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And I Darken: 1 Hardcover – 28 June 2016
Kiersten White
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Reading age12 years and up
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Print length496 pages
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LanguageEnglish
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Grade level7 - 9
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Lexile measure750L
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Dimensions16.21 x 3.96 x 23.83 cm
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PublisherDelacorte Press
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Publication date28 June 2016
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ISBN-100553522310
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ISBN-13978-0553522310
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Product description
Review
“A dark jewel of a story, one that gleams with fierce, cunning characters—absolutely riveting.” —Alexandra Bracken, #1 New York Times bestselling author of Passenger
“Kiersten White at her absolute best. The epic story will thrill you, the Transylvanian setting will transport you, and the characters (especially the fierce, take-no-prisoners Lada) will capture your heart. Don’t miss it.” —Cynthia Hand, New York Times bestselling author of the Unearthly series
“Sweeping and epic, AND I DARKEN is a gender-bent take on history that gives us a fierce and brutal heroine, a fascinating time period, and a beautifully intelligent look at love, family, and power. I loved every twisty, bloody moment of it!” —Rachel Hawkins, New York Times and USA Today bestselling author
“As richly complex and glittering as the Ottoman Empire itself, AND I DARKEN is daring in its scope and brilliantly executed. The fiercely dark Lada is a razor-edged sword tempered in the blood of family betrayals and the fire of her own passions. I was instantly and utterly smitten. She haunted me long after I turned the final page and left me craving more.” —Robin LaFevers, New York Times bestselling author of the His Fair Assassin series
“A jewel of a book—a jewel embedded in the hilt of a blood-soaked sword. A brilliantly envisioned alternate history that is meticulously detailed but compulsively readable, this is a story I could not put down. I demand the sequel like Lada demands Wallachia!” —Beth Revis, New York Times bestselling author of the Across the Universe series
"An intense, risky, passionate novel that dragged me through love and danger with the force of its heroine’s heart and the power of its hero’s faith.” —Tessa Gratton, author of the Gods of New Asgard series
“Girls with teeth and priorities. I want to read this book forever.” —E. K. Johnston, author of A Thousand Nights
★ "Full of sword fights, assassination plots, and palace intrigues, this novel is ambitious in scope and concept and reveals a fascinating, important, and somewhat obscure slice of history…the novel is breathtakingly good.” —School Library Journal starred review
★ "White deftly weaves historical fact into this complex concoction of love, war, politics, homosexuality, religion, loyalty, and friendship." —Booklist starred review
"White excels at presenting an anti-hero who contrasts conventional female heroines. Readers expecting a typical love triangle tale will be surprised, for Lada’s characterization is executed in a far-from-stereotypical manner as White challenges femininity and explores the types of power women can wield. White also succeeds in crafting an accessible setting that brings complex historical figures to life."--VOYA
***
Praise for Kiersten White’s novels:
Paranormalcy:
“A fast, flirty roller coaster of a ride. I’m in love!” —Becca Fitzpatrick, New York Times bestselling author of Hush, Hush
“The perfect blend of light and dark. I can’t wait for more!” —Carrie Ryan, New York Times bestselling author of Daughter of Deep Silence
Mind Games:
★ “A tour de force.” —Publishers Weekly, Starred
★ “Brilliant.” —The Bulletin, Starred
“An exciting gem.” —#1 New York Times bestselling author Holly Black
“Sharp, heart-wrenching, and fabulously fun.”— Laini Taylor, bestselling author of the National Book Award Finalist Lips Touch: Three Times and Daughter of Smoke and Bone
The Chaos of Stars:
“Eloquent in its mixing of Egyptology with the experience of being a teenager . . . the character development, action-packed climax, intriguing family dynamics, and heartfelt romance will draw in fans.” —VOYA
Illusions of Fate:
“An absolute delight—a magical, sparkling, dangerous world with witty repartee and a romance that will light your heart on fire. Kiersten White’s best yet.” —Stephanie Perkins, internationally bestselling author of Anna and the French Kiss
“This well-written historical fantasy has romance, suspense, a fairy-tale feel, and a great ending that will leave readers cheering.” —SLJ
“Deliciously original in its intriguing plot and irresistible characters. ILLUSIONS OF FATE may be filled with spells, but it’s Kiersten White who is truly magic.” —Andrea Cremer, New York Times bestselling author of the Nightshade series
In the Shadows:
★ “An enthralling, page-turning gothic mystery infused with hair-raising horror.”—Booklist, Starred
About the Author
kierstenwhite.com
@kierstenwhite on Twitter.
