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![The Only Good Indians by [Stephen Graham Jones]](https://m.media-amazon.com/images/I/41FJ3NiPl5L._SY346_.jpg)
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"Thrilling, literate, scary, immersive."
—Stephen King
The Stoker, Mark Twain American Voice in Literature, Bradbury, Locus and Alex Award-winning, NYT-bestselling gothic horror about cultural identity, the price of tradition and revenge for fans of Adam Nevill's The Ritual.
Ricky, Gabe, Lewis and Cassidy are men bound to their heritage, bound by society, and trapped in the endless expanses of the landscape. Now, ten years after a fateful elk hunt, which remains a closely guarded secret between them, these men – and their children – must face a ferocious spirit that is coming for them, one at a time. A spirit which wears the faces of the ones they love, tearing a path into their homes, their families and their most sacred moments of faith.
Ten years after that fateful hunt, these men are being stalked themselves. Soaked with a powerful gothic atmosphere, the endless expanses of the landscape press down on these men – and their children – as the ferocious spirit comes for them one at a time.
The Only Good Indians, charts Nature's revenge on a lost generation that maybe never had a chance. Cleaved to their heritage, these parents, husbands, sons and Indians, men live on the fringes of a society that has rejected them, refusing to challenge their exile to limbo.
- LanguageEnglish
- PublisherTitan Books
- Publication date21 July 2020
- File size3549 KB
Product description
Review
“The Only Good Indians is scary good. Stephen Graham Jones is one of our most talented and prolific living writers. The book is full of humor and bone chilling images. It’s got love and revenge, blood and basketball. More than I could have asked for in a novel. It also both reveals and subverts ideas about contemporary Native life and identity. Novels can do some much to render actual and possible lives lived. Stephen Graham Jones truly knows how to do this, and how to move us through a story at breakneck (literally) speed. I’ll never see an elk or hunting, or what a horror novel can do the same way again.”
—Tommy Orange, Pulitzer Prize finalist of There There
"I like stories where nobody escapes their pasts because it's what I fear most."—Terese Marie Mailhot, New York Times bestselling author of Heart Berries
“A heartbreakingly beautiful story about hope and survival, grappling with themes of cultural identity, family, and traditions.”—Library Journal, STARRED REVIEW
“This novel works both as a terrifying chiller and as biting commentary on the existential crisis of indigenous peoples adapting to a culture that is bent on eradicating theirs.” —Publishers Weekly, STARRED REVIEW
“Subtly funny and wry at turns, this novel will give you nightmares. The good kind, of course.”—Buzzfeed
"The best yet from one of the best in the business. An emotional depth that staggers, built on guilt, identity, one's place in the world, what's right and what's wrong. The Only Good Indians has it all: style, elevation, reality, the unreal, revenge, warmth, freezing cold, and even some slashing. In other words, the book is made up of everything Stephen Graham Jones seemingly explores and, in turn, everything the rest of us want to explore with him."
—Josh Malerman, New York Times bestselling author of Bird Box and A House at the Bottom of a Lake.
"How long must we pay for our mistakes, for our sins? Does a thoughtless act doom us for eternity? This is a novel of profound insight and horror, rich with humor and intelligence. The Only Good Indians is a triumph; somehow it’s a great story and also a meditation on stories. I've wondered who would write a worthy heir to Peter Straub's Ghost Story. Now I know the answer: Stephen Graham Jones."
—Victor LaValle, author of The Ballad of Black Tom and The Changeling
"Stephen Graham Jones is one of our greatest treasures. His prose here pops and sings, hard-boiled poetry conspiring with heartbreakingly-alive characters." —Sam J. Miller, Nebula-Award-Winning author of Blackfish City
“Jones... has written a masterpiece. The book is… as instinctive and essential as it is harsh. Despite the blood and bleakness, The Only Good Indians is ultimately also about hope and the promise of the future...Read it.” ― Locus Magazine --This text refers to the paperback edition.
Excerpt. © Reprinted by permission. All rights reserved.
FRIDAY
Lewis is standing in the vaulted living room of his and Peta’s new rent house, staring straight up at the spotlight over the mantel, daring it to flicker on now that he’s looking at it.
