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The fourth volume in this beautifully illustrated anthology features traditional tales of heroic women from Russia to South Africa and beyond.
Long before Suzanne Collins created Katniss Everdeen and Octavia Butler wrote Parable of the Sower, there were many traditional folktales full of adventure, intrigue, and intrepid female characters. Feminist Folktales from Around the World collects these forgotten classics and presents them with original artwork by designer and illustrator Suki Boynton.
Volume four in the series, The Hunter Maiden features an introduction by Renee Watson, the New York Times bestselling author of Piecing Me Together. In these eleven adventures, a diverse cast of female protagonists lend their daring and determination to everything from battling evil wizards in Russia to outsmarting tricky demons in South Africa. In the title story, a young member of the Zuni Native American tribe proves her resourcefulness as she confronts cultural double standards and malicious winter spirits.
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The Harts are an everyfamily – a family with siblings who bicker, parents who don't always get it right, but a family that loves. A family working hard to make it in tough economic times, a family with traditions and culture, a family that tries new things. This is a black family growing up in middle class America.
And Ryan is a girl who has much on her mind – school, family, friends, self-image – but who knows how to make sunshine out of setbacks.
Packed with humour and heart alongside meaningful and thoughtful moments, Ryan Hart is the character everyone will want to be best friends with.
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'Important and deeply moving' JOHN GREEN
'Timely and timeless' JACQUELINE WOODSON
Jade is a girl striving for success in a world that seems like it's trying to break her.
She knows she needs to take every opportunity that comes her way. And she has: every day Jade rides the bus away from her friends to a private school where she feels like an outsider, but where she has plenty of opportunities.
But some opportunities Jade could do without, like the mentor programme for 'at-risk' girls. Just because her mentor is black doesn't mean she understands where Jade is coming from. Why is Jade always seen as someone to fix? But with a college scholarship promised at the end of it, how can Jade say no?
Jade feels like her life is made up of hundreds of conflicting pieces. Will it ever fit together? Will she ever find her place in the world? More than anything, Jade just wants the opportunity to be real, to make a difference.
NPR's Best Books of 2017
A 2017 New York Public Library Best Teen Book of the Year
Chicago Public Library's Best Books of 2017
A School Library Journal Best Book of 2017
Kirkus Reviews' Best Teen Books of 2017
2018 Josette Frank Award Winner
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'Some of the places I am still getting to know, some of these places I have known all my life. All of these places made me, are making me.'
All Amara wants for her birthday is to visit her father's family in New York City – Harlem. She can't wait to finally meet her Grandpa Earl and cousins in person, and to stay in the brownstone where her father grew up. Maybe this will help her understand her family – and herself – in a new way. But New York City is not exactly what Amara thought it would be. It's noisy, crowded, confusing, and her cousins can be mean. Plus her father is too busy working to spend time with her and too angry to fix his relationship with Grandpa Earl. Amara can't help wondering, even if she does discover more about where she came from, will it help her know where she belongs?
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Jasmine and Chelsea are best friends on a mission. Sick of the way that young women are treated even at their 'progressive' New York City high school, they decide to start a Women's Rights Club. One problem - no one shows up. That hardly stops them. They start posting everything from videos of Chelsea performing her poetry to Jasmine's response to being reduced to a racist and sexist stereotype in the school's theatre department. And soon, they've gone viral, creating a platform they never could've predicted.
With such positive support, the Women's Rights Club is also targeted by trolls. But Jasmine and Chelsea won't let their voices - or those of the other young women in their city - be silenced. They'll risk everything to be heard and effect change ... but at what cost?
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Edited by National Book Award finalist Ibi Zoboi, Black Enough is an essential collection of captivating stories about what it’s like to be young and black.
“A powerful collection that opens the reader’s eyes to the breadth and diversity of contemporary experience in America” June Sarpong, author of DIVERSIFY
Black is male, Black is female, Black is straight, Black is gay, Black is urban, Black is rural, Black is rich. And poor. Black is mixed-race, Black is immigrants, Black is more.
There are countless ways to be BLACK ENOUGH.
Featuring some of the most acclaimed bestselling American black authors writing for teens today, Black Enough is an essential collection of captivating stories about what it’s like to be young and black. Whether you are in America, the UK, or anywhere across the globe, this powerful collection of stories will remind you of our shared humanity.
