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Nick Makoha
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Journeys Home: An Anthology of Contemporary African Diasporic Experience Paperback – 14 January 2010

by Salome Nnomorele (Editor), Lisa Day-Lindsey (Editor)
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Previous page
  1. Print length
    163 pages
  2. Language
    English
  3. Publisher
    Africa Research & Publications
  4. Publication date
    14 January 2010
  5. Dimensions
    13.59 x 1.3 x 21.49 cm
  6. ISBN-10
    1592217133
  7. ISBN-13
    978-1592217137
  8. See all details
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Product details

  • Publisher ‏ : ‎ Africa Research & Publications; Edition Unstated (14 January 2010)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 163 pages
  • ISBN-10 ‏ : ‎ 1592217133
  • ISBN-13 ‏ : ‎ 978-1592217137
  • Item Weight ‏ : ‎ 249 g
  • Dimensions ‏ : ‎ 13.59 x 1.3 x 21.49 cm

About the author

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Nick Makoha

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Nicholas Makoha is a dynamic writer born in Uganda and has lived in Kenya, Saudi Arabia and currently resides in London. He is one of ten contemporary poets in the UK to have been selected for Spread the Word’s Complete Works development programme. During the programme he has been mentored by eminent poet George Szirtes, both writers in exile.

Nick Makoha was shortlisted for the 2017 Felix Dennis Prize for Best First Collection for he’s debut Kingdom of Gravity. Bernardine Evaristo and Jackie Kay recommended it in The Guardian’s Best books of 2017. He is a Cave Canem Graduate Fellow, Malika’s Kitchen Fellow and Complete Works Alumni. He won the 2015 Brunel International African Poetry prize and is the 2016 winner of the Toi Derricotte & Cornelius Eady Chapbook Prize for his pamphlet Resurrection Man. His poems appeared in The New York Times, Poetry Review, Rialto, Poetry London, Triquarterly Review, Boston Review, Callaloo, and Wasafiri. As Creative Entrepreneur-in-Residence at Goldsmiths, University of London he started the filming of Black Metic Poet interviews as part of the Metic experiences of Black British Writers.

Nick Makoha’s first full-length collection, Kingdom of Gravity (Peepal Tree £8.99), was the 2017 debut which most excited me. Focused on Uganda during the Idi Amin dictatorship, his poetry is charged with ethical sensibility. The lines protest as they sing “the song disturbed by helicopter blades…” but they don’t simplify things: they explore, and complicate. Personal witness and artistry are one. - Carol Rumens - The Guardian

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