Reissued to mark the 80th anniversary of Native Son's publication - discover Richard Wright's brutal and gripping masterpiece this black history month.

'[Native Son] possesses an artistry, penetration of thought, and sheer emotional power that places it into the front rank of American fiction' Ralph Ellison

Reckless, angry and adrift, Bigger Thomas has grown up trapped in a life of poverty in the slums of Chicago. But a job with the affluent Dalton family provides the setting for a catastrophic collision between his world and theirs. Hunted by citizen and police alike, and baited by prejudiced officials, Bigger finds himself the cause célèbre in an ever-narrowing endgame.

First published in 1940, Native Son shocked readers with its candid depiction of violence and confrontation of racial stereotypes. It went on to make Richard Wright the first bestselling black writer in America.

'The most important and celebrated novel of Negro life to have appeared in America' James Baldwin

WITH A NEW AFTERWORD BY GARY YOUNGE

'Wright's unrelentingly bleak landscape was not merely that of the Deep South, or of Chicago, but that of the world, the human heart' James Baldwin

Natural disasters, cold-blooded murders, political agitation - all haunt these dark, dramatic novellas set in an American Deep South still corrupted by its slave-owning past. But at the heart of each are the stories of the men, women and children whose resistance against oppression will come to define their lives.

Originally published in 1938, Uncle Tom's Children was Richard Wright's first published work. It would establish his reputation as both a powerful storyteller and a fierce chronicler of racism, violence and oppression in America at the time.

VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.

How to go on in a world where everything is set against you? With hope? In fear? Or, in violent struggle? In this gripping and disturbing book, Richard Wright weaves his own childhood recollections with those of Bigger Thomas - a young black man trapped in a life of poverty in the slums of Chicago, and unwittingly involved in a wealthy woman's death - to paint a portrait of insurmountable oppression. Through the strange pride Bigger takes in his crime, Wright brings us to confront the systems of justice we blindly assume are always on our side.

Selected from the books Black Boy and Native Son by Richard Wright

Three extraordinary nonfiction works by Richard Wright, one of America's premier literary giants of the twentieth entry, together in one volume for the first time, with an introduction by Cornel West.

Originally published in 1954, Richard Wright's Black Power is an impassioned chronicle of the author's trip to Africa's Gold Coast before it became the free nation of Ghana. It speaks eloquently of empowerment and possibility, and resonates loudly to this day.

Also included in this omnibus edition are White Man, Listen!, a stirring collection of Wright's essays on race, politics, and other essential social concerns ("Deserves to be read with utmost seriousness"-New York Times), and The Color Curtain, an indispensable work urging the removal of the color barrier. It remains one of the key commentaries on the question of race in the modern era. ("Truth-telling will perhaps always be unpopular and suspect, but in The Color Curtain, as in all his later nonfiction, Wright did not hesitate to tell the truth as he saw it."--Amritjit  Singh, Ohio University)

A master chronicler of the African-American experience, Richard Wright brilliantly expanded his literary horizons with Pagan Spain, originally published in 1957. An amalgam of expert travel reportage, dramatic monologue, and arresting sociological critique, Pagan Spain serves as a pointed and still-relevant commentary on the grave human dangers of oppression and governmental corruption.

The Spain Richard Wright visited in the mid-twentieth century was not the romantic locale of song and story, but a place of tragic beauty and dangerous contradictions. The portrait he offers in Pagan Spain is a blistering, powerful, yet scrupulously honest depiction of a land and people in turmoil, caught in the strangling dual grip of cruel dictatorship and what Wright saw as an undercurrent of primitive faith. 

From Richard Wright, one of the most powerful, acclaimed, and essential American authors of the twentieth century, comes a compelling story of one man's attempt to escape his past and start anew in Harlem.

Cross Damon is a man at odds with society and with himself—a man of superior intellect who hungers for peace but who brings terror and destruction wherever he goes. The Outsider is an important work of fiction that depicts American racism and its devastating consequences in raw and unflinching terms. Brilliantly imagined and frighteningly prescient, it is an epic exploration of the tragic roots of criminal behavior.

“An intense, provocative, and vital crime story that excavates paradoxical dimensions of race, class, sexism, family bonds, and social obligation while seeking the deepest meaning of the law." — Booklist

Originally published posthumously by his daughter and literary executor Julia Wright, A Father’s Law is the novel Richard Wright, acclaimed author of Black Boy and Native Son, never completed. Written during a six-week period prior to his death in Paris in 1960, it offers a fascinating glimpse into the writer’s process as well as providing an important addition to Wright’s body of work.

In rough form, Wright expands the style of a crime thriller to grapple with themes of race, class, and generational conflicts as newly appointed police chief Ruddy Turner begins to suspect his own son, Tommy, a student at the University of Chicago, of a series of murders in Brentwood Park. Under pressure to solve the killings and prove himself, Turner spirals into an obsession that forces him to confront his ambivalent relationship with a son he struggles to understand.

Prescient, raw, and powerful, A Father's Law is the final gift from a literary giant.

“We can be grateful for what [Wright] left behind and for what this book gives us to contemplate.”  — Washington Post Book World