Excerpt. © Reprinted by permission. All rights reserved.
1
1435: Sighisoara, Transylvania
Vlad Dracul’s heavy brow descended like a storm when the doctor informed him that his wife had given birth to a girl. His other children—one from his first wife, now nearly full grown, and even a bastard child from his mistress, born last year—had been boys. He had not thought his seed weak enough to produce a girl.
He pushed through the door, into the close, heavy air of the tiny bedroom. It stank of blood and fear and filled him with disgust.
Their home in the fortified hill city of Sighisoara was a far cry from what he deserved. It sat next to the main gate, in the suffocating press of the square, beside an alley that reeked of human waste. His retainer of ten men was merely ceremonial, rendering him a glorified placeholder. He might have been the military governor of Transylvania, but he was supposed to be the ruler of all Wallachia.
Perhaps that was why he had been cursed with a girl. Another insult to his honor. He was in the Order of the Dragon, sanctioned by the pope himself. He should be the vaivode, the warlord prince, but his brother sat on the throne, while he was governor of Saxons squatting on his own country’s land.
Soon he would show them his honor on the end of a sword.
Vasilissa lay on the bed, soaked in sweat and moaning in pain. Certainly the weakness that took root in her womb had been her own. His stomach turned at the sight of her, princess now in neither demeanor nor appearance.
The nurse held up a squalling, red-faced little monster. He had no names for a girl. Vasilissa would doubtless want something that honored her family, but Vlad hated the Moldavian royals she came from for failing to bring him any political advantage. He had already named his bastard Vlad, after himself. He would name his daughter the same.
“Ladislav,” he declared. It was a feminine form of Vlad. Diminutive. Diminished. If Vasilissa wanted a strong name, she would have to bear him a son. “Let us pray she is beautiful so we can get some use out of her,” he said. The infant screamed louder.
Vasilissa’s royal breasts were far too important to suckle from. The wet nurse waited until Vlad left, then held the babe to her common teats. She was still full of milk from her own child, a boy. As the baby latched on with surprising fierceness, the nurse offered her own prayer. Let her be strong. Let her be sly. She looked over at the princess, fifteen, lovely and delicate as the first spring blossoms. Wilted and broken on the bed.
And let her be ugly.
2
Vlad could not be bothered to be present for the birth of his second child by Vasilissa: a son, a year younger than his sister, practically chasing her into this world.
The nurse finished cleaning the newborn, then held him out to his mother. He was tiny, perfect, with a mouth like a rosebud and a full head of dark hair. Vasilissa lay, glassy-eyed and mute, on the bed. She stared at the wall. Her gaze never even drifted to her son. A tug on the nurse’s skirt brought her attention downward, where tiny Lada stood, scowling. The nurse angled the baby toward his sister.
“A brother,” she said, her voice soft.
The baby started to cry, a weak, garbled sound that worried the nurse. Lada’s scowl deepened. She slapped a dimpled hand over his mouth. The nurse pulled him away quickly, and Lada looked up, face contorted in rage.
“Mine!” she shouted.
It was her first word.
The nurse laughed, shocked, and lowered the baby once more. Lada glared at him until he stopped crying. Then, apparently satisfied, she toddled out of the room.
3
If Vasilissa saw her daughter wrestling on the floor with the dogs and the nurse’s son, Bogdan, the nurse would lose her position. However, since the birth of Radu four years ago, Vasilissa never left her rooms.
Radu had gotten all the beauty their father had wished on his daughter. His eyes were framed by thick lashes, his lips full, his gentle curls kissed with a hint of Saxon gold.
Bogdan screamed as Lada—Ladislav, now five, refused to answer to her full name—bit down on his thigh. He punched her. She bit harder, and he cried for help.
“If she wants to eat your leg, she is allowed,” the nurse said. “Quit screaming or I will let her eat your supper, too.”
Like her brother, Lada had big eyes, but hers were close-set, with arched brows that made her look perpetually cross. Her hair was a tangled mass, so dark that her pale skin appeared sickly. Her nose was long and hooked, her lips thin, her teeth small and—judging from Bogdan’s angry cries—quite sharp.
