it is conveyed in the text.
CCSS.ELA-LITERACY.RI.6.9
Compare and contrast one author's presentation of events with that of another (e.g., a memoir written by and a biography on the same person).
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In the spirit of The Silver Sword and from the author of the bestselling Parvana series, this heart-stopping story of courage and friendship is based on the true experiences of children, caught up in the refugee jungle of Calais and striving to find a place for themselves in the world. A novel of high adventure and heart-stopping suspense by a writer at the height of her powers.
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USBBY Outstanding International Books Honor List
In this book, Deborah Ellis turns her attention to the most tragic victims of the Iraq war -- Iraqi children. She interviews young people, mostly refugees living in Jordan, but also a few who are trying to build new lives in North America. Some families have left Iraq with money; others are penniless and ill or disabled. Most of the children have parents who are working illegally or not at all, and the fear of deportation is a constant threat.
Ellis provides an historical overview and brief explanations of context, but other than that allows the children to speak for themselves, with minimal editorial comment or interference. Their stories are frank, harrowing and sometimes show surprising resilience, as the children try to survive the consequences of a war in which they played no part. A glossary, map and suggestions for further information are included.
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