***Winner of the Bram Stoker Award for Superior Achievement in the Anthology category***
Want to see something weird?
Embrace the odd? Satisfy your curiosity? Surrender to wonder?
From Crystal Lake Publishing and the Bram Stoker Award-winning co-editor of the smash hit Gutted: Beautiful Horror Stories comes Behold! Oddities, Curiosities and Undefinable Wonders.

Sixteen stories and two poems take you into the spaces between the ordinary—and the imaginations of some of today's masters of dark and thrilling fiction.

• A travel writer learns the terrible secrets at a hotel that's not at all as it seems.
• A disfigured woman and her daughter explore methods of weaponizing beauty.
• An amateur beekeeper acquires an object that shows her the true
  danger of the hive-mind.
• Drifters ride the rails seeking something wondrous that could change their fates forever.
• A strange creature that holds our very existence in its hands shapes the lives of two lovers to touching and devastating effect.
• A young man helps his grandfather—and something much more monstrous—atone for bargains made during wartime.
• And much, much more…

Featuring Clive Barker, Neil Gaiman, Ramsey Campbell, Lisa Morton, Brian Kirk, Hal Bodner, Stephanie M. Wytovich, John Langan, Erinn L. Kemper, John F.D. Taff, Patrick Freivald, Lucy A. Snyder, Brian Hodge, Kristi DeMeester, Christopher Coake, Sarah Read and Richard Thomas. Foreword by Josh Malerman. Illustrations by Luke Spooner. Cover art by John Coulthart. Brought to you by Bram Stoker Award-nominated editor Doug Murano and Crystal Lake Publishing—Tales from the Darkest Depths.

Interview with the editor:

What kinds of short stories will readers find in this anthology?

Doug Murano: I wanted this book to encompass a lot of the things I love about weird fiction, fantasy and horror—as well as give a tip of my cap to some of the things I loved growing up. So, it’s not exclusively a horror anthology, though you’ll find there’s plenty of darkness and dread throughout the book.

It was important to me that the stories throughout the anthology embraced and celebrated the odd—so you're not going to find stories of big-top exploitation or carnival freak shows here. The closest, perhaps, you'll find to this angle is in Lisa Morton's story—but that piece turns the freak-show trope on its head and aspires to something much more daring, interesting, and, ultimately, haunting.

Some tonal touch-points for much of the book are actually Jim Henson's work — like Labyrinth and The Dark Crystal — particularly in the Undefinable Wonders section. I also drew tonal influences from Guillermo del Toro’s filmography, especially his Spanish-language films like Pan’s Labyrinth and The Devil’s Backbone. As in those films, there’s terror and darkness here, but there’s beauty, wonder, and magic, as well. In other words, the book is willfully bizarre, wide-ranging, and beautifully strange.

It’s dangerous out there…
On the road.
The highways, byways and backroads of America are teeming day and night with regular folks. Moms and dads making long commutes. Teenagers headed to the beach. Bands on their way to the next gig. Truckers pulling long hauls. Families driving cross country to visit their kin.

But there are others, too. The desperate and the lost. The cruel and the criminal.

Theirs is a world of roadside honky-tonks, truck stops, motels, and the empty miles between destinations. The unseen spaces.

And there are even stranger things. Places that aren’t on any map. Wayfaring terrors and haunted legends about which seasoned and road-weary travelers only whisper.

But those are just stories. Aren’t they?

Find out for yourself as you get behind the wheel with some of today’s finest authors of the dark and horrific as they bring you these harrowing tales from the road.

Tales that could only be spawned by the endless miles of America’s lost highways.

So go ahead and hop in. Let’s take a ride.

Line-up:

• Introduction by Brian Keene
• doungjai gam & Ed Kurtz — “Crossroads of Opportunity”
• Joe R. Lansdale — “Not from Detroit”
• Kristi DeMeester — “A Life That is Not Mine”
• Robert Ford — “Mr. Hugsy”
• Lisa Kröger — “Swamp Dog”
• Orrin Grey — “No Exit”
• Michael Bailey — “The Long White Line”
• Kelli Owen — “Jim’s Meats”
• Bracken MacLeod — “Back Seat”
• Jess Landry — “The Heart Stops at the End of Laurel Lane”
• Jonathan Janz — “Titan, Tyger”
• Nick Kolakowski — “Your Pound of Flesh”
• Richard Thomas — “Requital”
• Damien Angelica Walters — “That Pilgrims’ Hands Do Touch”
• Cullen Bunn — “Outrunning the End”
• Christopher Buehlman — “Motel Nine”
• Rachel Autumn Deering — “Dew Upon the Wing”
• Josh Malerman — “Room 4 at the Haymaker”
• Rio Youers — “The Widow”

Proudly represented by Crystal Lake Publishing—Tales from the Darkest Depths.

Interview with the editor:

So what makes Lost Highways: Dark Fictions From the Road so special?
Lost Highways comes at the theme of road stories with the desire to push the boundaries of what that theme means. Because of that, it collects authors of diverse levels of experience and notoriety in the worlds of horror and dark fiction. This brings together voices like Joe R. Lansdale, Cullen Bunn, Josh Malerman, Damien Angelica Walters, Rio Youers, Bracken MacLeod, Rachel Autumn Deering, doungjai gam with Ed Kurtz, and Kristi DeMeester. All of these unique voices bring a fresh and often unexpected take on the theme.

What made you think of this theme for the anthology?
Road trips can be fun but they can also be long and boring. And while you can read a book to yourself to pass the time, it’s not a very social experience. So Lost Highways was born out of the idea that...

There’s something out there that’s killing. Known only as The Cur, he leaves no traces, save for the torn bodies of girls, on the verge of becoming women, who are known as trouble-makers; those who refuse to conform, to know their place. Girls who don’t know when to shut up.

2019: Thirteen-year-old Lila Sawyer has secrets she can’t share with anyone. Not the school psychologist she’s seeing. Not her father, who has a new wife, and a new baby. And not her mother―the infamous Caroline Sawyer, a unique artist whose eerie sculptures, made from bent twigs and crimped leaves, have made her a local celebrity. But soon Lila feels haunted from within, terrorized by a delicious evil that shows her how to find her voice―until she is punished for using it.

2004: Caroline Sawyer hears dogs everywhere. Snarling, barking, teeth snapping that no one else seems to notice. At first, she blames the phantom sounds on her insomnia and her acute stress in caring for her ailing father. But then the delusions begin to take shape―both in her waking hours, and in the violent, visceral sculptures she creates while in a trance-like state. Her fiancé is convinced she needs help. Her new psychiatrist waives her “problem” away with pills. But Caroline’s past is a dark cellar, filled with repressed memories and a lurking horror that the men around her can’t understand.

As past demons become a present threat, both Caroline and Lila must chase the source of this unrelenting, oppressive power to its malignant core. Brilliantly paced, unsettling to the bone, and unapologetically fierce, Such a Pretty Smile is a powerful allegory for what it can mean to be a woman, and an untamed rallying cry for anyone ever told to sit down, shut up, and smile pretty.