Edith Hope Bishop

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About Edith Hope Bishop
Edith Hope Bishop is a writer in Seattle, Washington. She grew up in South Florida, has degrees from Harvard and Columbia, and taught for several years in a public high school in Seattle. She was a finalist in the Pacific NW Writers Association Literary Contest in 2016 and 2013. Her work has recently appeared in Mythic Delirium, Yellow Chair Review, and Lucia Journal. She can be found online at http://www.ehbishop.com/ and is most at home near, on, or in any body of salt water.
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Author Updates
Books By Edith Hope Bishop
Villains & Vengeance: A Sirens Benefit Anthology
8 Sep, 2021
by
Natalie J. Case (Editor),
J.S. Artz,
C.G. Aubrey,
Edith Hope Bishop,
Stina Branson,
Rebecca Gomez Farrell,
Lola Lindle,
Stella Luna,
S.M. Mack,
Jasmin Nyack
₹ 365.00
The stories and poems in this collection speak of villains who seek to control or kill, survivors seeking revenge, and good people making hard decisions. Sometimes uncomfortable, often scary, this anthology has contributions across the spectrum of speculative fiction, including fantasy, science fiction, and horror, from ten talented authors who invite you into the worlds they have created.
inclusive of all taxes
Heroes & Hellions: A Sirens Benefit Anthology
22 Sep, 2019
by
Natalie Case (editor),
Edith Bishop,
Kristen Blount,
Lyta Gold,
Rowan Grigsby,
Christine Hanolsy,
A.K. Hudson,
Lola Lindle,
Cynthia Porter
₹ 365.00
Defining who is a hero and who is a hellion seems like a matter of perspective. Those who dance to their own drummers and refuse to conform to expectations are often called out as hellions, as those who make trouble for trouble's sake. But is a hero really much different? This collection offers eight stories of strong people making hard choices, doing the best they can in the places they are. You decide: hero or hellion.
Other Formats:
Paperback
inclusive of all taxes
Witches & Warriors: A Sirens Benefit Anthology
7 Oct, 2018
by
Jessica Corra (editor),
Cass Morris,
Edith Hope Bishop,
Jennifer Adam,
Rook Riley,
Nivair H. Gabriel,
Kate Larking,
Cynthia Porter
₹ 368.00
Witches are often portrayed as old and frail, but they wield tremendous power whether through magic, potions, or poisons. Warriors are fighters: they seem to sacrifice traditional feminine values to protect others. At least, that's what the stereotypes would have us think. Witches and Warriors seem antithetical somehow for their opposing strengths: they represent spirit and body in many ways. This collection shows they are not so different, and that these strengths are far from mutually exclusive.
Other Formats:
Paperback
inclusive of all taxes
Queens & Courtesans: A Sirens Benefit Anthology
7 Oct, 2018
by
Jessica Corra (editor),
Tina LeCount Meyers,
J. Lynn Baker,
Artemis Grey,
Kate Larking,
Cynthia Porter,
Rook Riley,
Elle Zygmunt
₹ 368.00
Women have long wielded power in various ways. This collection explores two prominent archetypes, the Queen and the Courtesan, in memorable stories that cross speculative genres. Whether finding love or finding themselves, coming into their magic or other strengths, these complex women rise above the roles that confine them to ask: who will you be?
inclusive of all taxes
Rebels & Revenants: A Sirens Benefit Anthology
18 Sep, 2018
by
Natalie J. Case (editor),
K. B. Wagers,
Robyn Bennis,
Lyta Gold,
Rook Riley,
Arden Ruth,
Cynthia Porter,
Lola Lindle,
Kallyn Hunter
₹ 362.00
REBELS AND REVENANTS features the dead and the undead, ghosts both figurative and literal, Elder Gods and Egyptian queens, and, funny enough, more than a little rebellion. Most of all, these eleven stories have heart, with a strong sense of family threading through them, either the one you’re born to or the one you make.
REBELS AND REVENANTS will teach you that when you find your place, you better stake a claim and stand by it.
REBELS AND REVENANTS will teach you that when you find your place, you better stake a claim and stand by it.
inclusive of all taxes
Mythic Delirium Magazine Issue 4.4
1 Apr, 2018
by
Edith Hope Bishop,
A. T. Greenblatt,
Virginia M. Mohlere,
Kyla Ward,
Kate MacLeod,
Benjanun Sriduangkaew,
Maya Chhabra,
John Philip Johnson,
Maria Haskins,
Janna Layton
₹ 194.00
Twenty years: that’s cause for celebration. Amazing as it is to herald two decades of this magazine, that’s not the only number we’re toasting. This issue is the 20th since Mythic Delirium became a web and ebook publication. Not to mention, the print version of Mythic Delirium encompassed 30 issues total, so that makes this issue the 50th overall.
The very first issue of Mythic Delirium appeared in spring 1998, printed in a teeny apartment on a cheap inkjet printer that wasn’t at all up to the task. Humble origins for a journal that would go on to showcase the likes of Amal El-Mohtar, Neil Gaiman, Ursula K. Le Guin, Ken Liu, Jane Yolen (and many, many more) and publish five Rhysling Award-winning poems.
This special 20th anniversary issue doubles our usual number of stories. Edith Hope Bishop returns to our pages with “The Sky Watcher,” a gentle fable for our times, while A. T. Greenblatt joins Mythic Delirium for the first time with “Graffiti Guardians,” a fearsome tale of standing up for what you love through art. Kate MacLeod’s “Sword and Tattoo” examines the courage that inspires a reckoning with the past. In “Red as Water, White as Ruin,” Benjanun Sriduangkaew offers a gorgeous blend of science fiction and horror. We’d bet that post-apocalyptic “Mothers, Watch Over Me” by Maria Haskins won’t leave a single dry eye in the house by the time its turn on the stage is finished. “Medved the Hamster” by Janna Layton observes human follies and foibles through an absurd lens.
