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IRISH TIMES NUMBER ONE BESTSELLER
SHORTLISTED FOR IRISH BOOK AWARDS NOVEL OF THE YEAR
A BOOK OF THE YEAR IN THE NEW YORK TIMES, NEW STATESMAN, TIMES LITERARY SUPPLEMENT, BIG ISSUE, i, THE ATLANTIC and LITERARY HUB
'A true wonder' Max Porter
'Beautifully written’ Guardian
It’s late one night at the Spanish port of Algeciras and two fading Irish gangsters are waiting on the boat from Tangier. A lover has been lost, a daughter has gone missing, their world has come asunder – can it be put together again?
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'Wild, witty stories . . . Exhilarating' Observer
Since his landmark debut collection, There Are Little Kingdoms, and its award-winning sequel in 2012, Dark Lies the Island, Kevin Barry has been acclaimed as one of the world’s most accomplished and gifted short story writers.
Barry’s lyric intensity, the vitality of his comedy and the darkness of his vision recall the work of masters of the genre like Flannery O’Connor and William Trevor, but he has forged a style which is patently his own.
In this rapturous third collection, we encounter a ragbag of west of Ireland characters, many on the cusp between love and catastrophe, heartbreak and epiphany, resignation and hope. These stories show an Ireland in a condition of great flux but also as a place where older rhythms, and an older magic, somehow persist.
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These stories, filled with a grand sense of life's absurdity, form a remarkably surefooted collection that reads like a modern-day Dubliners.
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Winner of the Sunday Times short story prize
Winner of the Edge Hill short story prize
A kiss that just won't happen. A disco at the end of the world. A teenage goth on a terror mission. And OAP kiddie-snatchers, and scouse real-ale enthusiasts, and occult weirdness in the backwoods...
Dark Lies the Island is a collection of unpredictable stories about love and cruelty, crimes, desperation, and hope from the man Irvine Welsh has described as 'the most arresting and original writer to emerge from these islands in years'. Every page is shot through with the riotous humour, sympathy and blistering language that mark Kevin Barry as a pure entertainer and a unique teller of tales.
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**Winner of the International IMPAC Dublin Literary Award**
‘A electrifying masterpiece’ Joseph O’Connor
The once-great city of Bohane on the west coast of Ireland is on its knees, infested by vice and split along tribal lines. There are still some posh parts of town, but it is in the slums and backstreets of Smoketown, the tower blocks of the Northside Rises and the eerie bogs of Big Nothin' that the city really lives.
For years, Bohane has been in the cool grip of Logan Hartnett, the dapper godfather of the Hartnett Fancy gang. But there's trouble in the air. But now they say his old nemesis is back in town; his trusted henchmen are getting ambitious; and there's trouble in the air...
**One of the BBC’s 100 Novels That Shaped Our World**
Shortlisted for the Costa First Novel Award
Winner of the Authors' Club Best First Novel Award
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"Beatlebone" führt einen in jeder Hinsicht an die Grenzen - der westlichen Welt, der geistigen Gesundheit, des Ruhms, der Worte. Und, nicht zuletzt, an die des Romans, dorthin, wo er auf seine Doppelgängerin trifft, die Autobiographie. Denn diese faszinierende Erzählung aus dem Kopf eines der größten Popgiganten des 20. Jahrhunderts wird unversehens zu einer Meditation über den kreativen Prozess im allgemeinen, über die verblüffende Verbindung von Autor und Figur. Ihr Schöpfer, Kevin Barry, gilt vor allem wegen seiner überbordend lyrischen Sprache als der musikalische Dichterfürst Irlands und als eines seiner größten literarischen Talente.
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Huyendo de la prensa, Lennon intenta calmar el espíritu y superar así los fantasmas que lo persiguen y le bloquean la creatividad. Para lograr esto, un conductor irlandés de lo más peculiar le hará de guía espiritual improvisado.
Después de Ciudad de Bohane, Beatlebone (obra ganadora del Premio Goldsmith 2015) es la segunda incursión de Kevin Barry en el campo de la novela, con resultados igualmente extraordinarios. Con un dominio sublime del lenguaje y de los personajes, Barry nos muestra al Lennon más auténtico, el de humor cambiante y el ánimo atribulado, y nos sumerge en la exploración del pasado propio, los orígenes, lo que hemos hecho y lo que hemos dejado por hacer.
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