Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
Download to your computer
|
Kindle Cloud Reader
|
To add this eBook, remove any 1 eBook from your cart or buy the 25 eBooks present in the
eBook cart
There was a problem adding this eBook to the cart
Buying Options
Digital List Price: | 136.50 |
Kindle Price: |
107.38
Save 29.12 (21%) |
inclusive of all taxes includes free wireless delivery via Amazon Whispernet |
|
Sold by: | Amazon Asia-Pacific Holdings Private Limited |


![Notes on Camp (Penguin Modern) by [Susan Sontag]](https://m.media-amazon.com/images/I/31PayJdSM1L._SY346_.jpg)
Follow the Author
Something went wrong. Please try your request again later.
OK
Notes on Camp (Penguin Modern) Kindle Edition
by
Susan Sontag
(Author)
Format: Kindle Edition
Susan Sontag
(Author)
Find all the books, read about the author, and more.
See search results for this author
|
-
LanguageEnglish
-
PublisherPenguin
-
Publication date22 February 2018
-
File size836 KB
Customers who read this book also read
Page 1 of 1 Start overPage 1 of 1
- Love is a Dog From HellKindle Edition
- Against Interpretation and Other Essays (Penguin Modern Classics)Kindle Edition
- Regarding the Pain of OthersKindle Edition
- On Photography (Penguin Modern Classics)Kindle Edition
- Slouching Towards Bethlehem: EssaysKindle Edition
- Ways of Seeing (Penguin Modern Classics)Kindle Edition
Product description
About the Author
Susan Sontag was born in Manhattan in 1933 and studied at the universities of Chicago, Harvard and Oxford. Her non-fiction works include Against Interpretation, On Photography, Illness as Metaphor, AIDS and its Metaphors and Regarding the Pain of Others. She is also the author of four novels, a collection of stories and several plays. Her books are translated into thirty-two languages. In 2001 she was awarded the Jerusalem Prize for the body of her work, and in 2003 she received the Prince of Asturias Prize for Literature and the Peace Prize of the German Book Trade. She died in December 2004.
--This text refers to the paperback edition.
Product details
- ASIN : B0798D8RCM
- Publisher : Penguin; 1st edition (22 February 2018)
- Language : English
- File size : 836 KB
- Text-to-Speech : Enabled
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 57 pages
-
Best Sellers Rank:
#110,365 in Kindle Store (See Top 100 in Kindle Store)
- #745 in Essays (Kindle Store)
- #1,455 in Society & Culture (Kindle Store)
- #1,708 in Essays (Books)
- Customer Reviews:
More items to explore
Page 1 of 1 Start overPage 1 of 1
- The Wind-Up Bird Chronicle: Vintage Classics Japanese Series (Vintage Classic Japanese Series)Paperback
- Crime and Punishment (Vintage Classic Russians Series)Fyodor DostoevskyPaperback
- Daydream and Drunkenness of a Young Lady (Penguin Modern)Paperback
- 100 Selected Poems, Emily Dickinson: Collectable Hardbound edition : CollectableEmily DickinsonHardcover
- 100 Selected Poems, John Keats: Collectable Hardbound editionJohn KeatsHardcover
- The Iliad (Penguin Classics)Paperback
Customer reviews
4.7 out of 5 stars
4.7 out of 5
136 global ratings
How are ratings calculated?
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyses reviews to verify trustworthiness.
Top reviews
Top reviews from India
There was a problem filtering reviews right now. Please try again later.
Reviewed in India on 2 April 2019
Report abuse
Verified Purchase
Amazing read
Helpful
Reviewed in India on 3 January 2019
Stressing upon artifice and exaggeration (by compiling a list of examples) which is the essence of 'Camp' (something which we're all familiar with), she moves on to say that Camp is apolitical (which our very own RuPaul - 21st Century Camp icon disagrees with).