She was contrary and vicious and the meanest child the nurse had ever cared for. She was also the nurse’s favorite. By all rights the girl should be silent and proper, fearful and simpering. Her father was a powerless tyrant, cruel in his impotence and absent for months at a time. Her mother was every bit as absent, withdrawn and worthless in their home, incapable of doing anything to help herself. They were an apt representation of the entire region—particularly the nurse’s homeland of Wallachia.
But in Lada she saw a spark, a passionate, fierce glimmer that refused to hide or be dimmed. Rather than trying to stamp out that fire for the sake of Lada’s future, the nurse nurtured it. It made her feel oddly hopeful.
If Lada was the spiky green weed that sprouted in the midst of a drought-cracked riverbed, Radu was the delicate, sweet rose that wilted in anything less than the perfect conditions. Right now he wailed at the nurse’s pause in spooning the thin gruel, sweetened with honey, into his mouth.
“Make him shut up!” Lada climbed over her father’s largest hound, grizzled and patient with age.
“How should I do that?”
“Smother him!”
“Lada! Bite your tongue. He is your brother.”
“He is a worm. Bogdan is my brother.”
The nurse scowled, wiping Radu’s face with her apron. “Bogdan is not your brother.” I would sooner lie with the dogs than your father, she thought.
“He is! You are. Say you are.” Lada jumped onto Bogdan’s back. Though he was two years older and far bigger, she pinned him to the ground, jamming her elbow into his shoulder.
“I am! I am!” he said, half giggling, half crying.
“Throw Radu out with the chamber pots!”
Radu wailed louder, working himself up to a fit. The nurse clucked her tongue, picking him up even though he was much too large to be carried around. He put a hand in her blouse and pinched her skin, which was loose and wrinkled like an old apple. She sometimes wished he would shut up, too, but when he did speak it was always so sweet it made up for his tantrums. He even smelled nice, as if honey clung to his mouth between meals.
“Be a good boy,” the nurse said, “and you can go sledding with Lada and Bogdan later. Would you like that?”
Radu shook his head, lip trembling with the threat of more tears.
“Or we could visit the horses.”
He nodded slowly and the nurse sighed with relief. She looked up to find Lada gone. “Where did she go?”
Bogdan’s eyes widened in fear and indecision. Already he did not know whose wrath to fear more—his mother’s or tiny Lada’s.
Huffing, the nurse tucked Radu onto her hip, his feet bouncing against her legs with every step. She stalked down the hall toward the narrow stairs leading to the bedrooms. “Lada, if you wake your mother, there will be—”
She stopped, holding perfectly still, her fearful expression matching Bogdan’s own. From the sitting room near the front of the house, she heard voices. Low voices. Men’s voices. Speaking in Turkish, the language of their oftentimes enemy, the Ottomans.
Which meant Vlad was home, and Lada was—
The nurse ran down the hall and burst into the sitting room to find Lada standing in the middle of the room.
“I kill infidels!” the child snarled, brandishing a small kitchen knife.
“Do you?” Vlad spoke to her in the language of the Saxons, the tongue most spoken in Sighisoara. The nurse’s Saxon was crude, and while Vasilissa was fluent in several languages, she never spoke with the children. Lada and Radu spoke only Wallachian.
Lada waved the knife at him in answer to the question she did not understand. Vlad raised an eyebrow. He was wrapped in a fine cloak, an elaborate hat on his head. It had been nearly a year since Lada had seen her father. She did not recognize him.
“Lada!” the nurse whispered. “Come here at once.”
Lada stood as tall as her short, stocky legs allowed. “This is my home! I am the Order of the Dragon! I kill infidels!”
One of the three men accompanying Vlad murmured something in Turkish. The nurse felt sweat breaking out on her face, her neck, her back. Would they kill a child for threatening them? Would her father allow it? Or would they simply kill her for being unable to control Lada?
Vlad smiled indulgently at his daughter’s display, then bowed his head at the three men. They returned the bow and swept out, acknowledging neither the nurse nor her disobedient charge. “How many infidels have you killed?” Vlad’s voice, this time in the melodic romance language tones of Wallachian, was smooth and cold.
“Hundreds.” Lada pointed the knife at Radu, who hid his face against the nurse’s shoulder. “I killed that one this morning.”
“And will you kill me now?”
Lada hesitated, lowering her hand. She stared at her father, recognition seeping across her face like milk dropped in clear water. As quick as a snake, Vlad snatched the knife out of her hand, then grabbed her by the ankle and lifted her into the air.
