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The Thing Around Your Neck Hardcover – Import, 16 June 2009

4.7 out of 5 stars 1,028 ratings

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"Affecting . . . The Africa in Adichie's collection isn't the Africa that Americans are familiar with from TV news or newspaper headlines. Her stories are not about civil war or government corruption or deadly illnesses. She is interested in how clashes between tradition and modernity, familial expectations and imported dreams affect relationships between husbands and wives, parents and children.
           In these stories, which take place in Nigeria and the United States, questions of belonging and loyalty are multiplied several times over. Her characters, many of whom grew up in Nigeria and emigrated (or saw their relatives emigrate) to America, find themselves unmoored, many stumbling into danger or confusion. Rather than becoming cosmopolitan members of a newly globalized world, they tend to feel dislocated on two continents and caught on the margins of two cultures that are themselves in a rapid state of flux. . . . The most powerful stories in this volume depict immensely complicated, conflicted characters, many of [whom] have experienced the random perils of life firsthand. . . . Adichie demonstrates that she is adept at conjuring the unending personal ripples created by political circumstance, at conjuring both the 'hard, obvious' facts of history, and 'the soft, subtle things that lodge themselves into the soul.'"
–Michiko Kakutani, The New York Times

"Haunting . . . In the first of these 12 stories set in Nigeria and the U. S., a spoiled college student doing a stint in a Nigerian prison finds he can't keep silent when the police harass an elderly inmate. In another, what seems like an excellent arranged marriage is doomed once the bride joins her husband in Brooklyn and learns he's an overbearing bore. And for the lonely narrator of the title story, falling in love means 'the thing that wrapped itself around your neck, that nearly choked you before you fell asleep,' is finally loosened. Adichie, a Nigerian who has studied in the U. S., writes with wisdom and compassion about her countrymen's experiences as foreigners, both in America and in their changing homeland. Here is one of fiction's most compelling new voices."
–Vick Boughton, People, A People Pick

 "Imagine how hard it must be to write stories that make American readers understand what it might be like to visit a brother in a Nigerian jail, to be the new bride in an arranged marriage, to arrive in Flatbush from Lagos to meet a husband or to hide in a basement, waiting for a riot to subside, wondering what happened to a little sister who let go of your hand when you were running. How would it feel to be a woman who smuggled her journalist husband out of Nigeria one day and had her 4-year-old son shot by government thugs the next? If reading stories can make you feel . . . caught between two worlds and frightened, what would it be like to live them? This is Adichie's third book, and it is fascinating. . . . Characters (many in their teens and early 20s) feel a yanking on invisible collars as they try to strike out on their own. Sometimes, ties are cut by distance, leaving a protagonist disoriented and alone . . . Sometimes a lie or a death cuts the lines of trust that tie a character to the world they inhabit. Most of Adichie's characters are alone, adrift in a strange physical or emotional landscape. . . . These characters feel invisible, erased. They can't go home. They want to melt into America. What would it be like to feel that sinister thing, memory, around your neck? Perhaps you can imagine after all."
—Susan Salter Reynolds, Los Angeles Times Book Review

"Don't let Adichie's highbrow resume scare you away from her accessible and compelling short-story collection. Yes, the 31-year-old Nigerian writer won a 2008 MacArthur Genius award. But unlike many literary authors, she eschews pretentious obscurity in favor of clarity. In these stories set both in Nigeria and in the USA, she touches on religion, corruption, Nigeria's civil war and living in America as a lonely African wife. Mostly, however, she creates indelible characters who jump off the page and into your head and heart."
–Deirdre Donahue, USA Today
"Wonderfully crafted . . . Prose this skillful deserves international acclaim. Insightful, powerful and brimming with characters that seem to leap from the printed page, this collection is nothing less than a literary feast."
—Larry Cox, Tucson Citizen

"The tensions embodied in [the story 'Jumping Monkey Hill']—between fiction and autobiography, the expectations of the observer and the experience of the witness, not to mention the value of certain experiences in the global literary marketplace—practically seep through the pages of this collection. As a whole it traces the journey Adichie herself has taken. . . . All [her] personhoods are represented here: the sheltered child, the vulnerable immigrant in Philadelphia and Brooklyn, the foreign student adrift in a dormitory in Princeton, the young African writer asked to objectify herself for an uncomprehending audience. . . . 'Ghosts,' in which an elderly professor in Nsukka meets an old colleague he assumed had died in the Biafran war, is a nearly perfect story, distilling a lifetime's weariness and wicked humor into a few pages. 'Tomorrow Is Too Far,' a kind of ghostless ghost story, delves beautifully into the layers of deception around a young boy's accidental death . . . And there is a whole suite of stories in which Adichie calmly eviscerates the pretensions of Westerners whose interest in Africa masks an acquisitive, self-flattering venality. . . . Adichie is keenly aware of the particular burdens that come with literary success for an immigrant writer, a so-called hyphenated American. Though she strikes a tricky balance—exposing, while also at times playing on, her audience's prejudices—one comes away from The Thing Around Your Neck heartened by her self-awareness and unpredictability. She knows what it means to sit at the table, and also what it takes to walk away."
—Jess Row, The New York Times Book Review