Long story short, take
1. A dash of Great Garbo (with her important influence on feminist consciousness);
2. 2 dashes of the Playwright Oscar Wilde (with his novel The Picture of Dorian Gray)
3. 1 fl oz. of 'pure' camp movies like 'Trouble in Paradise'
4. 2 fl oz. of Art Nouveau
5. 2 small lumps of Bellini's Operas and Swan Lake Ballet
6. Shake up throughly and strain into a vanguard of homosexuals and dandyism
7. For garnishing, put a quarter of a slice of wanna-be camp movies of Hitchcock;
and there you have it Sontag's essay 'Notes on Camp' emphasising on the different elements of 'Camp' - relish for exaggeration of sexual characteristics, the easy convertibility of one thing into something else, disclosing and simultaneously corrupting (given the chance) innocence, spirit of extravagance and style taking superiority over content.
However, the most gripping parts about the essay are the contrasts and differences she points out- between camp and kitsch, between naive camp and deliberate camp, between old style dandy & new style dandy.
"The ultimate Camp statement: it's good because it's awful...Ofcourse, one can't always say that."
With random & haphazard writing,(serving the purpose) Sontag tried her best to explain what 'camp' style means.
Popularised by Andy Warhol in the 1960s with his pop art & with the increase of response & appreciation of over-the-top aestheticism, (with the drag races or Lady Gaga's meat dress) Camp is here to stay.
Wikipedia defines Camp(Style) as an aesthetic style and sensibility that regards something as appealing because of its bad taste and ironic value but Sontag in 58 jottings to be exact breaks down the boundaries between the 'high' and 'low' culture.
Stressing upon artifice and exaggeration (by compiling a list of examples) which is the essence of 'Camp' (something which we're all familiar with), she moves on to say that Camp is apolitical (which our very own RuPaul - 21st Century Camp icon disagrees with).
Long story short, take
1. A dash of Great Garbo (with her important influence on feminist consciousness);
2. 2 dashes of the Playwright Oscar Wilde (with his novel The Picture of Dorian Gray)
3. 1 fl oz. of 'pure' camp movies like 'Trouble in Paradise'
4. 2 fl oz. of Art Nouveau
5. 2 small lumps of Bellini's Operas and Swan Lake Ballet
6. Shake up throughly and strain into a vanguard of homosexuals and dandyism
7. For garnishing, put a quarter of a slice of wanna-be camp movies of Hitchcock;
and there you have it Sontag's essay 'Notes on Camp' emphasising on the different elements of 'Camp' - relish for exaggeration of sexual characteristics, the easy convertibility of one thing into something else, disclosing and simultaneously corrupting (given the chance) innocence, spirit of extravagance and style taking superiority over content.
However, the most gripping parts about the essay are the contrasts and differences she points out- between camp and kitsch, between naive camp and deliberate camp, between old style dandy & new style dandy.
"The ultimate Camp statement: it's good because it's awful...Ofcourse, one can't always say that."
With random & haphazard writing,(serving the purpose) Sontag tried her best to explain what 'camp' style means.
Popularised by Andy Warhol in the 1960s with his pop art & with the increase of response & appreciation of over-the-top aestheticism, (with the drag races or Lady Gaga's meat dress) Camp is here to stay.
Stressing upon artifice and exaggeration (by compiling a list of examples) which is the essence of 'Camp' (something which we're all familiar with), she moves on to say that Camp is apolitical (which our very own RuPaul - 21st Century Camp icon disagrees with).
Long story short, take
1. A dash of Great Garbo (with her important influence on feminist consciousness);
2. 2 dashes of the Playwright Oscar Wilde (with his novel The Picture of Dorian Gray)
3. 1 fl oz. of 'pure' camp movies like 'Trouble in Paradise'
4. 2 fl oz. of Art Nouveau
5. 2 small lumps of Bellini's Operas and Swan Lake Ballet
6. Shake up throughly and strain into a vanguard of homosexuals and dandyism
7. For garnishing, put a quarter of a slice of wanna-be camp movies of Hitchcock;
and there you have it Sontag's essay 'Notes on Camp' emphasising on the different elements of 'Camp' - relish for exaggeration of sexual characteristics, the easy convertibility of one thing into something else, disclosing and simultaneously corrupting (given the chance) innocence, spirit of extravagance and style taking superiority over content.
However, the most gripping parts about the essay are the contrasts and differences she points out- between camp and kitsch, between naive camp and deliberate camp, between old style dandy & new style dandy.