“And how,” he said, her upside-down face level with his, “did you think you could kill someone bigger, stronger, and smarter than you?”
“You cheated!” Lada’s eyes burned with a look the nurse had come to dread. That look meant injury, destruction, or fire. Often all three.
“I won. That is all that matters.”
With a scream, Lada twisted herself up and bit her father’s hand.
“God’s wounds!” He dropped her on the floor. She tucked into a ball, rolled out of his reach, then crouched, baring her teeth at him. The nurse cringed, waiting for Vlad to fly into a rage and beat Lada. Or beat her for her failure to keep Lada tame and docile.
Instead, he laughed. “My daughter is feral.”
“So sorry, my lord.” The nurse ducked her head, gesturing frantically at Lada. “She is overexcited upon seeing you again after so long an absence.”
“What of their instruction? She does not speak Saxon.”
“No, my lord.” That was not quite true. Lada had picked up Saxon obscenities and frequently yelled them out the window at people in the busy square. “She knows a bit of Hungarian. But there has been no one to see to the children’s education.”
He clucked his tongue, a thoughtful look in his shrewd eyes. “And what of this one? Is he as fierce?” Vlad leaned in to where Radu had finally peered outward.
Radu immediately burst into tears, burying his face once more in the nurse’s shoulder and shoving his hand beneath her cap to wrap it in her hair.
Vlad’s lip turned up in disgust. “This one takes after his mother. Vasilissa!” he shouted, so loud that Radu was terrified into silence interrupted only by hiccups and sniffles. The nurse did not know whether to stay or leave, but she had not been dismissed. Lada ignored her, wary eyes fixed on her father.
“Vasilissa!” Vlad roared again. He reached out to snatch Lada, but this time she was ready. She scrambled away, crawling under the polished table. Vlad rapped his knuckles on it. “Very good. Vasilissa!”
His wife stumbled into the room, hair down, wrapped in nothing but a dressing robe. She was worn thin. Her cheekbones jutted out under grayed, empty eyes. If the birth of Lada had nearly killed her, Radu’s had drained whatever life she had left. She took in the scene—Radu tearstained, Lada under the table, and her husband, finally home—with a dull gaze.
“Yes?” she asked.
“Is that how you greet your husband? The vaivode of Wallachia? The prince?” He smiled in triumph, his long mustache lifting to reveal thin lips.
Vasilissa stiffened. “They are making you prince? What of Alexandru?”
“My brother is dead.”
The nurse did not think Vlad looked much like a man in mourning.
Finally noticing her daughter, Vasilissa beckoned to her. “Ladislav, come out from under there. Your father is home.”
Lada did not move. “He is not my father.”
“Make her come out,” Vasilissa snapped at the nurse.
“Can you not command your own child?” Vlad’s voice was as clear as a blue sky in the freezing depths of winter. The sun with teeth, they called those days.
The nurse shrank further into herself, shifting so that Radu, at least, was out of Vlad’s sight. Vasilissa looked frantically to either side, but there was no escape from the room. “I want to go home,” she whispered. “Back to Moldavia. Please let me.”
“Beg.”
Vasilissa’s tiny frame trembled. Then she dropped to her knees, lowered her head, and took Vlad’s hand in her own. “Please. Please, I beg of you. Let me go home.”
Vlad put out his other hand and stroked Vasilissa’s lank, greasy hair. Then he grabbed it, wrenching her head to the side. She cried out, but he pulled tighter, forcing her to stand. He placed his lips against her ear. “You are the weakest creature I have ever known. Crawl back to your hole and hide there. Crawl!” He threw her down, and, sobbing, she crawled from the room.
The nurse looked steadily at the finely woven rug that covered the stone floor. She said nothing. She did nothing. She prayed that Radu would remain silent.
“You.” Vlad pointed at Lada. “Come out. Now.”
She did, still watching the door Vasilissa had disappeared through.
“I am your father. But that woman is not your mother. Your mother is Wallachia. Your mother is the very earth we go to now, the land I am prince of. Do you understand?”
Lada looked up into her father’s eyes, deep-set and etched with years of cunning and cruelty. She nodded, then held out her hand. “The daughter of Wallachia wants her knife back.”
Vlad smiled and gave it to her.