So far it only comes on with its thready glow at completely random times. Maybe in relation to some arcane and unlikely combination of light switches in the house, or maybe from the iron being plugged into a kitchen socket while the clock upstairs isn’t—or is?—plugged in. And don’t even get him started on all the possibilities between the garage door and the freezer and the floodlights aimed down at the driveway.
It’s a mystery, is what it is. But—more important—it’s a mystery he’s going to solve as a surprise for Peta, and in the time it takes her to drive down to the grocery store and back for dinner. Outside, Harley, Lewis’s malamutant, is barking steady and pitiful from being tied to the laundry line, but the barks are already getting hoarse. He’ll give it up soon enough, Lewis knows. Unhooking his collar now would be the dog training him, instead of the other way around. Not that Harley’s young enough to be trained anymore, but not like Lewis is, either. Really, Lewis imagines, he deserves some big Indian award for having made it to thirty-six without pulling into the drive-through for a burger and fries, easing away with diabetes and high blood pressure and leukemia. And he gets the rest of the trophies for having avoided all the car crashes and jail time and alcoholism on his cultural dance card. Or maybe the reward for lucking through all that—meth too, he guesses—is having been married ten years now to Peta, who doesn’t have to put up with motorcycle parts soaking in the sink, with the drips of Wolf-brand chili he always leaves between the coffee table and the couch, with the tribal junk he always tries to sneak up onto the walls of their next house.
Like he’s been doing for years, he imagines the headline on the Glacier Reporter back home: FORMER BASKETBALL STAR CAN’T EVEN HANG GRADUATION BLANKET IN OWN HOME. Never mind that it’s not because Peta draws the line at full-sized blankets, but more because he used it for padding around a free dishwasher he was bringing home a couple of years ago, and the dishwasher dumped over in the bed of the truck on the very last turn, spilled clotty rancid gunk directly into Hudson’s Bay.
Also never mind that he wasn’t exactly a basketball star, half a lifetime ago.
It’s not like anybody but him reads this mental newspaper.
And tomorrow’s headline?
THE INDIAN WHO CLIMBED TOO HIGH. Full story on 12b.
Which is to say: that spotlight in the ceiling’s not coming down to him, so he’s going to have to go up to it.
Lewis finds the fourteen-foot aluminum ladder under boxes in the garage, Three Stooges it into the backyard, scrapes it through the sliding glass door he’s promised to figure out a way to lock, and sets it up under this stupid little spotlight, the one that all it’ll do if it ever works is shine straight down on the apron of bricks in front of the fireplace that Peta says is a “hearth.”
White girls know the names of everything.
It’s kind of a joke between them, since it’s how they started out. Twenty-four-year-old Peta had been sitting at a picnic table over beside the big lodge in East Glacier, and twenty-six-year-old Lewis had finally got caught mowing the same strip of grass over and over, trying to see what she was sketching.
“So you’re, what, scalping it?” she’d called out to him, full-on loud enough.
“Um,” Lewis had said back, letting the push mower die down.
She explained it wasn’t some big insult, it was just the term for cutting a lawn down low like he was doing. Lewis sat down opposite her, asked was she a backpacker or a summer girl or what, and she’d liked his hair (it was long then), he’d wanted to see all her tattoos (she was already maxed out), and within a couple weeks they were an every night kind of thing in her tent, and on the bench seat of Lewis’s truck, and pretty much all over his cousin’s living room, at least until Lewis told her he was busting out, leaving the reservation, screw this place.
How he knew Peta was a real girl was that she didn’t look around and say, But it’s so pretty or How can you or—worst—But this is your land. She took it more like a dare, Lewis thought at the time, and inside of three weeks they were a nighttime and a daytime kind of thing, living in her aunt’s basement down here in Great Falls, making a go of it. One that’s still not over somehow, maybe because of good surprises like fixing the unfixable light.
Lewis spiders up the shaky ladder and immediately has to jump it over about ten inches, to keep from getting whapped in the face by the fan hanging down on its four-foot brass pole. If he’d checked The Book of Common Sense for stunts like this—if he even knew what shelf that particular volume might be on—he imagines page one would say that before going up the ladder, consider turning off all spinny things that can break your fool nose.
