Kafka Tamura runs away from home at fifteen, under the shadow of his father's dark prophesy.

The aging Nakata, tracker of lost cats, who never recovered from a bizarre childhood affliction, finds his pleasantly simplified life suddenly turned upside down.

As their parallel odysseys unravel, cats converse with people; fish tumble from the sky; a ghost-like pimp deploys a Hegel-spouting girl of the night; a forest harbours soldiers apparently un-aged since World War II. There is a savage killing, but the identity of both victim and killer is a riddle - one of many which combine to create an elegant and dreamlike masterpiece.

'Wonderful... Magical and outlandish' Daily Mail

'Hypnotic, spellbinding' The Times

'Cool, fluent and addictive' Daily Telegraph

A dazzling Sunday Times bestselling collection of short stories from the beloved internationally acclaimed Haruki Murakami.

Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are vanishing cats and smoky bars, lonely hearts and mysterious women, baseball and the Beatles, woven together to tell stories that speak to us all.

Marked by the same wry humour that has defined his entire body of work, in this collection Murakami has crafted another contemporary classic.

‘Supremely enjoyable, philosophical and pitch-perfect new collection of short stories…Murakami has a marvelous understanding of youth and age’ Observer

‘Murakami at his whimsical, romantic best’ Financial Times

Read the haunting love story that turned Murakami into a literary superstar.

When he hears her favourite Beatles song, Toru Watanabe recalls his first love Naoko, the girlfriend of his best friend Kizuki. Immediately he is transported back almost twenty years to his student days in Tokyo, adrift in a world of uneasy friendships, casual sex, passion, loss and desire - to a time when an impetuous young woman called Midori marches into his life and he has to choose between the future and the past.

'Evocative, entertaining, sexy and funny; but then Murakami is one of the best writers around' Time Out

'Such is the exquisite, gossamer construction of Murakami's writing that everything he chooses to describe trembles with symbolic possibility' Guardian

'This book is undeniably hip, full of student uprisings, free love, booze and 1960s pop, it's also genuinely emotionally engaging, and describes the highs of adolescence as well as the lows' Independent on Sunday

‘Pain is inevitable, suffering is optional’

A compelling mediation on the power of running and a fascinating insight into the life of this internationally bestselling writer.


In 1982, having sold his jazz bar to devote himself to writing, Murakami began running to keep fit. A year later, he'd completed a solo course from Athens to Marathon, and now, after dozens of such races, he reflects upon the influence the sport has had on his life and on his writing.

Equal parts travelogue, training log and reminiscence, this revealing memoir covers his four-month preparation for the 2005 New York City Marathon and settings ranging from Tokyo's Jingu Gaien gardens, where he once shared the course with an Olympian, to the Charles River in Boston.

By turns funny and sobering, playful and philosophical, this is a must-read for fans of this masterful yet private writer as well as for the exploding population of athletes who find similar satisfaction in distance running.

'There can never have been a book quite like this memoir of running and writing before. In its self-contained way, it's nothing less than an inspiration' Evening Standard

'Hugely enjoyable...You don't have to have run a marathon to be captivated' Sunday Telegraph

'Comical, charming and philosophical...an excellent memoir' GQ

Birthday Girl is a beguiling, exquisitely satisfying short story . A taste of master storytelling, published to celebrate Murakami's 70th birthday.

She waited on tables as usual that day, her twentieth birthday. She always worked Fridays, but if things had gone according to plan on that particular Friday, she would have had the night off.

One rainy Tokyo night, a waitress's uneventful twentieth birthday takes a strange and fateful turn when she's asked to deliver dinner to the restaurant's reclusive owner. Birthday Girl is a beguiling, exquisitely satisfying taste of master storytelling, published to celebrate Murakami's 70th birthday.

Birthday Girl is also available in Birthday Stories and Blind Willow, Sleeping Woman.

You’ve just passed someone on the street who could be the love of your life, the person you’re destined for – what do you do? In Murakami’s world, you tell them a story. The five weird and wonderful tales collected here each unlock the many-tongued language of desire, whether it takes the form of hunger, lust, sudden infatuation or the secret longings of the heart.

Selected from Haruki’s Murakami’s short story collections The Elephant Vanishes, Blind Willow Sleeping Woman, Men Without Women

VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.

A series of short books by the world’s greatest writers on the experiences that make us human

Also in the Vintage Minis series:
Love by Jeanette Winterson
Psychedelics by Aldous Huxley
Eating by Nigella Lawson
Summer by Laurie Lee

Toru Okada's cat has disappeared.

