Winner of the Man Booker Prize

Shortlisted for the the Orange Prize

Shortlisted for the Costa Novel Award

`Dizzyingly, dazzlingly good' Daily Mail

‘Our most brilliant English writer’ Guardian

England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor.

Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events. Ruthless in pursuit of his own interests, he is as ambitious in his wider politics as he is for himself. His reforming agenda is carried out in the grip of a self-interested parliament and a king who fluctuates between romantic passions and murderous rages.

From one of our finest living writers, Wolf Hall is that very rare thing: a truly great English novel, one that explores the intersection of individual psychology and wider politics. With a vast array of characters, and richly overflowing with incident, it peels back history to show us Tudor England as a half-made society, moulding itself with great passion and suffering and courage.

Shortlisted for the Women’s Prize for Fiction 2020
Longlisted for the Booker Prize 2020

The long-awaited sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel’s Man Booker Prize-winning Wolf Hall trilogy.

A Guardian Book of the Year • A Times Book of the Year • A Daily Telegraph Book of the Year • A Telegraph Book of the Year • A Sunday Times Book of the Year • A New Statesman Book of the Year • A Spectator Book of the Year

‘It is a book not read, but lived’ Telegraph

‘Her Cromwell novels are, for my money, the greatest English novels of this century’ Observer

‘If you cannot speak truth at a beheading, when can you speak it?’

England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour.

Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him?

With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage.

Winner of the Man Booker Prize 2012

Winner of the 2012 Costa Book of the Year

Shortlisted for the 2013 Women’s Prize for Fiction

‘Simply exceptional…I envy anyone who hasn’t yet read it’ Daily Mail

‘A gripping story of tumbling fury and terror’ Independent on Sunday

With this historic win for Bring Up the Bodies, Hilary Mantel becomes the first British author and the first woman to be awarded two Man Booker Prizes.

By 1535 Thomas Cromwell is Chief Minister to Henry VIII, his fortunes having risen with those of Anne Boleyn, the king’s new wife. But Anne has failed to give the king an heir, and Cromwell watches as Henry falls for plain Jane Seymour. Cromwell must find a solution that will satisfy Henry, safeguard the nation and secure his own career. But neither minister nor king will emerge unscathed from the bloody theatre of Anne’s final days.

An astounding literary accomplishment, Bring Up the Bodies is the story of this most terrifying moment of history, by one of our greatest living novelists.

From the double Man Booker prize-winning author of Wolf Hall, Bring Up the Bodies and The Mirror & the Light comes an extraordinary work of historical imagination – this is Hilary Mantel’s epic novel of the French Revolution.

Georges-Jacques Danton: zealous, energetic and debt-ridden. Maximilien Robespierre: small, diligent and terrified of violence. And Camille Desmoulins: a genius of rhetoric, charming and handsome, yet also erratic and untrustworthy. As these young men, key figures of the French Revolution, taste the addictive delights of power, the darker side of the period’s political ideals is unleashed – and all must face the horror that follows.

A comically sinister tale of wicked spirits and suburban mediums from the Man Booker Prize-winning author of Wolf Hall, Bring Up the Bodies and The Mirror & the Light.

Alison Hart, a medium by trade, tours the dormitory towns of London’s orbital ring road with her flint-hearted sidekick, Colette, passing on messages from beloved dead ancestors. But behind her plump, smiling persona hides a desperate woman: she knows the terrors the next life holds but must conceal them from her wide-eyed clients. At the same time she is plagued by spirits from her own past, who infiltrate her body and home, becoming stronger and nastier the more she resists…

Shortlisted for the Orange Prize, Hilary Mantel’s supremely suspenseful novel is a masterpiece of dark humour and even darker secrets.

A stunning collection of essays and memoir from twice Booker Prize winner and international bestseller Hilary Mantel, author of The Mirror and the Light

In 1987, when Hilary Mantel was first published in the London Review of Books, she wrote to the editor, Karl Miller, ‘I have no critical training whatsoever, so I am forced to be more brisk and breezy than scholarly.’ This collection of twenty reviews, essays and pieces of memoir from the next three decades, tells the story of what happened next.

Her subjects range far and wide: Robespierre and Danton, the Hite report, Saudi Arabia where she lived for four years in the 1980s, the Bulger case, John Osborne, the Virgin Mary as well as the pop icon Madonna, a brilliant examination of Helen Duncan, Britain’s last witch. There are essays about Jane Boleyn, Charles Brandon, Christopher Marlowe and Margaret Pole, which display the astonishing insight into the Tudor mind we are familiar with from the bestselling Wolf Hall Trilogy. Her famous lecture, ‘Royal Bodies’, which caused a media frenzy, explores the place of royal women in society and our imagination. Here too are some of her LRB diaries, including her first meeting with her stepfather and a confrontation with a circus strongman.

Constantly illuminating, always penetrating and often very funny, interleaved with letters and other ephemera gathered from the archive, Mantel Pieces is an irresistible selection from one of our greatest living writers.

Winner of the Man Booker Prize 2009

Winner of the Man Booker Prize 2012

Winner of the Costa Book of the Year 2012

Shortlisted for the Women’s Prize for Fiction 2013

Shortlisted for the the Orange Prize 2009

Shortlisted for the Costa Novel Award 2009

Wolf Hall and Bring Up the Bodies, both winners of The Man Booker Prize, in 2009 and 2012 respectively, are the first two instalments in Hilary Mantel’s Tudor trilogy. They have gathered readers and praise in equal and enormous measure. They have been credited with elevating historical fiction to new heights and animating a period of history many thought too well known to be made fresh.