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Product details
- Publisher : Delacorte Press (28 June 2016)
- Language : English
- Hardcover : 496 pages
- ISBN-10 : 0553522310
- ISBN-13 : 978-0553522310
- Reading age : 12 years and up
- Item Weight : 652 g
- Dimensions : 16.21 x 3.96 x 23.83 cm
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Best Sellers Rank:
#377,027 in Books (See Top 100 in Books)
- #1,823 in Children's Historical Fiction (Books)
- #10,719 in Children's Fantasy (Books)
- #35,365 in Children's Literature & Fiction (Books)
- Customer Reviews:
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Top reviews from India
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Okay writter writes so many characters and so long saga saught of I wanna know how she manages to do so. Write so long all character put story in a exact place....good different read. Loved it
The quality of the book was more or less good, though I find Flipkart preferable to Amazon in terms of product packaging and overall quality.
I can't wait to read the next book.
Kiersten White picked up the greatest Ottoman war-mongering adventurer and alleged tyrant Mehmed the Conqueror, the cruel Vlad the Impaler (this dude inspired Dracula's character) and his just and little known brother Radu, a rich Ottoman culture, and weaved a personal and engaging YA fiction around it.
Young Mehmed is an emotionally struggling boy with no future and no respect. But we know this is the boy who would grow up and at the ridiculously young age of 21, end up swallowing kingdoms with formidable god-like status: Constantinople and the Eastern Roman Empire.
And when we meet Ladislav, it takes only a little while to guess this is Vlad the Impaler in the making. Only in this alternate version of history, she is a girl, which makes this story far more interesting than it would have been had he been a boy.
Radu, however, is the most complex and politically shrewd character.
Kiersten White threads history with fiction and a complex romantic triangle so well together that at the end, history buffs and literary critics wouldn't much care about the flaws in the book and dive deeper and finish it through and end up craving for more.
Top reviews from other countries

I thought this was a well written book, a complicated plot explained well. However, particularly at it's beginning and less so towards it's climax the story didn't 'flow'. It was more like reading a series of diary entrances rather than a plot. Incidents were described without the dots being particularly joined. I was pleased to note this diminished and ceased altogether as the book progressed. Almost as though the author planned to use all these incidents to establish the rationale of the major characters but wasn't quite sure how to paste over the gaps between highlights, so decided not to bother and rushed onward toward the meet of the story. Did it matter? Hell no a great book was born. Can I ignore it? Well obviously personally I can't hence 4/5 stars,

Vlad is now Lada, the bold, ugly, daughter of the shifty voivode of Wallachia. This book (first in a trilogy) takes Lada and her little brother Radu – to whom history gave a kinder reputation and the nickname ‘the Handsome’ – from childhood in Sighisoara and Tirgoviste, to adolescence as political hostages in the Ottoman court, where they grow up alongside one of the Ottoman sultan’s sons, Mehmed.
White has written a fabulous political thriller, with a side-helping of YA love-triangle served up absolutely fresh: Lada’s growing and suppressed attraction to Mehmed, his arrogant yet sincere affection for her, and breaking my heart all over the page, Radu’s reluctant and all-consuming love for Mehmed.
It’s a gripping tale, and White doesn’t shirk the detail and intricacies of court and military life. The story propels you along – you pause only to admire delicious turns of phrase. When an ally is shot during an ambush, the victim ‘looked up at Radu, a half smile on his face as though the arrow were the end of the joke he had been in the middle of telling. And then he fell off his horse, tangling under the wheels of the supply wagon behind them.’
The book holds many more rewards, not least a wonderfully nuanced depiction of Islam, and a gorgeous little F/F romance glowingly illuminated in the margins. White brings to life not simply her protagonists, but their whole milieu. I loved Lada, Mehmet, Kumal and Nazira – and especially Radu – and can’t wait for the second in this series.

It was also bloody brilliant and definitely would make me consider reading more YA historical fiction.
Lada and her brother Radu are the children of Dracul, head of Wallachia. They’ve lived all their young lives there, Lada doing everything she could to get her father’s approval and Radu doing what he could to stay out of the way of his bully of an older brother. But one day their father travels with them to meet the Sultan of the Ottoman Empire before proceeding to leave his children hostage there, to be raised in the foreign court. During their stay, they become friends with the Sultan’s son Mehmed and make friends with the Janissaries, the soldiers conscripted from a young age from all over the empire.