Virginia M. Mohlere rejoins us with “Cardiad,” a wistful and mythic poem from the heart. “Libitina’s Garden” by Kyla Ward provides a trio of dark sonnets set in ancient Rome. “After Pandora” by Maya Chhabra suggests the true fate of Hope is different from what you might have expected. In “Glut of Norths: A Purgatory,” John Philip Johnson projects a haunting vision of horses and purpose. Peri Fae Blomquist’s stanzas grant us a look into the daily life of “Mother Giant,” and Davian Aw’s “This Is for the Times” finds a moment of peace in a universe of possibilities.
Our cover art, Hjalmar Wåhlin’s wistful “Heaven at Last,” has a moving story behind it, as it portrays the artist’s imagining of a reunion with his father, who died of cancer. For us it represents a joyful leave-taking, an embrace of the next phase of the journey.
The very first issue of Mythic Delirium appeared in spring 1998, printed in a teeny apartment on a cheap inkjet printer that wasn’t at all up to the task. Humble origins for a journal that would go on to showcase the likes of Amal El-Mohtar, Neil Gaiman, Ursula K. Le Guin, Ken Liu, Jane Yolen (and many, many more) and publish five Rhysling Award-winning poems.
This special 20th anniversary issue doubles our usual number of stories. Edith Hope Bishop returns to our pages with “The Sky Watcher,” a gentle fable for our times, while A. T. Greenblatt joins Mythic Delirium for the first time with “Graffiti Guardians,” a fearsome tale of standing up for what you love through art. Kate MacLeod’s “Sword and Tattoo” examines the courage that inspires a reckoning with the past. In “Red as Water, White as Ruin,” Benjanun Sriduangkaew offers a gorgeous blend of science fiction and horror. We’d bet that post-apocalyptic “Mothers, Watch Over Me” by Maria Haskins won’t leave a single dry eye in the house by the time its turn on the stage is finished. “Medved the Hamster” by Janna Layton observes human follies and foibles through an absurd lens.
Virginia M. Mohlere rejoins us with “Cardiad,” a wistful and mythic poem from the heart. “Libitina’s Garden” by Kyla Ward provides a trio of dark sonnets set in ancient Rome. “After Pandora” by Maya Chhabra suggests the true fate of Hope is different from what you might have expected. In “Glut of Norths: A Purgatory,” John Philip Johnson projects a haunting vision of horses and purpose. Peri Fae Blomquist’s stanzas grant us a look into the daily life of “Mother Giant,” and Davian Aw’s “This Is for the Times” finds a moment of peace in a universe of possibilities.
Our cover art, Hjalmar Wåhlin’s wistful “Heaven at Last,” has a moving story behind it, as it portrays the artist’s imagining of a reunion with his father, who died of cancer. For us it represents a joyful leave-taking, an embrace of the next phase of the journey.
inclusive of all taxes
Mythic Delirium Magazine Issue 2.3
7 Jan, 2016
by
Sheila Finch,
Sandi Leibowitz,
Jennifer Crow,
Alexandra Seidel,
Janna Layton,
Edith Hope Bishop,
Olchar E. Lindsann,
Jeannette Ng,
Melissa Frederick,
Mike Allen
₹ 233.64
In our first issue of 2016, Sheila Finch, Janna Layton, and Jeannette Ng provide fantasy tales that have embedded within them thoughtful takes on Christian themes, in the best traditions of Stephen King or James Morrow. A breeze from the ocean wafts through each of these tales as well, bearing tidings of murder, mayhem, and mermaids.
The poems in this issue further some of the motifs found in the fiction. Sandi Leibowitz and Melissa Frederick contemplate worlds ending; Olchar E. Lindsann discusses deicide while Edith Hope Bishop contemplates horrors that have become disturbingly everyday; Alexandra Seidel and Jennifer Crow complete the tour by taking us out to sea.
Our cover photograph, by Anne Sampson, depicts a sculpture by Anita Allen.
TABLE OF CONTENTS:
• “Burdens” by Sheila Finch
• “Umbrellas of the Aftermath” by Sandi Leibowitz
• “Moving the Earth” by Melissa Frederick
• “Luz and Bee at the Beach” by Janna Layton
• “The Immortal Accursed” by Olchar E. Lindsann
• “When the Gunman Comes” by Edith Hope Bishop
• “Three Hundred Years” by Jeannette Ng
• “Deep Sea Mermaid Fishing” by Alexandra Seidel
• “Love, and the Merciless Sea” by Jennifer Crow
The poems in this issue further some of the motifs found in the fiction. Sandi Leibowitz and Melissa Frederick contemplate worlds ending; Olchar E. Lindsann discusses deicide while Edith Hope Bishop contemplates horrors that have become disturbingly everyday; Alexandra Seidel and Jennifer Crow complete the tour by taking us out to sea.
Our cover photograph, by Anne Sampson, depicts a sculpture by Anita Allen.
TABLE OF CONTENTS:
• “Burdens” by Sheila Finch
• “Umbrellas of the Aftermath” by Sandi Leibowitz
• “Moving the Earth” by Melissa Frederick
• “Luz and Bee at the Beach” by Janna Layton
• “The Immortal Accursed” by Olchar E. Lindsann
• “When the Gunman Comes” by Edith Hope Bishop
• “Three Hundred Years” by Jeannette Ng
• “Deep Sea Mermaid Fishing” by Alexandra Seidel
• “Love, and the Merciless Sea” by Jennifer Crow
inclusive of all taxes