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An Enchantment of Ravens by [Margaret Rogerson]

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An Enchantment of Ravens Kindle Edition

4.3 out of 5 stars 1,661 ratings

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Product description

Excerpt. © Reprinted by permission. All rights reserved.

An Enchantment of Ravens

One


MY PARLOR smelled of linseed oil and spike lavender, and a dab of lead tin yellow glistened on my canvas. I had nearly perfected the color of Gadfly’s silk jacket.

The trick with Gadfly was persuading him to wear the same clothes for every session. Oil paint needs days to dry between layers, and he had trouble understanding I couldn’t just swap his entire outfit for another he liked better. He was astonishingly vain even by fair folk standards, which is like saying a pond is unusually wet, or a bear surprisingly hairy. All in all, it was a disarming quality for a creature who could murder me without rescheduling his tea.

“I might have some silver embroidery done about the wrists,” he said. “What do you think? You could add that, couldn’t you?”

“Of course.”

“And if I chose a different cravat . . .”

Inwardly, I rolled my eyes. Outwardly, my face ached with the polite smile I’d maintained for the past two and a half hours. Rudeness was not an affordable mistake. “I could alter your cravat, as long as it’s more or less the same size, but I’d need another session to finish it.”

“You truly are a wonder. Much better than the previous portrait artist—that fellow we had the other day. What was his name? Sebastian Manywarts? Oh, I didn’t like him, he always smelled a bit strange.”

It took me a moment to realize Gadfly was referring to Silas Merryweather, a master of the Craft who died over three hundred years ago. “Thank you,” I said. “What a thoughtful compliment.”

“How engaging it is to see the Craft change over time.” Barely listening, he selected one of the cakes from the tray beside the settee. He didn’t eat it immediately, but rather sat staring at it, as an entomologist might having discovered a beetle with its head on backward. “One thinks one has seen the best humans have to offer, and suddenly there’s a new method of glazing china, or these fantastic little cakes with lemon curd inside.”

By now I was used to fair folk mannerisms. I didn’t look away from his left sleeve, and kept dabbing on the silk’s glossy yellow shine. However, I remembered a time in which the fair folk’s behavior had unsettled me. They moved differently than humans: smoothly, precisely, with a peculiar stiffness to their posture, and never put so much as a finger out of place. They could remain still for hours without blinking, or they could move with such fearsome swiftness as to be upon you before you could even gasp in surprise.

I sat back, brush in hand, and took in the portrait in its entirety. It was nearly finished. There lay Gadfly’s petrified likeness, as unchanging as he was. Why the fair folk so desired portraits was beyond me. I supposed it had something to do with vanity, and their insatiable thirst to surround themselves with human Craft. They would never reflect on their youth, because they knew nothing else, and by the time they died, if they even did, their portraits would be long rotted away to nothing.

Gadfly appeared to be a man in his middle thirties. Like every example of his kind he was tall, slim, and beautiful. His eyes were the clear crystal blue of the sky after rain has washed away the summer heat, his complexion as pale and flawless as porcelain, and his hair the radiant silver-gold of dew illuminated by a sunrise. I know it sounds ridiculous, but fair folk require such comparisons. There’s simply no other way to describe them. Once, a Whimsical poet died of despair after finding himself unequal to the task of capturing a fair one’s beauty in simile. I think it more likely he died of arsenic poisoning, but so the story goes.

You must keep in mind, of course, that all of this is only a glamour, not what they really look like underneath.

Fair folk are talented dissemblers, but they can’t lie outright. Their glamour always has a flaw. Gadfly’s flaw was his fingers; they were far too long to be human and sometimes appeared oddly jointed. If someone looked at his hands too long he would lace them together or scurry them under a napkin like a pair of spiders to put them out of sight. He was the most personable fair one I knew, far more relaxed about manners than the rest of them, but staring was never a good idea—unless, like me, you had a good reason to.

Finally, Gadfly ate the cake. I didn’t see him chew before he swallowed.

“We’re just about finished for the day,” I told him. I wiped my brush on a rag, then dropped it into the jar of linseed oil beside my easel. “Would you like to take a look?”

“Need you even ask? Isobel, you know I’d never pass up the opportunity to admire your Craft.”

Before I knew it Gadfly stood leaning over my shoulder. He kept a courteous space between us, but his inhuman scent enveloped me: a ferny green fragrance of spring leaves, the sweet perfume of wildflowers. Beneath that, something wild—something that had roamed the forest for millennia, and had long spidery fingers that could crush a human’s throat while its owner wore a cordial smile.

My heart skipped a beat. I am safe in this house, I reminded myself.