Through the eyes and ears of Thomas Cromwell, the books’ narrative prism, we are shown Tudor England, the court of King Henry VIII. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events.

In Wolf Hall we witness Cromwell’s rise, beginning as clerk to Cardinal Wolsey, Henry’s chief advisor, charged with securing the divorce the pope refuses to grant. He is soon to become his successor. By 1535, when the action of Bring Up the Bodies begins, Cromwell is Chief Minister to Henry, his fortunes having risen with those of Anne Boleyn, Henry’s second wife. Anne’s days, though, are marked. Cromwell watches as the king falls in love with silent, plain Jane Seymour, sensing what Henry’s affection will mean for his queen, for England, and for himself.

‘Like Lorna Sage's Bad Blood … A masterpiece.’ Rachel Cusk

Giving Up the Ghost is the shocking and beautiful memoir, from the author of Wolf Hall, Bring Up the Bodies and The Mirror & the Light

At no. 58 the top of my head comes to the outermost curve of my great-aunt, Annie Connor. Her shape is like the full moon, her smile is beaming; the outer rim of her is covered by her pinny, woven with tiny flowers. It is soft from washing; her hands are hard and chapped; it is barely ten o'clock and she is getting the cabbage on. 'Hello, Our Ilary,' she says; my family has named me aspirationally, but aspiration doesn't stretch to the 'H'.

Giving Up the Ghost is award-winning novelist Hilary Mantel's wry, shocking and uniquely unusual five-part autobiography of childhood, ghosts, illness and family.

It opens in 1995 with 'A Second Home', in which Mantel describes the death of her stepfather, a death which leaves her deeply troubled by the unresolved events of childhood. ‘Now Geoffrey Don't Torment Her' begins in typical, gripping Mantel fashion: 'Two of my relatives have died by fire.' Set during the 1950s, it takes the reader into the muffled consciousness of her early childhood, culminating with the birth of a younger brother and the strange candlelit ceremony of her mother's 'churching'. In 'The Secret Garden' Mantel moves to a haunted house and mysteriously gains a stepfather. When she is almost eleven, her family flee the gossips and the ghosts, and resolve to start a new life. 'Smile' is an account of teenage perplexity, in a household where the keeping of secrets has become a way of life. Convent school provides a certain sanctuary, with tacit assistance from the fearsome 'Top Nun.' In the final section, the author tells how, through medical misunderstandings and neglect, she came to be childless, and how the ghosts of the unborn, like chances missed or pages unturned, have come to haunt her life as a writer.

From the double Man Booker prize-winning author of ‘Wolf Hall’, and ’Bring Up the Bodies’ this is an epic yet subtle family saga about broken trusts and buried secrets.

Ralph and Anna Eldred live in the big Red House in Norfolk, raising their four children and devoting their lives to charity. The constant flood of ‘good souls and sad cases’, children plucked from the squalor of the East London streets for a breath of fresh countryside air, hides the growing crises in their own family, the disillusionment of their children, the fissures in their marriage. Memories of their time as missionaries in South Africa and Botswana, of the terrible African tragedies that have shaped the rest of their lives, refuse to be put to rest and threaten to destroy the fragile peace they have built for themselves and their children.

This is a breathtakingly intelligent novel that asks the most difficult questions. Is there anything one can never forgive? Is tragedy ever deserved? Can you ever escape your own past? A literary family saga written with the skill and subtlety of a true master, this is Hilary Mantel at her best.

A brilliant – and rather transgressive – collection of short stories from the double Man Booker Prize-winning author of Wolf Hall, Bring Up the Bodies and The Mirror & the Light.

Including a new story ‘The School of English’.

Hilary Mantel is one of Britain’s most accomplished and acclaimed writers. In these ten bracingly subversive tales, all her gifts of characterisation and observation are fully engaged, summoning forth the horrors so often concealed behind everyday façades. Childhood cruelty is played out behind the bushes in ‘Comma’; nurses clash in ‘Harley Street’ over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game.

Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road in Greece, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel’s unmistakable style and wit, they reveal a great writer at the peak of her powers.

From the two-time Man Booker Prize winner author of Wolf Hall, Bring Up the Bodies and The Mirror & the Light, a prescient and haunting novel of life in Saudi Arabia.

Frances Shore is a cartographer by trade, a maker of maps, but when her husband's work takes her to Saudi Arabia she finds herself unable to map the Kingdom's areas of internal darkness. The regime is corrupt and harsh, the expatriates are hard-drinking money-grubbers, and her Muslim neighbours are secretive, watchful. The streets are not a woman's territory; confined in her flat, she finds her sense of self begin to dissolve. She hears whispers, sounds of distress from the 'empty' flat above her head. She has only rumours, no facts to hang on to, and no one with whom to share her creeping unease. As her days empty of certainty and purpose, her life becomes a blank – waiting to be filled by violence and disaster.

From the author of Wolf Hall, Bring Up the Bodies and The Mirror & the Light, comes the true story of the 18th Century Irish giant, Charles O’Brien, who was exhibited in London and eventually dissected by the surgeon John Hunter.

Charles O’Brien, bard and giant. The cynical are moved by his flights of romance; the craven stirred by his tales of epic deeds. But what of his own story as he is led from Ireland to seek his fortune beyond the seas in England?

The Surprising Irish Giant may be the sensation of the season but only his compatriots seem to attend to his mythic powers of invention. John Hunter, celebrated surgeon and anatomist, buys dead men from the gallows and babies’ corpses by the inch. Where is a man as unique as The Giant to hide his bones when he is yet alive?

The Giant, O’ Brien is an unforgettable novel; lyrical, shocking and spliced with black comedy.