"Adichie belongs to the rare group of young writers whose wisdom sets them apart from writers of their age. . . . The Thing Around Your Neck once again showcases her insights into human nature under social, ethical, cultural as well as personal dilemmas. . . . In her notes about novel writing, Elizabeth Bowen emphasized both the unpredictability and the inevitability of a character's actions. Adichie' s best stories are perfect examples of her masterful perception of these seemingly conflicting qualities within human nature. I hesitate to use 'create,' as Adichie' s characters don't feel as though they were merely created; rather, it is as if they were invited into the stories by the most understanding hostess, and their dilemmas, pains and secrets were then related to us by the hostess, who seems to understand the characters better than they understand themselves, who does not judge them, and who treats them with respect and love and empathy that perhaps they would never have allowed themselves to imagine. . . . Reading ['On Monday of Last Week'] is like taking a journey of having one's heart broken in a foreign land, yet it is not the foreignness of the land that brings the pain but the foreignness in any human heart. . . In this and a few other stories about Nigerian women who have found themselves in America, Adichie transcends the norm of immigrants' stories and give the characters complexities that would be absent in a less masterful storyteller. . . . 'The Headstrong Historian,' a story that encompasses four generations of women (and men), achieves what a short story rarely does, with a symphonic quality that one would only hope to see in a master's stories, like those of Tolstoy. . . . Together these stories once again prove that Adichie is one of those rare writers that any country or any continent would feel proud to claim as its own."
–Yiyun Li, San Francisco Chronicle

"Haunting . . . Adichie deploys her calm, deceptive prose to portray women in Nigeria and America who are forced to match their wits against threats ranging from marauding guerillas to microwave ovens. . . . The devastating final piece, 'The Headstrong Historian,' seems to carry the whole history of a continent in its bones: tragic, defiant, revelatory."
–Michael Lindgren, The Washington Post

"Like those of Jhumpa Lahiri, whose work bears a notable resemblance to Adichie's, the characters of The Thing Around Your Neck are caught between past and present, original and adopted homelands. . . . America is a land of yoga classes, drive-through banks, and copious supermarket carts, but it is also a surprisingly unsatisfactory promised land . . . a place where half-truths and buried secrets that form a life are ruthlessly exposed. [Here also is] Nigerian life seen from the outside: the perspective of the American immigrant, the memory tourist, the second-class gender. They are the stories of those whose tales are not told. Adichie deftly accesses the privileged mindsets of her Nigerian characters, who stubbornly insist on believing that they are to be protected from the worst. . . . Her Americans are outsiders clamoring to be let into society; her upper-class Nigerians are insiders clamoring to be let out of history. 'It would have been so easy for him,' [one] narrator observes on the occasion of her brother's release from prison, 'to make a sleek drama of his story, but he did not.' Nor does Adichie, who prefers ambiguity, and a certain abruptness of tone, to the carefully raked garden paths of other writers. . . . Whether these stories reflect the writer's own experiences, only Adichie knows. That they reflect the lives of her countrymen, there can be no doubt."
–Saul Austerlitz, Boston Sunday Globe

"There are various ways writers can be ambitious, but in our era they are often judged to be so only if their prose is c...

About the Author

Chimamanda Ngozi Adichie grew up in Nigeria. Her work has been translated into thirty languages and has appeared in various publications, including The O. Henry Prize Stories, 2003; The New Yorker; Granta; the Financial Times; and Zoetrope. Her most recent novel, Half of a Yellow Sun, won the Orange Broadband Prize and was a finalist for the National Book Critics Circle Award; it was a New York Times Notable Book and a People and Black Issues Book Review Best Book of the Year. Her first novel, Purple Hibiscus, won the Commonwealth Writers’ Prize and the Hurston/Wright Legacy Award. A recipient of a 2008 MacArthur Foundation Fellowship, she divides her time between the United States and Nigeria.

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Product details

  • Publisher : Knopf (16 June 2009)
  • Language : English
  • Hardcover : 240 pages
  • ISBN-10 : 0307271072
  • ISBN-13 : 978-0307271075
  • Item Weight : 454 g
  • Dimensions : 14.91 x 2.44 x 22.05 cm
  • Customer Reviews:
    4.7 out of 5 stars 1,028 ratings

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simon
5.0 out of 5 stars This is excellent.
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Garry Essendine
5.0 out of 5 stars Outstanding collection of short stories
Reviewed in the United Kingdom on 22 October 2013
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5.0 out of 5 stars The thing around your neck
Reviewed in the United Kingdom on 27 September 2019
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5.0 out of 5 stars Stunning collection of tales
Reviewed in the United Kingdom on 27 March 2009
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