James Baldwin (1924-1987) was educated in New York. His first novel, Go Tell It on the Mountain, received excellent reviews and was immediately recognized as establishing a profound and permanent new voice in American letters. The appearance of The Fire Next Time in 1963, just as the civil rights movement was exploding across the American South, galvanized the nation and continues to reverberate as perhaps the most prophetic and defining statement ever written of the continuing costs of Americans' refusal to face their own history. It became a national bestseller, and Baldwin was featured on the cover of Time. The next year, he was made a member of the National Institute of Arts and Letters and collaborated with the photographer Richard Avedon on Nothing Personal, a series of portraits of America intended as a eulogy for the slain Medger Evers. His other collaborations include A Rap on Race with Margaret Mead and A Dialogue with the poet-activist Nikki Giovanni. He also adapted Alex Haley's The Autobiography of Malcolm X into One Day When I Was Lost. He was made a commander of the French Legion of Honor a year before his death, one honor among many he achieved in his life.
Jesse Martin is an accomplished actor and singer on the stage and screen. He has spent nine seasons as Detective Edward Green on the perennial hit Law & Order. In the theater, Martin originated the role of Thomas B. "Tom" Collins in Jonathan Larson's award-winning musical Rent. He also reprised his role in the film adaptation. An alumnus of NYU and a classically trained stage actor, Martin currently resides in Manhattan.
--This text refers to the
audioCD edition.
There are few books that evoke the dreams and motivations of the "Age of Aquarius" as clearly as Baldwin's polemic on race and the future. Actor Jesse L. Martin effectively re-creates the tone and tenor of the author's view of America at the beginning of the 1960s. Martin chooses to eschew accents and flowery modulations and sticks to the story of Baldwin's fascinating encounter with Nation of Islam leader Elijah Muhammad and his own search for spiritual meaning in an America filled with racial strife. Most striking is Baldwin's reference to Robert Kennedy's prediction that a black man would become the nation's president sometime in the next forty years. THE FIRE NEXT TIME was published in 1963. R.O. © AudioFile 2008, Portland, Maine--
Copyright © AudioFile, Portland, Maine
--This text refers to the
audioCD edition.
Amazon.com Review
It's shocking how little has changed between the races in this country since 1963, when James Baldwin published this coolly impassioned plea to "end the racial nightmare."
The Fire Next Time--even the title is beautiful, resonant, and incendiary. "Do I really
want to be integrated into a burning house?" Baldwin demands, flicking aside the central race issue of his day and calling instead for full and shared acceptance of the fact that America is and always has been a multiracial society. Without this acceptance, he argues, the nation dooms itself to "sterility and decay" and to eventual destruction at the hands of the oppressed: "The Negroes of this country may never be able to rise to power, but they are very well placed indeed to precipitate chaos and ring down the curtain on the American dream."
Baldwin's seething insights and directives, so disturbing to the white liberals and black moderates of his day, have become the starting point for discussions of American race relations: that debasement and oppression of one people by another is "a recipe for murder"; that "color is not a human or a personal reality; it is a political reality"; that whites can only truly liberate themselves when they liberate blacks, indeed when they "become black" symbolically and spiritually; that blacks and whites "deeply need each other here" in order for America to realize its identity as a nation.
Yet despite its edgy tone and the strong undercurrent of violence, The Fire Next Time is ultimately a hopeful and healing essay. Baldwin ranges far in these hundred pages--from a memoir of his abortive teenage religious awakening in Harlem (an interesting commentary on his first novel Go Tell It on the Mountain) to a disturbing encounter with Nation of Islam founder Elijah Muhammad. But what binds it all together is the eloquence, intimacy, and controlled urgency of the voice. Baldwin clearly paid in sweat and shame for every word in this text. What's incredible is that he managed to keep his cool. --David Laskin
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From the Back Cover
A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James Baldwin's early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document. It consists of two "letters," written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as "sermon, ultimatum, confession, deposition, testament, and chronicle...all presented in searing, brilliant prose," The Fire Next Time stands as a classic of our literature.
--This text refers to an out of print or unavailable edition of this title.
From the Inside Flap
estseller when it first appeared in 1963, The Fire Next Time galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James Baldwin's early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document. It consists of two "letters," written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as "sermon, ultimatum, confession, deposition, testament, and chronicle...all presented in searing, brilliant prose," The Fire Next Time stands as a classic of our literature.
--This text refers to an out of print or unavailable edition of this title.
From the Publisher
"So eloquent in its passion and so scorching in its candor that it is bound to unsettle any reader."--The Atlantic
--This text refers to an out of print or unavailable edition of this title.
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