Still, once he’s up higher than the fan, when he can feel the tips of the blades trying to kiss his hipbone through his jeans, his fingertips to the slanted ceiling to keep steady, he does what anybody would: looks down through this midair whirlpool, each blade slicing through the same part of the room for so long now that … that …
That they’ve carved into something?
Not just the past, but a past Lewis recognizes.
Lying on her side through the blurry clock hands of the fan is a young cow elk. Lewis can tell she’s young just from her body size—lack of filled-outness, really, and kind of just a general lankiness, a gangliness. Were he to climb down and still be able to see her with his feet on the floor, he knows that if he dug around in her mouth with a knife, there wouldn’t be any ivory. That’s how young she still is.
Because she’s dead, too, she wouldn’t care about the knife in her gums.
And Lewis knows for sure she’s dead. He knows because, ten years ago, he was the one who made her that way. Her hide is even still in the freezer in the garage, to make gloves from if Peta ever gets her tanning operation going again. The only real difference between the living room and the last time he saw this elk is that, ten years ago, she was on blood-misted snow. Now she’s on a beige, kind of dingy carpet.
Lewis leans over to get a different angle down through the fan, see her hindquarters, if that first gunshot is still there, but then he stops, makes himself come back to where he was.
Her yellow right eye … was it open before?
When it blinks Lewis lets out a little yip, completely involuntary, and flinches back, lets go of the ladder to wheel his arms for balance, and knows in that instant of weightlessness that this is it, that he’s already used all his get-out-of-the-graveyard-free coupons, that this time he’s going down, that the cornermost brick of the “hearth” is already pointing up more than usual, to crack into the back of his head.
The ladder tilts the opposite way, like it doesn’t want to be involved in anything this ugly, and all of this is in the slowest possible motion for Lewis, his head snapping as many pictures as it can on the way down, like they can stack up under him, break his fall.
One of those snapshots is Peta, standing at the light switch, a bag of groceries in her left arm.
Because she’s Peta, too, onetime college pole vaulter, high school triple-jump state champion, compulsive sprinter even now when she can make time, because she’s Peta, who’s never known a single moment of indecision in her whole life, in the next snapshot she’s already dropping that bag of groceries that was going to be dinner, and she’s somehow shriking across the living room not really to catch Lewis, that wouldn’t do any good, but to slam him hard with her shoulder on his way down, direct him away from this certain death he’s falling onto.
Her running tackle crashes him into the wall with enough force to shake the window in its frame, enough force to send the ceiling fan wobbling on its long pole, and an instant later she’s on her knees, her fingertips tracing Lewis’s face, his collarbones, and then she’s screaming that he’s stupid, he’s so, so stupid, she can’t lose him, he’s got to be more careful, he’s got to start caring about himself, he’s got to start making better decisions, please please please.
At the end she’s hitting him in the chest with the sides of her fists, real hits that really hurt. Lewis pulls her to him and she’s crying now, her heart beating hard enough for her and Lewis both.
Raining down over the two of them now—Lewis almost smiles, seeing it—is the finest washed-out brown-grey dust from the fan, which Lewis must have hit with his hand on the way down. The dust is like ash, is like confectioner’s sugar if confectioner’s sugar were made from rubbed-off human skin. It dissolves against Lewis’s lips, disappears against the wet of his open eyes.
And there are no elk in the living room with them, though he cranes his head up over Peta to be sure.
There are no elk because that elk couldn’t have been here, he tells himself. Not this far from the reservation.
It was just his guilty mind, slipping back when he wasn’t paying enough attention.
“Hey, look,” he says to the top of Peta’s blond head.
She rouses slowly, turns to the side to follow where he’s meaning.
The ceiling of the living room. That spotlight.
It’s flickering yellow.