“I believe I do like this cravat best after all,” he said. “Exquisite work, as always. Now, what am I paying you, again?”

I stole a glance at his elegant profile. A strand of hair had slipped from the blue ribbon at the nape of his neck as if by accident. I wondered why he’d arranged it that way. “We agreed on an enchantment for our hens,” I reminded him. “Each of them will lay six good eggs per week for the rest of their lives, and they must not die early for any reason.”

“So practical.” He sighed at the tragedy. “You are the most admired Crafter of this age. Imagine all the things I could give you! I could make pearls drop from your eyes in place of tears. I could lend you a smile that enslaves men’s hearts, or a dress that once beheld is never forgotten. And yet you request eggs.”

“I quite like eggs,” I replied firmly, well aware that the enchantments he described would all turn strange and sour, even deadly, in the end. Besides, what on earth would I do with men’s hearts? I couldn’t make an omelette out of them.

“Oh, very well, if you insist. You’ll find the enchantment in effect beginning tomorrow. With that I’m afraid I must be off—I’ve the embroidery to ask after.”

I stood with a creak of my chair and dropped him a curtsy as he paused at the door. He gave an elegant bow in response. Like most fair folk he was adept at pretending he returned the courtesy by choice, not a strict compulsion that was, to him, as necessary as breathing.

“Aha,” he added, straightening, “I’d nearly forgotten. We’ve had gossip in the spring court that the autumn prince is going to pay you a visit. Imagine that! I look forward to hearing whether he manages to sit through an entire session, or hares off after the Wild Hunt as soon as he’s arrived.”

I wasn’t able to school my expression at the news. I stood gaping at Gadfly until a puzzled smile crossed his lips and he extended his pale hand in my direction, perhaps trying to determine whether I’d died standing up, not an unreasonable concern, as to him humans no doubt seemed to expire at the slightest provocation.

“The autumn—” My voice came out rough. I closed my mouth and cleared my throat. “Are you quite certain? I was under the impression the autumn prince did not visit Whimsy. No one has seen him in hundreds . . .” Words failed me.

“I assure you, he is alive and well. Why, I saw him at a ball just yesterday. Or was it last month? In any event, he shall be here tomorrow. Do pass on my regards.”

“It—it will be an honor,” I stammered, mentally cringing at my uncharacteristic loss of composure. Suddenly in need of fresh air, I crossed the room to open the door. I showed Gadfly out and stood gazing across the field of summer wheat as his figure receded up the path.

A cloud passed beneath the sun, and a shadow fell across my house. The season never changed in Whimsy, but as first one leaf dropped from the tree in the lane, and then another, I couldn’t help but feel some transformation was afoot. Whether or not I approved of it remained to be seen. --This text refers to an alternate kindle_edition edition.

Review

* "Rogerson ably builds this fantasy world through canny details and contemporary dialogue, allowing for an enjoyable read by fantasy and non-fantasy readers alike. She also craftily depicts the power imbalance between Isobel and Rook, offering a refreshing dynamic in which Isobel often comes out on top. ­VERDICT A funny, action-packed, and sweet romance sure to appeal to fans of Holly Black, Diana Wynne Jones, and Sarah J. Maas."
  (School Library Journal, starred review)

* "Rogerson turns forbidden love into fresh adventure with danger, chases, a glorious ball, and unexpected narrative turns. Readers will delight in her interpretation of classic fairy themes and lore, and in the humor laced into the story...An ideal pick for fans of Holly Black, Maggie Stiefvater, and Laini Taylor."
  (Publishers Weekly, starred review)

"An Enchantment of Ravens offers a beautifully built world and swiftly paced adventure with exactly the right amount of danger, heroics and romance."
  (Shelf Awareness)

"Rogerson’s deft way with words and world building lifts tension and interest to a high point. An excellent choice for fans of Holly Black and Neil Gaiman."
  (Booklist online exclusive)

"Rogerson draws on fairy lore while changing myriad details to suit her story, and in Isobel she provides a strong, confident heroine who may lose her heart but never her head. No glamour is needed to make readers fall for this one."
  (Kirkus Reviews)

"This fabulous, flowing read will engage readers quickly and many will not be able to put it down. The forbidden, romantic tension, fast-paced action sequences, and engaging narrative…will make this book a first choice."
  (VOYA)

"The setting is deftly conveyed through dialogue and character interactions, thus avoiding any heavy exposition, and Rogerson keeps a nice balance between the development of Isobel and Rook’s relationship and the action of the plot. The book’s final clash between faerie and mortal is thrilling, but the motivations of the major villain have a touching resonance with Isobel and Rook’s inescapable reality as mortal and immortal lovers. Fans of May’s The Falconer (BCCB 6/14) will happily flock to this tale"
  (BCCB) --This text refers to an alternate kindle_edition edition.

