Susan Sontag was the author of four novels, including
The Benefactor,
Death Kit,
The Volcano Lover, and
In America, which won the 2000 National Book Award for fiction; a collection of stories,
I, etcetera; several plays, including
Alice in Bed; and nine works of essays, among then
On Photography, which won the National Books Critics Circle Award for criticism. In 2001, Sontag was awarded the Jerusalem Prize for the body of her work. She died in New York City in 2004.
--This text refers to the
paperback edition.
“Wise and somber. . .Sontag's closing words acknowledge that there are realities which no picture can convey.” ―Los Angeles Times Book Review
“The history of sensibility in a culture shaped by the mechanical reproduction of imagery....has always been one of the guiding preoccupations of her best work, from Against Interpretation to The Volcano Lover....Regarding the Pain of Others invites, and rewards, more than one reading.” ―Newsday
“For 30 years, Susan Sontag has been challenging an entire generation to think about the things that frighten us most: war, disease, death. Her books illuminate without simplifying, complicate without obfuscating, and insist above all that to ignore what threatens us is both irresponsible and dangerous.” ―O, The Oprah Magazine
“A timely meditation on politics and ethics. . .extraordinary . . .Sontag's insight and erudition are profound.” ―The Atlanta Journal-Constitution
“Regarding the Pain of Others bristles with a sense of commitment--to seeing the world as it is, to worrying about the ways it is represented, even to making some gesture in the direction of changing it. . .the performance is thrilling to witness.” ―The New York Times Magazine
“A fiercely challenging book. . .immensely thought-provoking.” ―The Christian Science Monitor
--This text refers to the
paperback edition.
Sontag, one of our most perceptive and valiant thinkers, offered a seminal critique of camera-mediated images in
On Photography. Now, 25 years later, photographs and video of the bloody consequences of terrorism and war routinely fill the media, and Sontag offers a fresh, meticulous, and deeply affecting dissection of the role images of suffering play in our lives. Do photographs and television footage of the injured and dead serve as "shock therapy" or merely elicit a momentary shudder before they're forgotten? Do images of systematic violence engender compassion and antiwar sentiments or arouse hunger for revenge? Writing with electrifying clarity and conciseness, Sontag traces the evolution of the "iconography of suffering" from paintings by Goya, to photographs of concentration camps, to the first live and in-color war coverage to rage across television screens, that of the Vietnam War, to images of the destruction of the World Trade Center taken by amateurs and professionals alike. Sontag parses the difference in our response to images of terrorism at home versus abroad, and forthrightly addresses our pornographic fascination with images of the wounded and dead. Ultimately, Sontag, scrupulous in her reasoning and exhilarating in her arguments, arrives at a paradox: although we're inundated more than ever before by stark visual evidence of the "pain of others," we've yet to increase our capacity to do something about it.
Donna SeamanCopyright © American Library Association. All rights reserved
--This text refers to the
hardcover edition.
![Regarding the Pain of Others by [Susan Sontag]](https://m.media-amazon.com/images/I/51IgcZKTmiL._SY346_.jpg)