Roughly the first third of the book takes place when they are all around the ages of ten to thirteen. I loved the book already by that point but some of those bits had me sitting there clinging to the book in terror of what might happen as these children were thrust into situations they seemed far too young to handle. But already it was impossible not to love Lada: not blessed with her mother’s pretty face, Lada makes me for what others see as lacking in sheer spirit and viciousness. And yet, despite how infuriating she can be—especially later on—I adored Lada. She is brave and unrelenting and uncompromising and so very strong. Meanwhile Radu is her softer counterpart, intelligent and quiet, he observes and learns to manoeuvre the court of their enemy with the efficiency his sister moves around a battlefield.
The story is mostly one of political intrigue and romance with both Radu and Lada gravitating around Mehmed and learning to reconciliate—or not—their feelings for each other, the Sultan’s son, Islam, and the country they were forced to live in by their father. And I Darken is a story with heart. Each character is exquisitely crafted with all the contradictions that humans are made of, and become tangled in each other’s desires and needs.
I loved the book from the start, there was something about how real everything felt, how much I could connect with the land and characters described that really whisked me away and into the story. But I truly fell in love with this story about a third of the way through, when we skip a few years to re-join Lada, Radu, and Mehmed when they’re older teens. That’s when the political intrigue also really kicks in and oh boy those were my favourite parts.
White writes beautifully, capturing the essence of the time and places she describes, building characters in a few strokes of words so that everyone we so much as encounter at a glance has a story behind them. It is hard not to fall in love with the places she presents us in the book, all so alive with history and people.
What meant most for me in And I Darken was the fact that Radu is gay. He is also one of the two main characters. And neither if he the only LGBTQ+ character in the pages of this book. There are other gay and lesbian characters that move around him. His storyline is both beautiful and heart breaking and was also very close to my heart.
Warning: minor spoiler ahead but I have to gush about that scene.
There is this one moment in which Radu sees his sister kissing Mehmed and that’s the cinching moment where he realises he is gay, something he hadn’t fully understood until that point, and was a little frightened of. The scene is from his point of view, that turning moment when his world turns upside down and he realises that he cannot have the man he loves. It is, for me, one of the most poignant scenes in the entire book. Why? Because I have been there. I, too, wasn’t exactly sure I was gay until the guy I happened to like at the time came back to where we were rooming together to tell me he’d kissed a girl who was a mutual friend whilst on the tube with her. The emotions White writes for Radu may as well have been mine on that day. It was so very powerful to find this in a book, to feel so strangely comforted in that my experience was not a lone thing.
Spoiler over.
I love that White included LGBT+ characters in her work even though we are very much in a historical setting with no supernatural elements. It was nice to see someone recognise that we have always been there, no matter how much people have tried to erase us out of history.
And I Darken is a book I want to recommend to everyone. Even if you don’t read historical fiction, even if you usually, like me, favour things with magic and dragons and vampires, you should read this book. This story didn’t magic and vampires because the characters that inhabit it are too wonderful, too deep and interesting not to fall in love with. I adored Lada, but I must admit to be more than a little in love with sweet, lovely Radu.
5/5

I am deeply ambivalent about this book. I personally give it 3 stars because it really didn't take me a month to read - I just found it really easy to put down, sometimes for days at a time. On the other hand I acknowledge that for concept, execution, voice, structure, characterization it deserves 4.5 stars.
I didn't like any of the characters but I still rooted for them. I cared what happened to them. It was a really original idea to make 'Vlad' a girl, 'Lada' instead. Working in the twisted love triangle with no right answers and no happy ending in a backdrop of political intrigue and deceit was a stroke of genius. But it was incredibly slow paced. Maybe I picked this up at the wrong time - it never pretends to be anything other than a politically, character driven alternate history. However for every page that really gripped me there were ten following pages of 'meh'.
I love the idea and the writing is flawless but this isn't a book I would re-read. Hats off to Keirsten White though, this has to be the most original and emotionally complicated book I've read this year.

This story is not fast paced, but boy does it take you on a journey. The character development is exquisitely executed, leaving you with a real understanding of the complexities behind each characters decisions and motivations. The plot, whilst based on the historical accounts of Vlad the Impaler, has many twists and turns that will leave you wanting more.
I savoured this book but the resorted to greedily devouring the second instalment in the trilogy, because it leaves to you so invested in the characters. Highly recommend.