Victoria M. Chang

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About Victoria M. Chang
Victoria Chang is a poet and writer living in Los Angeles. Her forthcoming book of poems is The Trees Witness Everything (Copper Canyon Press, 2022). Her newest hybrid book of prose is Dear Memory (Milkweed Editions, 2021). Her most recent poetry book, OBIT, was published by Copper Canyon Press in 2020. It was named a TIME Magazine, NPR, Publisher's Weekly, and New York Times Book of the Year. OBIT won the Los Angeles Times Book Prize, the PEN Voelcker Award, and the Anisfield-Wolf Book Prize. It was a finalist for the Griffin International Poetry Prize, the National Book Critics Circle Award, and longlisted for a National Book Award. Visit her at www.victoriachangpoet.com or on twitter @VChangPoet.
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Books By Victoria M. Chang
For poet Victoria Chang, memory “isn’t something that blooms, but something that bleeds internally.” It is willed, summoned, and dragged to the surface. The remembrances in this collection of letters are founded in the fragments of stories her mother shared reluctantly, and the silences of her father, who first would not and then could not share more. They are whittled and sculpted from an archive of family relics: a marriage license, a letter, a visa petition, a photograph. And, just as often, they are built on the questions that can no longer be answered.
Dear Memory is not a transcription but a process of simultaneously shaping and being shaped, knowing that when a writer dips their pen into history, what emerges is poetry. In carefully crafted missives on trauma and loss, on being American and Chinese, Victoria Chang shows how grief can ignite a longing to know yourself.
In letters to family, past teachers, and fellow poets, as the imagination, Dear Memory offers a model for what it looks like to find ourselves in our histories.
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Time Magazine's 100 Must-Read Books of 2020
NPR's Best Books of 2020
National Book Award in Poetry, Longlist
Frank Sanchez Book Award
After her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of “the way memory gets up after someone has died and starts walking.” These poems reinvent the form of newspaper obituary to both name what has died (“civility,” “language,” “the future,” “Mother’s blue dress”) and the cultural impact of death on the living. Whereas elegy attempts to immortalize the dead, an obituary expresses loss, and the love for the dead becomes a conduit for self-expression. In this unflinching and lyrical book, Chang meets her grief and creates a powerful testament for the living.
"When you lose someone you love, the world doesn’t stop to let you mourn. Nor does it allow you to linger as you learn to live with a gaping hole in your heart. Indeed, this daily indifference to being left behind epitomizes the unique pain of grieving. Victoria Chang captures this visceral, heart-stopping ache in Obit, the book of poetry she wrote after the death of her mother. Although Chang initially balked at writing an obituary, she soon found herself writing eulogies for the small losses that preceded and followed her mother’s death, each one an ode to her mother’s life and influence. Chang also thoughtfully examines how she will be remembered by her own children in time."—Time Magazine
A NEW YORKER BEST BOOK OF 2022
'Impeccable, precise poems, sometimes shocking and strange, but always startling' Irish Times
A lover of strict form, best-selling poet Victoria Chang turns to compact Japanese waka, powerfully innovating on tradition while continuing her pursuit of one of life's hardest questions: how to let go.
In The Trees Witness Everything, Victoria Chang reinvigorates language by way of concentration, using constraint to illuminate and free the wild interior. Largely composed in various Japanese syllabic forms called 'wakas,' each poem is shaped by pattern and count. This highly original work innovates inside the lineage of great poets including W.S. Merwin, whose poem titles are repurposed as frames and mirrors for the text, stitching past and present in complex dialogue. Chang depicts the smooth, melancholic isolation of the mind while reaching outward to name - with reverence, economy and whimsy - the ache of wanting, the hawk and its shadow, our human urge to hide the minute beneath the light.
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"Chang's voice is equal parts searing, vulnerable, and terrified."—American Poets
Barbie Chang, Victoria Chang explores racial prejudice, sexual privilege, and the disillusionment of love through a reimagining of Barbie—perfect in the cultural imagination yet repeatedly falling short as she pursues the American dream.
This energetic string of linked poems is full of wordplay, humor, and biting social commentary involving the quote-unquote speaker, Barbie Chang, a disillusioned Asian-American suburbanite. By turns woeful and passionate, playful and incisive, these poems reveal a voice insisting that "even silence is not silent."
From "Barbie Chang Lives":
Barbie Chang lives on Facebook has
a house on Facebook
street so she can erase herself Facebook
is a country with
no trees it allows her to believe people
love her don't
want to cover her Barbie Chang . . .
Victoria Chang is the author of three previous poetry books. In 2013, she won the PEN Center USA Literary Award and a California Book Award. Chang teaches poetry at Chapman University and lives in Southern California.
Is Mommy tall or short?
Short!
Is Mommy fun or boring?
Boring!
In this joyous ode to hardworking mothers everywhere—who may not always be fun or organized or neat—Victoria Chang asks, do their toddlers love them anyway? Of course! Marla Frazee’s colorful and humorous illustrations bring this simple text—perfect for reading aloud—to vivid life.