Pulitzer-winning, scintillating studies in yearning and exile from a Bengali Bostonian woman of immense promise.

A couple exchange unprecedented confessions during nightly blackouts in their Boston apartment as they struggle to cope with a heartbreaking loss; a student arrives in new lodgings in a mystifying new land and, while he awaits the arrival of his arranged-marriage wife from Bengal, he finds his first bearings with the aid of the curious evening rituals that his centenarian landlady orchestrates; a schoolboy looks on while his childminder finds that the smallest dislocation can unbalance her new American life all too easily and send her spiralling into nostalgia for her homeland…

Jhumpa Lahiri’s prose is beautifully measured, subtle and sober, and she is a writer who leaves a lot unsaid, but this work is rich in observational detail, evocative of the yearnings of the exile (mostly Indians in Boston here), and full of emotional pull and reverberation.

‘The Namesake’ is the story of a boy brought up Indian in America.

'When her grandmother learned of Ashima's pregnancy, she was particularly thrilled at the prospect of naming the family's first sahib. And so Ashima and Ashoke have agreed to put off the decision of what to name the baby until a letter comes…'

For now, the label on his hospital cot reads simply BABY BOY GANGULI. But as time passes and still no letter arrives from India, American bureaucracy takes over and demands that 'baby boy Ganguli' be given a name. In a panic, his father decides to nickname him 'Gogol' – after his favourite writer.

Brought up as an Indian in suburban America, Gogol Ganguli soon finds himself itching to cast off his awkward name, just as he longs to leave behind the inherited values of his Bengali parents. And so he sets off on his own path through life, a path strewn with conflicting loyalties, love and loss…

Spanning three decades and crossing continents, Jhumpa Lahiri's much-anticipated first novel is a triumph of humane story-telling. Elegant, subtle and moving, ‘The Namesake’ is for everyone who loved the clarity, sympathy and grace of Lahiri's Pulitzer Prize-winning debut story collection, ‘Interpreter of Maladies’.

'Rich. . . eclectic. . . a feast' Telegraph

This landmark collection brings together forty writers that reflect over a hundred years of Italy's vibrant and diverse short story tradition, from the birth of the modern nation to the end of the twentieth century.

Poets, journalists, visual artists, musicians, editors, critics, teachers, scientists, politicians, translators: the writers that inhabit these pages represent a dynamic cross section of Italian society, their powerful voices resonating through regional landscapes, private passions and dramatic political events.

This wide-ranging selection curated by Jhumpa Lahiri includes well known authors such as Italo Calvino, Elsa Morante and Luigi Pirandello alongside many captivating new discoveries. More than a third of the stories featured in this volume have been translated into English for the first time, several of them by Lahiri herself.

This book is made up of twenty-three stories, each from a different author from across the globe. All belong to one world, united in their diversity and ethnicity. And together they have one aim: to involve and move the reader.

The range of authors takes in such literary greats as Chimamanda Ngozi Adichie and Jhumpa Lahiri, and emerging authors such as Elaine Chiew, Petina Gappah, and Henrietta Rose-Innes.

The members of the collective are:

Elaine Chiew (Malaysia)
Molara Wood (Nigeria)
Jhumpa Lahiri (United States)
Martin A Ramos (Puerto Rico)
Lauri Kubutsile (Botswana)
Chika Unigwe (Nigeria)
Ravi Mangla (United States)
Chimamanda Ngozi Adichie (Nigeria)
Skye Brannon (United States)
Jude Dibia (Nigeria)
Shabnam Nadiya (Bangladesh)
Petina Gappah (Zimbabwe)
Ivan Gabirel Reborek (Australia)
Vanessa Gebbie (Britain)
Emmanual Dipita Kwa (Cameroon)
Henrietta Rose-Innes (South Africa)
Lucinda Nelson Dhavan (India)
Adetokunbo Abiola (Nigeria)
Wadzanai Mhute (Zimbabwe)
Konstantinos Tzikas (Greece)
Ken Kamoche (Kenya)
Sequoia Nagamatsu (United States)
Ovo Adagha (Nigeria)

From the Introduction:

The concept of One World is often a multi-colored tapestry into which
sundry, if not contending patterns can be woven. for those of us who worked
on  this  project, ‘One World’ goes beyond the everyday notion of the globe
as a physical geographic entity. Rather, we understand it as a universal idea,
one that transcends national boundaries to comment on the most prevailing
aspects of the human condition.

This attempt to redefine the borders of the world we live in through the
short story recognizes the many conflicting issues of race, language, economy,
gender and ethnicity, which separate and limit us. We readily acknowledge,
however, that regardless of our differences or the disparities in our stories, we
are united by our humanity.

We invite the reader on a personal journey across continents, countries,
cultures and landscapes, to reflect on these beautiful, at times chaotic, renditions
on the human experience. We hope the reach of this path will transcend the
borders of each story, and perhaps function as an agent of change.

Welcome to our world.

Un niño de padres bengalíes, nacionalidad estadounidense y nombre ruso en busca de un lugar, una voz y un nombre.

La primera novela de la aclamada autora de El intérprete del dolor.

Tras la lenta recuperación de un terrible accidente ferroviario y un matrimonio arreglado con la joven Ashima, Ashoke Ganguli decide abandonar su cómoda y previsible existencia en Calcuta, aceptar una beca en el Instituto Tecnológico de Massachusetts y mudarse con su esposa a Boston. Allí nacerá su primer hijo, que por azares del destino acabará llevando por nombre Gógol en honor al célebre escritor ruso. El niño, hijo de bengalíes, ciudadano estadounidense y de nombre ruso, crecerá entre korma y hamburguesas, música de los Beatles y clases de bengalí, viajes a Calcuta, donde a él y a su hermana se los considera extranjeros, y ritos hindúes celebrados en suelo estadounidense; pero, sobre todo, crecerá extrañado y perplejo ante su propio nombre.

La crítica ha dicho:
«Extraordinario... un libro que convierte en oro la paja de la vida cotidiana. La prosa calmada y grácil, las vastas extensiones de escritura cristalina, el elegante tono pianissimo...todo lleva al lector de principio a fin, formando un arco nítido. Cada detalle, cada observación, cada frase brilla con la claridad de la verdad. El buen nombre es una novela que nos hace sentir privilegiados de tener acceso a su mundo, inmensamente empático».
The Times

«La clase de escritor que te hace querer agarrar a la persona que tienes al lado y decir "¡Lea esto!"».
Amy Tan

«Una prosa refinada, grácil y empática... cada uno de los personajes de Lahiri teje su propia identidad, lo que hace que esta resonante historia no sea únicamente asiática ni únicamente estadounidense, sino tierna e irónicamente humana».
Hephzibah Anderson, The Observer