"The ultimate Camp statement: it's good because it's awful...Ofcourse, one can't always say that."
With random & haphazard writing,(serving the purpose) Sontag tried her best to explain what 'camp' style means.
Popularised by Andy Warhol in the 1960s with his pop art & with the increase of response & appreciation of over-the-top aestheticism, (with the drag races or Lady Gaga's meat dress) Camp is here to stay.

4.0 out of 5 stars
I'm more of a minimalist though..
Published on 3 January 2019 by Nikita Poddar
Wikipedia defines Camp(Style) as an aesthetic style and sensibility that regards something as appealing because of its bad taste and ironic value but Sontag in 58 jottings to be exact breaks down the boundaries between the 'high' and 'low' culture.Published on 3 January 2019 by Nikita Poddar
Stressing upon artifice and exaggeration (by compiling a list of examples) which is the essence of 'Camp' (something which we're all familiar with), she moves on to say that Camp is apolitical (which our very own RuPaul - 21st Century Camp icon disagrees with).
Long story short, take
1. A dash of Great Garbo (with her important influence on feminist consciousness);
2. 2 dashes of the Playwright Oscar Wilde (with his novel The Picture of Dorian Gray)
3. 1 fl oz. of 'pure' camp movies like 'Trouble in Paradise'
4. 2 fl oz. of Art Nouveau
5. 2 small lumps of Bellini's Operas and Swan Lake Ballet
6. Shake up throughly and strain into a vanguard of homosexuals and dandyism
7. For garnishing, put a quarter of a slice of wanna-be camp movies of Hitchcock;
and there you have it Sontag's essay 'Notes on Camp' emphasising on the different elements of 'Camp' - relish for exaggeration of sexual characteristics, the easy convertibility of one thing into something else, disclosing and simultaneously corrupting (given the chance) innocence, spirit of extravagance and style taking superiority over content.
However, the most gripping parts about the essay are the contrasts and differences she points out- between camp and kitsch, between naive camp and deliberate camp, between old style dandy & new style dandy.
"The ultimate Camp statement: it's good because it's awful...Ofcourse, one can't always say that."
With random & haphazard writing,(serving the purpose) Sontag tried her best to explain what 'camp' style means.
Popularised by Andy Warhol in the 1960s with his pop art & with the increase of response & appreciation of over-the-top aestheticism, (with the drag races or Lady Gaga's meat dress) Camp is here to stay.
Images in this review

2 people found this helpful
Report abuse
Top reviews from other countries

Al
1.0 out of 5 stars
I'm with Wolfie
Reviewed in the United Kingdom on 8 August 2018Verified Purchase
The book contains two essays by Sontag, both published in the mid 1960s.
The first, "Notes on ‘Camp’", is exactly as the title says and consists, to a significant extent, of identifying what is and is not Camp by means of the 4S test (Susan Sontag Says So).
A lot of it I got, quite a bit of it I found incomprehensible and quite a bit of it I disagreed with.
SS tells us that:
"....the essence of Camp is its love of the unnatural: of artifice and exaggeration." - yes, I'm with that;
and:
"It is the farthest extension, in sensibility, of the metaphor of life as theater." - and I'm with that, although I would have preferred “theatre”;
and:
"Here, Camp taste draws on a mostly unacknowledged truth of taste: the most refined form of sexual attractiveness (as well as the most refined form of sexual pleasure) consists in going against the grain of one’s sex. What is most beautiful in virile men is something feminine; what is most beautiful in feminine women is something masculine …" - I don't get that but, unlike SS, I am not bisexual [as far as I know];
and:
"Considered a little less strictly, Camp is either completely naïve or else wholly conscious...." - no idea what that means;
and:
"The whole point of Camp is to dethrone the serious. Camp is playful, anti-serious. More precisely, Camp involves a new, more complex relation to ‘the serious’." - yes, I think I get that.
