"Brilliant." —The New York Times

Mapping the Interior is a horrifying, inward-looking novella from Stephen Graham Jones that Paul Tremblay calls "emotionally raw, disturbing, creepy, and brilliant."

Blackfeet author Stephen Graham Jones brings readers a spine-tingling Native American horror novella.

Walking through his own house at night, a fifteen-year-old thinks he sees another person stepping through a doorway. Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew.

The house is the kind of wrong place where you can lose yourself and find things you'd rather not have. Over the course of a few nights, the boy tries to map out his house in an effort that puts his little brother in the worst danger, and puts him in the position to save them . . . at terrible cost.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

"Thrilling, literate, scary, immersive."
—Stephen King

The Stoker, Mark Twain American Voice in Literature, Bradbury, Locus and Alex Award-winning, NYT-bestselling gothic horror about cultural identity, the price of tradition and revenge for fans of Adam Nevill's The Ritual.

Ricky, Gabe, Lewis and Cassidy are men bound to their heritage, bound by society, and trapped in the endless expanses of the landscape. Now, ten years after a fateful elk hunt, which remains a closely guarded secret between them, these men – and their children – must face a ferocious spirit that is coming for them, one at a time. A spirit which wears the faces of the ones they love, tearing a path into their homes, their families and their most sacred moments of faith.

Ten years after that fateful hunt, these men are being stalked themselves. Soaked with a powerful gothic atmosphere, the endless expanses of the landscape press down on these men – and their children – as the ferocious spirit comes for them one at a time.

The Only Good Indians, charts Nature's revenge on a lost generation that maybe never had a chance. Cleaved to their heritage, these parents, husbands, sons and Indians, men live on the fringes of a society that has rejected them, refusing to challenge their exile to limbo.

A gripping, bloody tribute to classic slasher cinema, final girls and our buried ghosts, combining Friday the 13th, the uncanny mastery of Shirley Jackson, and the razor wit of the Evil Dead.

The Jordan Peele of horror fiction turns his eye to classic slasher films: Jade is one class away from graduating high-school, but that's one class she keeps failing local history. Dragged down by her past, her father and being an outsider, she's composing her epic essay series to save her high-school diploma.

Jade's topic? The unifying theory of slasher films. In her rapidly gentrifying rural lake town, Jade sees the pattern in recent events that only her encyclopedic knowledge of horror cinema could have prepared her for. And with the arrival of the Final Girl, Letha Mondragon, she's convinced an irreversible sequence of events has been set into motion.

As tourists start to go missing, and the tension grows between her community and the celebrity newcomers building their mansions the other side of the Indian Lake, Jade prepares for the killer to rise. She dives deep into the town's history, the tragic deaths than occurred at camp years ago, the missing tourists no one is even sure exist, and the murders starting to happen, searching for the answer.

As the small and peaceful town heads towards catastrophe, it all must come to a head on 4th July, when the town all gathers on the water, where luxury yachts compete with canoes and inflatables, and the final showdown between rich and poor, past and present, townsfolk and celebrities slasher and Final Girl.

An American Indian woman’s past and future collide in unthinkable ways in this richly imagined short story of deep secrets and Lovecraftian horrors by a New York Times bestselling author.

Millie Two Bears lives alone in a trailer in the heart of the Blackfeet Nation in Montana. Since her husband went to jail, she’s been on the outs with the reservation. And it’s not just people she has to contend with. Now the prairie dogs are moving in on her patch of land. When a strange woman comes into Millie’s life, and Millie’s rodent war escalates, a fateful confrontation with vengeance, secrets, and survival is just underfoot.

Stephen Graham Jones’s The Backbone of the World is part of Trespass, a collection of wild stories about animal instincts, human folly, and survival from award-winning, bestselling authors. Read or listen to each in a single sitting.

Jade Daniels faces down a brutal serial killer in his pulse-punding tribute to the golden era of horror cinema and Friday the 13th from the New York Times-bestselling, multiple-award winning Jones.

Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho.

Dark Mill South's Reunion Tour began on December 12th, 2019, a Thursday.

Thirty-six hours and twenty bodies later, on Friday the 13th, it would be over.

Award-winning author Stephen Graham Jones returns with Night of the Mannequins, a contemporary horror story where a teen prank goes very wrong and all hell breaks loose: is there a supernatural cause, a psychopath on the loose, or both?

We thought we'd play a fun prank on her, and now most of us are dead.

One last laugh for the summer as it winds down. One last prank just to scare a friend. Bringing a mannequin into a theater is just some harmless fun, right? Until it wakes up. Until it starts killing.

Luckily, Sawyer has a plan. He’ll be a hero. He'll save everyone to the best of his ability. He'll do whatever he needs to so he can save the day. That's the thing about heroes—sometimes you have to become a monster first.

"Suffused with questions about the nature of change and friendship, “Night of the Mannequins” is a fairy tale of impermanence showcasing Graham Jones’s signature style of smart, irreverent horror." —The New York Times

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A spellbinding and surreal coming-of-age story about a young boy living on the fringe with his family – who are secretly werewolves – and struggling to survive in a contemporary America that shuns them.

He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the centre of Mongrels must decide if he belongs on the road with his aunt and uncle, or if he fits with the people on the other side of the tracks.

For ten years, he and his family have lived a life of late-night exits and narrow escapes – always on the move across the South to stay one step ahead of the law. But the time is drawing near when Darren and Libby will finally know if their nephew is like them or not. And the close calls they’ve been running from for so long are catching up fast now. Everything is about to change.

A compelling and fascinating journey, Mongrels alternates between past and present to create an unforgettable portrait of a boy trying to understand his family and his place in a complex and unforgiving world.