** THE SUNDAY TIMES NO. 1 BESTSELLER **

Discover the dystopian novel behind the award-winning TV series before you read the 2019 Booker Prize-winning sequel The Testaments

'I believe in the resistance as I believe there can be no light without shadow; or rather, no shadow unless there is also light.'

Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford - her assigned name, Offred, means 'of Fred'. She has only one function: to breed. If Offred refuses to enter into sexual servitude to repopulate a devastated world, she will be hanged. Yet even a repressive state cannot eradicate hope and desire. As she recalls her pre-revolution life in flashbacks, Offred must navigate through the terrifying landscape of torture and persecution in the present day, and between two men upon which her future hangs.

Masterfully conceived and executed, this haunting vision of the future places Margaret Atwood at the forefront of dystopian fiction.

'As relevant today as it was when Atwood wrote it...no television event has hit such a nerve ...' Guardian

READ THE TESTAMENTS, THE BOOKER PRIZE-WINNING SEQUEL TO THE HANDMAID'S TALE, TODAY

THE NUMBER 1 BESTSELLER AND WINNER OF THE BOOKER PRIZE

'The Testaments is Atwood at her best . . . To read this book is to feel the world turning' Anne Enright

The Republic of Gilead is beginning to rot from within. At this crucial moment, two girls with radically different experiences of the regime come face to face with the legendary, ruthless Aunt Lydia. But how far will each go for what she believes?

Now with additional material: book club discussion points and an interview with Margaret Atwood about the real-life events that inspired The Testaments and The Handmaid's Tale.
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PRAISE FOR THE TESTAMENTS:

'Everything The Handmaid's Tale fans wanted and more. Prepare to hold your breath throughout, and to cry real tears at the end' Stylist

'Atwood challenges us constantly and poses the question that lies like a pearl inside the shell of this frighteningly readable novel, "Before you sit in judgement, how would you behave in Gilead?''' Sunday Telegraph

'She manages to write about the darkest and most terrifying parts of human psychology in a way that is still deeply funny and full of dark strange hope' Naomi Alderman, author of The Power

'A plump, pacy, witty and tightly plotted page-turner... Atwood is on top form' Observer

'She is one of the greatest writers of the past century' Sunday Times

'How did she manage to make darkness feel so effortless? How did she think to inject humour where no humour should exist? Because she's Margaret Atwood, and she can do anything' Ann Patchett, author of The Dutch House

By the author of The Handmaid's Tale

Now a major NETFLIX series

Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.

'Brilliant... Atwood's prose is searching. So intimate it seems to be written on the skin' Hilary Mantel

'The outstanding novelist of our age' Sunday Times

'A sensuous, perplexing book, at once sinister and dignified, grubby and gorgeous, panoramic yet specific...I don't think I have ever been so thrilled' Julie Myerson, Independent on Sunday

By the author of The Handmaid's Tale and Alias Grace

Zenia is beautiful, smart and greedy, by turns manipulative and vulnerable, needy and ruthless; a man's dream and a woman''s nightmare. She is also dead. Just to make sure Tony, Roz andd Charis are there for the funeral. But five years on, as the three women share an indulgent, sisterly lunch, the unthinkable happens; 'with waves of ill will flowing out of her like cosmic radiation', Zenia is back...

By the author of The Handmaid's Tale and Alias Grace

Marian is determined to be ordinary. She lays her head gently on the shoulder of her serious fiancee and quietly awaits marriage. But she didn't count on an inner rebellion that would rock her stable routine, and her digestion. Marriage a la mode, Marian discovers, is something she literally can't stomach ... The Edible Woman is a funny, engaging novel about emotional cannibalism, men and women, and desire to be consumed.
'Margaret Atwood not only has a sense of humour, she has wit and style in abundance ... a joy to read' Good Housekeeping
'Written with a brilliant angry energy' Observer
'A witty, elegant, generous and patient writer' Punch

Winner of the Man Booker Prize

By the author of The Handmaid's Tale and Alias Grace

Laura Chase's older sister Iris, married at eighteen to a politically prominent industrialist but now poor and eighty-two, is living in Port Ticonderoga, a town dominated by their once-prosperous family before the First War. While coping with her unreliable body, Iris reflects on her far from exemplary life, in particular the events surrounding her sister's tragic death. Chief among these was the publication of The Blind Assassin, a novel which earned the dead Laura Chase not only notoriety but also a devoted cult following.
Sexually explicit for its time, The Blind Assassin describes a risky affair in the turbulent thirties between a wealthy young woman and a man on the run. During their secret meetings in rented rooms, the lovers concoct a pulp fantasy set on Planet Zycron. As the invented story twists through love and sacrifice and betrayal, so does the real one; while events in both move closer to war and catastrophe. By turns lyrical, outrageous, formidable, compelling and funny, this is a novel filled with deep humour and dark drama.