When we get around to what is and isn’t Camp under the 4S test, we have:
“….concoctions of Tin Pan Alley and Liverpool [are Camp], but not jazz.” – is she really saying that The Beatles, The Searchers, Billy J Kramer And The Dakotas, The Mersey Beats, The Swinging Blue Jeans, Gerry And The Pacemakers are Camp? - okay, forget Billy J – Outrageous! Disgraceful! Sacrilegious! – Now, if she had said that Freddie And The Dreamers and Herman’s Hermits (fka: Herman And The Hermits) were Camp, I would have been with her all the way but, as any sentient being knows, these were not Liverpool bands but were in fact Manchester bands;
and:
“The corny flamboyant femaleness of Jayne Mansfield, Gina Lollobrigida, Jane Russell, Virginia Mayo [is Camp]” – as regards the first three, I think she is dead wrong (but, unlike her, I am not bisexual, as far as I know), to me, in the early 1960s, as a sweaty, smelly, hormonal, pubescent schoolboy, they were icons of perfect, desirable womanhood; I cannot comment on the fourth one because it is outside my experience – when we cannot be bothered to make our own, we fall back on Hellmann’s;
and:
“The public manner and rhetoric of de Gaulle, often, are pure Camp.” – Zut allors! What would les gernouilles vrais have to say about that?
She does, however, miss out on the man who was, for me, the apogee, the epitome, the very essence of Camp – Kenneth Williams – and her Ameircanichality cannot be used to excuse her as, in her essay, she references both The Goon Show and The Temperance Seven, who occupied the same time and place as KW; and talking of the essence of Camp, she makes no mention of Camp Coffee (this qualifies because it meets the 4S test, it is Camp and it is unnatural).
Towards the end of the essay, we get into some dark territory with:
“The two pioneering forces of modern sensibility [propaganda] are Jewish moral seriousness and homosexual aestheticism and irony.”
and:
“Needless to say, the propaganda operates in exactly the opposite direction. The Jews pinned their hopes for integrating into modern society on promoting the moral sense. Homosexuals have pinned their integration into society on promoting the aesthetic sense.”
SS outperforms even our own, beloved Labour Party, managing to display a contemptuous and patronising attitude towards Jews and gays and to display anti-Semitism and homophobia twice in two paragraphs.
The second essay, titled “One Culture and the New Sensibility”, is about: “….a purported chasm which opened up some two centuries ago, with the advent of the Industrial Revolution, between ‘two cultures’, the literary-artistic and the scientific.”, about which it goes on, and on, and on….
Fortuitously, I lost the will to read it before I lost the will to live and, sadly, ended up with a big, rare DNF.
Tom Wolfe once dismissed Sontag as "just another scribbler who spent her life signing up for protest meetings and lumbering to the podium encumbered by her prose style, which had a handicapped parking sticker valid at Partisan Review”. – this was a general comment about SS, not specific to “Notes on Camp”, but, if you are looking for anyone with a deep and meaningful relationship with Camp, Wolfe must be right up there, posing around Manhattan in his white homburg, white tie, white suit and two-tone shoes.
I’m with Wolfie.
The first, "Notes on ‘Camp’", is exactly as the title says and consists, to a significant extent, of identifying what is and is not Camp by means of the 4S test (Susan Sontag Says So).
A lot of it I got, quite a bit of it I found incomprehensible and quite a bit of it I disagreed with.
SS tells us that:
"....the essence of Camp is its love of the unnatural: of artifice and exaggeration." - yes, I'm with that;
and:
"It is the farthest extension, in sensibility, of the metaphor of life as theater." - and I'm with that, although I would have preferred “theatre”;
and:
"Here, Camp taste draws on a mostly unacknowledged truth of taste: the most refined form of sexual attractiveness (as well as the most refined form of sexual pleasure) consists in going against the grain of one’s sex. What is most beautiful in virile men is something feminine; what is most beautiful in feminine women is something masculine …" - I don't get that but, unlike SS, I am not bisexual [as far as I know];
and:
"Considered a little less strictly, Camp is either completely naïve or else wholly conscious...." - no idea what that means;
and:
"The whole point of Camp is to dethrone the serious. Camp is playful, anti-serious. More precisely, Camp involves a new, more complex relation to ‘the serious’." - yes, I think I get that.