His wife is growing more distant every day.

Then there are the increasingly explicit telephone calls he has recently been receiving.

As this compelling story unfolds, the tidy suburban realities of Okada's vague and blameless life, spent cooking, reading, listening to jazz and opera and drinking beer at the kitchen table, are turned inside out, and he embarks on a bizarre journey, guided (however obscurely) by a succession of characters, each with a tale to tell.

'Visionary...a bold and generous book' New York Times

'Murakami weaves textured layers of reality into a shot-silk garment of deceptive beauty' Independent on Sunday

'Deeply philosophical and teasingly perplexing, it is impossible to put down' Daily Telegraph

'Mesmerising, surreal, this really is the work of a true original' The Times

A mindbending new collection of short stories from the unique, internationally acclaimed author of Norwegian Wood and The Wind-up Bird Chronicle.

THE SUNDAY TIMES BESTSELLER

The eight masterly stories in this new collection are all told in the first person by a classic Murakami narrator. From nostalgic memories of youth, meditations on music and an ardent love of baseball to dreamlike scenarios, an encounter with a talking monkey and invented jazz albums, together these stories challenge the boundaries between our minds and the exterior world. Occasionally, a narrator who may or may not be Murakami himself is present. Is it memoir or fiction? The reader decides.

Philosophical and mysterious, the stories in First Person Singular all touch beautifully on love and solitude, childhood and memory. . . all with a signature Murakami twist.

A GUARDIAN AND SUNDAY TIMES 'BOOKS OF 2021' PICK

A mesmerising mystery story about friendship from the internationally bestselling author of Norwegian Wood and 1Q84

Tsukuru Tazaki had four best friends at school. By chance all of their names contained a colour. The two boys were called Akamatsu, meaning ‘red pine’, and Oumi, ‘blue sea’, while the girls’ names were Shirane, ‘white root’, and Kurono, ‘black field’. Tazaki was the only last name with no colour in it.

One day Tsukuru Tazaki’s friends announced that they didn't want to see him, or talk to him, ever again.

Since that day Tsukuru has been floating through life, unable to form intimate connections with anyone. But then he meets Sara, who tells him that the time has come to find out what happened all those years ago.

We all live our lives carrying secrets we cannot disclose.

'Beguiling... Murakami is brilliant at folding the humdrum alongside the supernatural; finding the magic that's nested in life's quotidian details' Guardian

When a thirty-something portrait painter is abandoned by his wife, he holes up in the mountain home of a famous artist. The days drift by, spent painting, listening to music and drinking whiskey in the evenings. But then he discovers a strange painting in the attic and unintentionally begins a strange journey of self-discovery that involves a mysterious ringing bell, a precocious thirteen-year-old girl, a Nazi assassination attempt and a haunted underworld.

A stunning work of imagination, Killing Commendatore is a surreal tale of love and loneliness, war and art.

A moving, thoughtful story of long-lost love and second chances.

Growing up in the suburbs in post-war Japan, it seemed to Hajime that everyone but him had brothers and sisters. His sole companion was Shimamoto, also an only child. Together they spent long afternoons listening to her father's record collection. But when his family moved away, the two lost touch.

Now Hajime is in his thirties. After a decade of drifting, he has found happiness with his loving wife and two daughters, and success running a jazz bar. Then Shimamoto reappears. She is beautiful, intense, enveloped in mystery. Hajime is catapulted into the past, putting at risk all he has in the present.

'Casablanca remade Japanese style...It is dream-like writing, laden with scenes which have the radiance of a poem' The Times

Discover Haruki Murakami's first two novels.

'If you're the sort of guy who raids the refrigerators of silent kitchens at three o'clock in the morning, you can only write accordingly.

That's who I am.'

Hear the Wind Sing and Pinball, 1973 are Haruki Murakami's earliest novels. They follow the fortunes of the narrator and his friend, known only by his nickname, the Rat. In Hear the Wind Sing the narrator is home from college on his summer break. He spends his time drinking beer and smoking in J's Bar with the Rat, listening to the radio, thinking about writing and the women he has slept with, and pursuing a relationship with a girl with nine fingers.

Three years later, in Pinball, 1973, he has moved to Tokyo to work as a translator and live with indistinguishable twin girls, but the Rat has remained behind, despite his efforts to leave both the town and his girlfriend. The narrator finds himself haunted by memories of his own doomed relationship but also, more bizarrely, by his short-lived obsession with playing pinball in J's Bar. This sends him on a quest to find the exact model of pinball machine he had enjoyed playing years earlier: the three-flipper Spaceship.