--This text refers to the paperback edition. About the Author
Product details
- ASIN : B084Q8GF5Y
- Publisher : Titan Books (21 July 2020)
- Language : English
- File size : 3549 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 338 pages
- Best Sellers Rank: #172,303 in Kindle Store (See Top 100 in Kindle Store)
- #1,951 in Horror (Kindle Store)
- #3,088 in Horror (Books)
- #8,533 in Fantasy (Kindle Store)
- Customer Reviews:
About the author

Born and raised in Texas. In Boulder, Colorado now. Forty-nine. Blackfeet. Into werewolves and slashers, zombies and vampires, haunted houses and good stories. Would wear pirate shirts a lot if I could find them. And probably carry some kind of sword. More over at http://demontheory.net or http://twitter.com/@SGJ72
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Top reviews
Top review from India
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This is horror, and it chills and terrifies as horror readers might hope for, but it’s not just horror. (By that I mean it’s not the gruesome elements that make the book, they just make it more visceral.) The story builds characters that one is fond of and can empathize with, and it even sneaks in a moral (which is the best way for a story to have a moral.)
We learn about the demise of the first friend, Ricky, in a prologue -- an end that everyone believes resulted from Ricky getting beat to death by some modern-day cowboys outside a bar. There is a ten-year jump cut, and the first half of the book tells us about Lewis, who has moved off the reservation and is living with a pretty Caucasian woman that everybody – including Lewis – realizes is out of Lewis’s league. Lewis is increasingly losing his mind. We know that, but what we can’t be sure of is whether it’s the run-of-the-mill kind of losing one’s mind, or whether it’s the kind of crazy that is the only reasonable response to an even more insane world.
The remainder of the book tells us about Gabe and Cassidy, the two friends who’ve continued to live on the reservation and are still in close contact. Gabe, we learn, has a failed marriage that resulted in one child, a girl with prodigious talent for basketball. He’s prone to over-drinking and was issued a restraining order to keep him from going to his daughter’s ball games – an order that fails to keep him from attending but succeeds in getting him to tone down his expressions of pride and support. Cassidy is shown as the responsible one, but one is led to believe that is the recent result of a relationship with a woman, Jo, who has had a calming influence on him. Jo’s success in straightening out Cassidy creates a strain in the bro-mance between the two friends.
I don’t read much horror, but was hooked by this book. The characters are developed and interesting enough that one isn’t just waiting for the moments when the axe drops (that’s an expression, don’t expect actual axe-induced fatalities.) In between, one is enrapt with questions like whether Gabe can thaw his relation with his daughter, and whether the next generation will end up better off, worse off, or the same as that of the four friends. Throughout there’s this issue of the characters having one foot in the past (traditional Indian tribal life) and one in the modern world, and that is an uneasy and unappealing spot to be in – too little of the community and confidence of the tribe and too little of the wealth and well-being of modernity.
I highly recommend this book for fiction readers.
Top reviews from other countries

I was keen to read this book as I saw it had been recommended by Stephen King, unfortunately I found myself struggling to understand much of what was happening because I felt the language was often jarring and left me feeling confused. Maybe this is a common way of speaking that I'm not used to, but even if that's the case I feel it makes the book inaccessible to the masses.
I liked the overall premise of the book, and I was interested in seeing how it would unfold, so it has that going for it. But, as I say, half of what I read I didn't understand and the other half didn't really build a vivid picture in my mind.
Clearly plenty of people have enjoyed the book based on the reviews, but I have noticed a fair few people voicing the same complaints as I have. So I'm giving it two stars as there isn't anything inherently wrong with it, I just feel the language is strange and jarring, which made what little of it I read unenjoyable.

I love the setting and what I learned about reservation life and culture but that's all.

I think there’s a significant amount here on identity, from connection to heritage and how you feel that, manifest it, and how you navigate the evils and perils of the modern world when that world tries to sideline and ridicule that identity. This is a deeply wise novel.
And I don’t know how often you think about elk - possibly not often - but you won’t think about them the same way again.
Anyway, I loved this book.

It had a great premise, but the author had a strange way of telling the story. The character development seemed rushed and at times I was a little confused and he seemed to ramble on with alot of information which felt like he was filling pages because he a quota.
I dont like leaving bad reviews... I appreciate all authors ability to tell stories, but I didn't love this.