When we get around to what is and isn’t Camp under the 4S test, we have:
“….concoctions of Tin Pan Alley and Liverpool [are Camp], but not jazz.” – is she really saying that The Beatles, The Searchers, Billy J Kramer And The Dakotas, The Mersey Beats, The Swinging Blue Jeans, Gerry And The Pacemakers are Camp? - okay, forget Billy J – Outrageous! Disgraceful! Sacrilegious! – Now, if she had said that Freddie And The Dreamers and Herman’s Hermits (fka: Herman And The Hermits) were Camp, I would have been with her all the way but, as any sentient being knows, these were not Liverpool bands but were in fact Manchester bands;
and:
“The corny flamboyant femaleness of Jayne Mansfield, Gina Lollobrigida, Jane Russell, Virginia Mayo [is Camp]” – as regards the first three, I think she is dead wrong (but, unlike her, I am not bisexual, as far as I know), to me, in the early 1960s, as a sweaty, smelly, hormonal, pubescent schoolboy, they were icons of perfect, desirable womanhood; I cannot comment on the fourth one because it is outside my experience – when we cannot be bothered to make our own, we fall back on Hellmann’s;
and:
“The public manner and rhetoric of de Gaulle, often, are pure Camp.” – Zut allors! What would les gernouilles vrais have to say about that?
She does, however, miss out on the man who was, for me, the apogee, the epitome, the very essence of Camp – Kenneth Williams – and her Ameircanichality cannot be used to excuse her as, in her essay, she references both The Goon Show and The Temperance Seven, who occupied the same time and place as KW; and talking of the essence of Camp, she makes no mention of Camp Coffee (this qualifies because it meets the 4S test, it is Camp and it is unnatural).
Towards the end of the essay, we get into some dark territory with:
“The two pioneering forces of modern sensibility [propaganda] are Jewish moral seriousness and homosexual aestheticism and irony.”
and:
“Needless to say, the propaganda operates in exactly the opposite direction. The Jews pinned their hopes for integrating into modern society on promoting the moral sense. Homosexuals have pinned their integration into society on promoting the aesthetic sense.”
SS outperforms even our own, beloved Labour Party, managing to display a contemptuous and patronising attitude towards Jews and gays and to display anti-Semitism and homophobia twice in two paragraphs.
The second essay, titled “One Culture and the New Sensibility”, is about: “….a purported chasm which opened up some two centuries ago, with the advent of the Industrial Revolution, between ‘two cultures’, the literary-artistic and the scientific.”, about which it goes on, and on, and on….
Fortuitously, I lost the will to read it before I lost the will to live and, sadly, ended up with a big, rare DNF.
Tom Wolfe once dismissed Sontag as "just another scribbler who spent her life signing up for protest meetings and lumbering to the podium encumbered by her prose style, which had a handicapped parking sticker valid at Partisan Review”. – this was a general comment about SS, not specific to “Notes on Camp”, but, if you are looking for anyone with a deep and meaningful relationship with Camp, Wolfe must be right up there, posing around Manhattan in his white homburg, white tie, white suit and two-tone shoes.
I’m with Wolfie.
9 people found this helpful
Report abuse

Ailish Denise
5.0 out of 5 stars
Gift
Reviewed in the United Kingdom on 9 January 2020Verified Purchase
Baught as a gift. Great condition. Recipient loved it.
One person found this helpful
Report abuse

Alison Allen
5.0 out of 5 stars
a neat way of reading a useful essay without having to buy an expensive text book ...
Reviewed in the United Kingdom on 12 April 2018Verified Purchase
a neat way of reading a useful essay without having to buy an expensive text book with stuff you don't need!
One person found this helpful
Report abuse

Mr S.
5.0 out of 5 stars
Great read
Reviewed in the United Kingdom on 18 August 2019Verified Purchase
Great read
One person found this helpful
Report abuse

Gregory Gray
5.0 out of 5 stars
Five Stars
Reviewed in the United Kingdom on 9 July 2018Verified Purchase
love these penguin essays
One person found this helpful
Report abuse
Unlimited FREE fast delivery, video streaming & more
Prime members enjoy unlimited free, fast delivery on eligible items, video streaming, ad-free music, exclusive access to deals & more.