Winner of the 2008 Pulitzer Prize for Drama and the 2008 Tony Award for Best New Play.

"A tremendous achievement in American playwriting: a tragicomic populist portrait of a tough land and a tougher people." —TimeOut New York

"Tracy Letts' August: Osage County is what O'Neill would be writing in 2007. Letts has recaptured the nobility of American drama's mid-century heyday while still creating something entirely original." —New York magazine

“I don’t care if August: Osage County is three-and-a-half hours long. I wanted more.” –Howard Shapiro, Philadelphia Inquirer

"This original and corrosive black comedy deserves a seat at the table with the great American family plays."—Time

One of the most bracing and critically acclaimed plays in recent history, August: Osage County is a portrait of the dysfunctional American family at its finest—and absolute worst. When the patriarch of the Weston clan disappears one hot summer night, the family reunites at the Oklahoma homestead, where long-held secrets are unflinchingly and uproariously revealed. The three-act, three-and-a-half-hour mammoth of a play combines epic tragedy with black comedy, dramatizing three generations of unfulfilled dreams and leaving not one of its thirteen characters unscathed.

August: Osage County has been produced in more than twenty countries worldwide and is now a major motion picture starring Meryl Streep, Julia Roberts, Chris Cooper, Dermot Mulroney, Sam Shepard, Juliette Lewis, and Ewan McGregor.

“Letts is a master of pitch-dark comedies that measure the grisliest depths of human behavior…Linda Vista is very funny, equally unsettling…An inspired, ruthless take on the classic midlife-crisis comedy.” —Ben Brantley, New York Times

Fifty-year-old Wheeler is moving into his own apartment after a nasty divorce. With a blend of humor and humanity, Pulitzer Prize–winning playwright Tracy Letts demonstrates the ultimate midlife crisis: the bewildering search for self-discovery once you’ve already grown up.

“A deeply moving new play from Tracy Letts.” —Chris Jones, Chicago Tribune

Known for his complex portrayals of the human psyche, Tracy Letts expands what at first appears to be an intimate snapshot of one woman’s ordinary life into a grand and elaborate portrait play. In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a “simple life.”

"One of the best American plays of the past quarter century." - Terry Teachout, Wall Street Journal

"An immensely entertaining pop artifact. Written with neon-lit flamboyance." - Vincent Canby, New York Times

"A brilliant play. A major theatrical event." - Michael Billington, Guardian

“A visceral theatre experience of the highest order. For those who like their theatre strong, not tepid, it's immensely gratifying.” –Backstage

The Smith family hatch a plan to murder their estranged matriarch for her insurance money and hire Killer Joe Cooper, a police detective and part-time contract killer, to do the job. Once he enters the trailer, their simple plan spirals out of control. Letts’s unforgettable first play is “a tense, gut-twisting thriller ride” and has been performed in fifteen countries in twelve languages (Chicago Tribune). The film adaptation, released in 2011 and starring Matthew McConaghey, is “written with merciless black humor…one hell of a movie” (Roger Ebert).

Tracy Letts was awarded the 2008 Pulitzer Prize for Drama and Tony Award for Best Play for August: Osage County, which premiered at Steppenwolf Theatre Company in 2007 before playing Broadway, London's National Theatre, and a forty-week US tour. Other plays include Pulitzer Prize finalist Man from Nebraska; Killer Joe, which was adapted into a critically acclaimed film; and Bug, which has played in New York, Chicago, and London and was adapted into a film. Letts is an ensemble member of Steppenwolf Theatre Company and garnered a Tony Award for his performance in the Broadway revival of Who's Afraid of Virginia Woolf?

“It is a meditation on Chicago’s old soul . . . a witty, seductive, live-wire and greatly entertaining dark comedy that you just don’t want to end.” –Chicago Tribune

“Superior Donuts is a soulful play, full of humor and humanity… drawn with deep affection. Letts is a writer whose words are alive with poignancy and wit.” – David Rooney, Variety

“A source of comic bliss.” – Charles McNulty, Los Angeles Times

Superior Donuts takes place in the historic Uptown neighborhood of Chicago, where Arthur Przybyszewski runs the donut shop that has been in his family for sixty years. Franco Wicks, a young black man and Arthur's only employee, wants to modernize the shop, while Arthur is more content to spend the day smoking weed and reminiscing about his Polish immigrant father. This provocative comedy, set in the heart of one of Chicago's most diverse communities, explores the challenges of embracing the past and the redemptive power of friendship.


Tracy Letts was awarded the 2008 Pulitzer Prize for Drama and Tony Award for Best Play for August: Osage County, which premiered at Steppenwolf Theatre Company in 2007 before playing Broadway, London's National Theatre, and a forty-week US tour. Other plays include Pulitzer Prize finalist Man from Nebraska; Killer Joe, which was adapted into a critically acclaimed film; and Bug, which has played in New York, Chicago, and London and was adapted into a film. Letts is an ensemble member of Steppenwolf Theatre Company and garnered a Tony Award for his performance in the Broadway revival of Who's Afraid of Virginia Woolf?