With an Introduction by June Sarpong, author of DIVERSIFY
Stories from: Renee Watson, Varian Johnson, Leah Henderson, Lamar Giles, Kekla Magoon, Jason Reynolds, Brandy Colbert, Tochi Onyebuchi, Liara Tamani, Jay Coles, Rita Williams-Garcia, Tracey Baptiste, Dhonielle Clayton, Justina Ireland, Coe Booth, Nic Stone and Ibi Zoboi
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Ryan Hart and her family are back in another installment of stories about a Black girl finding her way and her voice as she grows through change and challenges. In this book, Ryan finds herself waiting on lots of things -- like for her new sister to be born healthy, for her new recipes to turn out right, for that summer camp trip to go better than she fears! And of course Ryan is facing these new challenges and new experiences in her classic style -- with a bright outlook and plenty of spirit!
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When Nala Robertson reluctantly agrees to attend an open mic night for her cousin-sister-friend Imani's birthday, she finds herself falling in instant love with Tye Brown, the MC. He's perfect, except . . . Tye is an activist and is spending the summer putting on events for the community when Nala would rather watch movies and try out the new seasonal flavors at the local creamery. In order to impress Tye, Nala tells a few tiny lies to have enough in common with him. As they spend more time together, sharing more of themselves, some of those lies get harder to keep up. As Nala falls deeper into keeping up her lies and into love, she'll learn all the ways love is hard, and how self-love is revolutionary.
In Love Is a Revolution, plus size girls are beautiful and get the attention of the hot guys, the popular girl clique is not shallow but has strong convictions and substance, and the ultimate love story is not only about romance but about how to show radical love to the people in your life, including to yourself.
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Serenity knows she is good at keeping secrets, and she's got a whole lifetime's worth of them. Her mother is dead, her father is gone, and she and her brother have to start over again by moving in with their grandparents. At first, things seem like they could be good: a new friend, a new church, a new school. But when her brother seems to be going down the wrong path, the old fears set in. Will he end up like their dad? Will she end up like their mum? In this exquisite coming of age story, Serenity discovers it is the power of love that keeps you sure of who you are, and who you will become.
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Chubby. Curvy. Fluffy. Plus-size. Thick. Fat. The time has come for fat people to tell their own stories. The (Other) F Word combines the voices of Renée Watson, Julie Murphy, Jes Baker, Samantha Irby, Bruce Sturgell, and more in a relatable and gift-worthy guide about body image and fat acceptance. This dazzling collection of art, poetry, essays, and fashion tips is meant for people of all sizes who desire to be seen and heard in a culture consumed by a narrow definition of beauty. By combining the talents of renowned fat YA and middle-grade authors, as well as fat influencers and creators, The (Other) F Word offers teen readers and activists of all ages a tool for navigating our world with confidence and courage.
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*A New York Public Library Best Children's Book of 2018!*
*A Washington Post Best Children's Book of 2018*
*A Kirkus Reviews Best Book of 2018*
In Detroit, 1945, eleven-year-old Betty’s house doesn’t quite feel like home. She believes her mother loves her, but she can’t shake the feeling that her mother doesn’t want her. Church helps those worries fade, if only for a little while. The singing, the preaching, the speeches from guest activists like Paul Robeson and Thurgood Marshall stir African Americans in her community to stand up for their rights. Betty quickly finds confidence and purpose in volunteering for the Housewives League, an organization that supports black-owned businesses. Soon, the American civil rights icon we now know as Dr. Betty Shabazz is born.
Inspired by Betty's real life--but expanded upon and fictionalized through collaboration with novelist Renée Watson--Ilyasah Shabazz illuminates four poignant years in her mother’s childhood with this book, painting an inspiring portrait of a girl overcoming the challenges of self-acceptance and belonging that will resonate with young readers today.
Backmatter included. This title has Common Core connections.
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Maya Younger and her identical twin sister, Nikki, have always agreed on the important things. Friends. Boys. School. They even plan to attend the same historically African American college.
But nothing can always remain the same.
As their Portland neighborhood goes from rough-and-tumble to up-and-coming, Maya feels her connection to Nikki and their community slipping away. Nikki spends more time at trendy coffee shops than backyard barbecues, and their new high school principal is more committed to erasing the neighborhood's "ghetto" reputation than honoring its history. Home doesn't feel like home anymore. As Maya struggles to hold on to her black heritage, she begins to wonder with whom--or where--she belongs. Does growing up have to mean growing apart?
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