Product details

  • ASIN ‏ : ‎ B06ZXWGVDC
  • Publisher ‏ : ‎ Margaret K. McElderry Books; Reprint edition (26 September 2017)
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 1693 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 279 pages
  • Customer Reviews:
    4.3 out of 5 stars 1,661 ratings

Customer reviews

4.3 out of 5 stars
4.3 out of 5
1,661 global ratings
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Top reviews from India

Reviewed in India on 19 July 2021
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2.0 out of 5 stars It's good book, if you like insta love. It's just wasn't for me.
By Ipsita on 19 July 2021
Isobel, a 17-year old girl, is a prodigy portrait artist with the immortal folks- the fair one, as her clients. When she receives her first royal patron, to make a portrait of the autumn prince-Rook. But she makes a terrible mistake of painting human sorrow in his eyes which could cost Rook his life. Furious Rook takes Isobel to stand a trail to the autumn court for her mistake. But as they move along the path of the fairy forest unexpected things happen and they have to fight side by side in order to stay alive.

This book has a lot of potential but it just could've been executed in a better way.

The things I liked:
>All the characters had some unique traits to them. And I guess the characters only made me drag myself through the whole book. I loved Isobel and Gadfly's characters.
>The magic system was new and unique too. Their powers were really fun to read about.
> The twist in the story. The last few pages were complete page-turners. So I'm happy that I told myself to reach the end because it was still worth it in some way.
> I loved Isobel's family. I wanted to read and know more about them.

The things I didn't like:
> The romance. It was too rushed and insta-love. I couldn't feel any connection between the characters and their relationship just felt really flat and dull. Like there was no spark.
>Also I feel there were a few unnecessary scenes and you can just skip through pages and still get what was going on. (At least that's what I did.)
>I think Rook is a bit dumb and overconfident for a prince. I also found him really annoying at some point.

There were a few loose ends which I needed to be tied up but apparently that didn't happen. Those few questions remained unanswered.

I don't dislike this book but I don't like it much either. (That's confusing I know)

I think the romance is the thing that ruined it for me because it's still a good book and you might like it if you like insta-love. It just didn't work for me.🙃
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Reviewed in India on 19 June 2018
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5 people found this helpful
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Reviewed in India on 11 March 2020
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Reviewed in India on 14 January 2021
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4.0 out of 5 stars The edge of the front cover isn't neatly cut.
By Serene on 14 January 2021
The book arrived a day prior to the day it was expected. It was in a good condition. No bend edges, no torn pages, and no harm done to the spine. The only thing bothering me is that the
width of the front cover is less compared to the rest of the book. And it doesn't give the book the perfect finish.
But even then I'll be able to read it and that's all that matters.

P.S. there was NO BOOKMARK. (Something I've been associating Amazon with but I think that needs to stop now.)
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Reviewed in India on 4 March 2018
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4.0 out of 5 stars One word review: realistic
By Bhakti on 4 March 2018
I'm in love with cover of this book. It's one of the prettiest book in my book collection. I loved the book. It's fast read, with slow burner romance. I loved Isobel who is a badass heroine and Took who is absolute crush worthy hero. I especially loved the realistic way in which faeries are depicted.
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Reviewed in India on 1 September 2021
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1.0 out of 5 stars The Book is seems pirated.
By Vanisha Negi on 1 September 2021
The quality of the book is really bad. It seems the book is pirated.
The margins and indentation is not proper , the print quality is also not good. Do not buy from this seller. Very Disappointing.
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Reviewed in India on 20 March 2021
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Reviewed in India on 16 August 2019
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Top reviews from other countries

Bex
2.0 out of 5 stars Boring Fairy Romance.
Reviewed in the United Kingdom on 4 September 2019
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7 people found this helpful
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Katie Stewart
4.0 out of 5 stars There was a lot I loved about this
Reviewed in the United Kingdom on 21 November 2017
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14 people found this helpful
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Rachael A
5.0 out of 5 stars Left me utterly enchanted....
Reviewed in the United Kingdom on 10 October 2017
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6 people found this helpful
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Nicci
3.0 out of 5 stars Felt like an unfulfilled promise...
Reviewed in the United Kingdom on 27 June 2021
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El H
4.0 out of 5 stars 4.5 stars for an interesting magic system and a sweet romance
Reviewed in the United Kingdom on 20 August 2019
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