Provocative, startling, prophetic, and more relevant than ever, The Handmaid's Tale has become a global phenomenon. Now, in this stunning graphic novel edition of Margaret Atwood's modern classic, the terrifying reality of Gilead is brought to vivid life like never before.

"Everything Handmaids wear is red: the colour of blood, which defines us." Offred is a Handmaid in the Republic of Gilead, where women are prohibited from holding jobs, reading, and forming friendships. She serves in the household of the Commander and his wife, and under the new social order she has only one purpose: once a month, she must lie on her back and pray that the Commander makes her pregnant, ecause in an age of declining births, Offred and the other Handmaids are valued only if they are fertile. But Offred remembers the years before Gilead, when she was an independent woman who had a job, a family, and a name of her own. Now, her memories and her will to survive are acts of rebellion.

The Handmaid's Tale and its iconic images - the red of the Handmaids, the blue of the Wives, the looming Gileadean Eye - have been adapted into a film, an opera, a ballet, and multi-award-winning TV series. This groundbreaking new graphic novel edition, adapted and featuring arresting artwork by Renée Nault, is destined to become a classic in its own right.

The Handmaid's Tale (SparkNotes Literature Guide) by Margaret Atwood
Making the reading experience fun!

Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster.

Geared to what today's students need to know, SparkNotes provides:

chapter-by-chapter analysis
explanations of key themes, motifs, and symbols
a review quiz and essay topics
Lively and accessible, these guides are perfect for late-night studying and writing papers.

BY THE AUTHOR OF THE HANDMAID'S TALE AND ALIAS GRACE

A recently widowed fantasy writer is guided through a stormy winter evening by the voice of her late husband. An elderly lady with Charles Bonnet syndrome comes to terms with the little people she keeps seeing, while a newly formed populist group gathers to burn down her retirement residence. A woman born with a genetic abnormality is mistaken for a vampire, and a crime committed long ago is revenged in the Arctic via a 1.9 billion-year-old stromatolite.

In these nine tales, Margaret Atwood ventures into the shadowland earlier explored by fabulists and concoctors of dark yarns such as Robert Louis Stevenson, Daphne du Maurier and Arthur Conan Doyle - and also by herself, in her award-winning novel Alias Grace. In Stone Mattress, Margaret Atwood is at the top of her darkly humorous and seriously playful game.

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Praise for Stone Mattress

'Dark and witty tales from the gleefully inventive Margaret Atwood. Witty verve, imaginative inventiveness and verbal sizzle vivify every page' -SUNDAY TIMES

'Atwood has characters here close to death, dead already, unwittingly doomed or - in one memorable case - freeze-dried; but her own curiosity, enthusiasm and sheer storytelling panache remain alive and kicking. Anyone keen to consign literary fiction to an early grave will have to deal with her first' -INDEPENDENT

'Atwood's prose is so sharp and sly that the effect is bracing rather than bleak' -GUARDIAN

GOODREADS CHOICE AWARDS 2020 -- BEST POETRY

The collection of a lifetime from the bestselling novelist, poet - and cultural phenomenon.

Before she became one of the world's most important and loved novelists, Margaret Atwood was a poet. Dearly is her first collection in over a decade. It brings together many of her most recognisable and celebrated themes, but distilled -- from minutely perfect descriptions of the natural world to startlingly witty encounters with aliens, from pressing political issues to myth and legend.

By turns moving, playful and wise, the poems gathered in Dearly are about absences and endings, ageing and retrospection, but also about gifts and renewals. They explore bodies and minds in flux, as well as the everyday objects and rituals that embed us in the present. Werewolves, sirens and dreams make their appearance, as do various forms of animal life and fragments of our damaged environment.

Dearly is a pure Atwood delight, and long-term readers and new fans alike will treasure its insight, empathy and humour.

'A new volume of poetry by the writer of wit and optimism . . . Just when we needed her most' Gentlewoman

*BOOK OF THE YEAR OBSERVER, FINANCIAL TIMES *